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BBC radio drama Elvis meets the Beatles

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Elvis meets the Beatles
Yesterday, BBC Radio 2 sent a radio dramatisation of the meeting between The Beatles and Elvis Presley. It is now available for online listening from this webpage.

BBC Radio 2 marks the 50th anniversary of a momentous meeting between Elvis Presley and the young pretenders of pop The Beatles.

Starring Tom Hughes as John Lennon, this drama is inspired by a secret meeting that took place in Elvis's Bel Air mansion on August 27 1965. That night is probably the most seismic meeting in music. No cameras, no recording equipment - and only those who were there really know what happened. When Elvis Met The Beatles recreates that evening, bringing alive the story when they met exactly 50 years ago, inviting listeners to be a fly on the wall.

Written by Jeff Young, the drama puts music at the heart of their meeting. Listeners will hear how music broke the ice between the two parties, discover what songs were played on Elvis' Jukebox and who sang what in a mythical jam session. This wasn't just the meeting of the two biggest music names in history - it was passing of the baton from the King of Rock 'n' Roll to the upstarts from Liverpool.

Tom Hughes, star of recently acclaimed BBC Two drama The Game, plays John Lennon, alongside Kevin Mains as Elvis Presley (he previously played Paul McCartney in ITV's Cilla and Elvis in the West End production of Million Dollar Quartet).

Tom says: "It's said that you shouldn't meet your heroes, I'm not sure that's true. John Lennon is a hero of mine. I'll never have the chance to meet him, so playing him is the next best thing. I was delighted to be asked and I just hope that in some way I've done this great man justice."

Other cast include Tom Dunlea as Ringo (All Is By My Side, and he played the same Beatle in Cilla), Shaun Mason (Luther, Good Cop) as Paul McCartney, Michael Hawkins as George Harrison (a role he also played in Cilla), Daniel Lapaine (Zero Dark Thirty, Muriel's Wedding) as Brian Epstein, and Colin Stinton (The Bourne Ultimatum, Foyle's War) playing Colonel Tom Parker. Music is from leading Elvis tribute act, Pete Storm, and members of Imagine The Beatles, with Paul McCartney sung by Rob Simpson, John Lennon by Geoff Raggett and George Harrison by Adj Buffone.

The drama is by Liverpool-based screenwriter and playwright, Jeff Young, one of the BBC's most experienced radio dramatists with over 25 radio plays broadcast in the last 20 years, plus a major stage adaptation of The Who's Quadrophenia which toured the UK in 2009.

Jeff Young says: "I was a big Beatles fan when I was younger, but for this project, initially, I knew very little about the Elvis and Beatles meeting. Then as I began researching the story, the strangeness of the meeting and the psychological dimensions, the dramatic opportunities became obvious. The larger than life characters involved, including Brian Epstein and Colonel Tom Parker, all set against a backdrop of corrupt American politics and the disastrous war in Vietnam, made for a strange and compelling narrative".

"The piece that has emerged is a kind of fake documentary. Elvis's life was an American Tragedy and the seeds of it are sown here in this meeting between the King and the pretenders to the throne. The Beatles were so young, bewildered and overwhelmed by their rapid rise to fame. In writing this drama I went back my old Beatles records and I became a Beatles fan, all over again.".

Mark Lewisohn about the upcoming volumes

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The paperback edition of "Tune In" is published September 3, 2015.
Renowned Beatles author Mark Lewisohn was a guest at BeatleWeek in Liverpool this year, and had a session called "Ask Mark", a revival of his BeatleWeek sessions in the eighties. Here, he discussed not only volume one, "Tune in" of his Beatles biographic trilogy in the making, but also revealed a bit about the two upcoming volumes.

As a matter of fact, the first question posed was "How's book two coming along?". Lewisohn is still thinking that volume two will come out in 2020. He is still researching, and writing hasn't started. There is already enough material to write a substantial volume two, which he could start writing right away, but he hasn't yet turned every stone, and wants to be absolutely correct before he starts the writing process.  And he says that he is discovering something new almost on a daily basis, so it does indeed look as if there are still a lot of unturned stones. Volume two will be completely different from what he first imagined it would be, and he still has no title of volumes two and three. And no, they will not be called "Turn on" and "Drop out".

One of the interesting questions put to Lewisohn at the very end of the Q&A session was why the Beatles took such a long break exactly 50 years ago. Returning from their American tour on September 1st, 1965, collectively The Beatles did nothing for six weeks, which did make the creative process of writing and recording "Rubber Soul" in time for the Christmas market a difficult and rushed one. Lewisohn had no firm answer to this, but let it be known that the times when they went out of the public eye were as interesting as the rest of their story. This is one of the reasons why further research is needed before the writing of volume two can commence.

New material, stories and people from the period covered in volume one, "Tune In" has turned up after it's publication, but will not be included in the upcoming paperback edition of that book. Lewisohn says that it will be used in some way, but is still not sure how and when.

The people whose lives we have been following in "Tune in" will also be featured in the upcoming volumes. We are talking about the people who were left behind, people like Allan Williams, Bob Wooler, Rory Storm, Pete and Mona Best etc. As their lives were still influenced by the Beatles and their success, we will get to see what happened to them along the way.

Fortunately, someone recorded the Q&A session and put it up on YouTube:




Behind the Lens with Henry Diltz and Pattie Boyd

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Pattie Boyd with George Harrison.
Meet Pattie Boyd! "Behind the Lens Featuring Henry Diltz and Pattie Boyd" is a Morrison Hotel Gallery production, which is doing a September tour in USA.

Henry Diltz is a music photographer with over 400,000 images in his archive and 400 album covers to his name.  He has now teamed up with Pattie Boyd, and together their photos should be of interest to rock and roll fans. Pattie's photos are intimate portraits of George Harrison, the Beatles and Eric Clapton, among others.

In this show, the artists will be present to share their amazing stories and iconic images, and it's a multimedia presentation.

September 10, 2015: Los Angeles, CA - Largo (sold out)
September 13, 2015: Nashville, TN - City Winery
September 16, 2015: Chicago,IL - City Winery
September 21, 2015: New York, NY - City Winery
September 23, 2015: Fall River, MA - Narrows Center For The Arts


What if the Beatles never broke up?

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Peter Lee has maintained a blog called Hooks and Harmony since 2008, dedicated to pop music and 80s music. Now he is coming out with a new novel, titled "The Death and Life of Mal Evans."

The book speculates what would have happened if the Beatles had stayed together during the 1970s, as seen through the eyes of Beatles assistant and roadie Mal Evans. Evans, near death from a gunshot wound in 1976, gets a chance to relive a crucial moment when the Beatles began to break up in 1969, and change musical history.

In the alternate reality Evans creates, these Beatle albums do get created, but not without some difficulty. John and Paul are constantly arguing, George is second guessing his work, and Ringo has trouble living up to the Beatle name. And during this time, Evans is constantly running from Death, which is trying to ruin his dream.

The book is available from AvonyPublishing.com

McCartney featured on new single

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Cover art
Paul McCartney is one of a heap of artists featured on a new single due out September 4th on iTunes, called "Love Song To The Earth". The global release is scheduled for September 11.
With only a few months until world leaders gather in Paris to draft and sign meaningful legislation to fight climate change, a handful of music legends and celebrities have come together to record a new single aimed at building awareness and support.

When the U.N. asked me to write a song about climate change, I felt honored and inspired," singer/songwriter Toby Gad shared in a statement. "So, my friends and I wrote ‘Love Song To The Earth,’ focusing on a positive message about how precious our only planet is."

The piece, called "Love Song to the Earth," is collaborative effort from Paul McCartney, Jon Bon Jovi, Sheryl Crow, Fergie, Colbie Caillat, Natasha Bedingfield, Leona Lewis, Sean Paul, Johnny Rzeznik, Krewella, Angelique Kidjo (a UNICEF Goodwill Ambassador), Kelsea Ballerini, Nicole Scherzinger, Christina Grimmie, Victoria Justice and Q’Orianka Kilcher.

Tug of War remixes

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Paul McCartney has now released a sample of the new 2015 remix of Tug of War. 
And here's the remastered single edit of "Take It Away".

SACD/DVD: Carl Perkins & Friends

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CD+DVD/hybrid SACD: nyutgitt på selskapet Madfish.
As many of you will remember, both Carl Perkins and George Harrison made some kind of a comeback with the TV-show "Blue Suede Shoes - A Rockabilly Session", which was broadcast in the UK on January 1, 1986 by Channel 4. The show was a televised concert, recorded and filmed on 21 October 1985, the first time in nearly ten years that George had performed live in front of an audience. The audience of the day consisted of of specially invited members and dancers from a rockabilly club in London, as well as ticket winners among listeners of Capital radio London. The concert was later released as a video cassette, and years later as a DVD.
In 2006, the TV-concert was also released as a little acknowledged CD from a small company, Snapper Music. Ringo Starr was one ot the other artists performing at the concert, alongside Dave Edmunds, Eric Clapton, Rosanne Cash and rockabilly revivalists Stray Cats.
Unnoticed by us, the concert has again been re-released, this time as a hybrid SACD and accompanying DVD by another small company, Madfish on 14 August, 2015.

Link to Amazon (UK):


For lovers of vinyl, the album was made available as a pair of 10" discs on July 10, 2015. Here is the back cover of that release:

Double 10" album - back cover.

On the illegal bootleg market, a DVD exists with rehearsals for the show as well as footage from the cover photo session.

Track lists:


Disc: 1 (CD/Hybrid SACD)

1. Carl Perkins "Boppin' The Blues" (02:57) - Carl Perkins
2. Carl Perkins "Put Your Cat Clothes" (03:31) - Carl Perkins
3. Ringo Starr "Honey Don't" (04:06) - Ringo Starr
4. Carl Perkins, Ringo Starr & Eric Clapton "Matchbox" (02:54) - Carl Perkins
5. Carl Perkins & Eric Clapton "Mean Woman Blues" (03:27) - Carl Perkins
6. Carl Perkins "Turn Around" (03:17) - Carl Perkins
7. Carl Perkins & Rosanne Cash "Jackson" (03:04) - Carl Perkins
8. Rosanne Cash "What Kind Of Girl?" (02:04) - Rosanne Cash
9. George Harrison "Everybody's Trying To Be My Baby" (03:26) - George Harrison
10. Carl Perkins, George Harrison & Dave Edmunds "Your True Love" (04:18) - Carl Perkins
11. Carl Perkins "The World Is Waiting For The Sunrise" (02:17) - Carl Perkins
12. Carl Perkins, George Harrison & Eric Clapton "Medley : That's Alright Mama / Blue Moon Of Kentucky / Night Train To Memphis" (05:17) - Carl Perkins
13. Carl Perkins & George Harrison "Glad All Over" (02:36) - Carl Perkins
14. Carl Perkins & Eric Clapton "Whole Lotta Shakin' Goin' On" (02:30) - Carl Perkins
15. Carl Perkins "Gone Gone Gone" (02:38) - Carl Perkins
16. Carl Perkins "Blue Suede Shoes" (03:11) - Carl Perkins
17. George Harrison "Blue Suede Shoes" (Encore) (02:54) - George Harrison
18. Carl Perkins "Blue Suede Shoes" ( Encore ) (00:52) - Carl Perkins

Disc: 2 (DVD)

1. Johnny Cash, Roy Orbison & Jerry Lee Lewis - Interviews (01:41)
2. Carl Perkins "Boppin' The Blues" (02:57)
3. Carl Perkins "Put Your Cat Clothes" (03:31)
4. Ringo Starr "Honey Don't" (04:06)
5. Carl Perkins, Ringo Starr & Eric Clapton "Matchbox " (02:54)
6. Carl Perkins & Eric Clapton "Mean Woman Blues" (03:27)
7. Carl Perkins "Turn Around" (03:17)
8. Carl Perkins & Rosanne Cash "Jackson" (03:04)
9. Rosanne Cash "What Kind Of Girl?" (02:04)
10. George Harrison "Everybody's Trying To Be My Baby" (03:26)
11. Carl Perkins, George Harrison & Dave Edmunds "Your True Love" (04:18)
12. Carl Perkins "The World Is Waiting For The Sunrise" (02:17)
13. Carl Perkins, George Harrison & Eric Clapton "Medley : That's Alright Mama / Blue Moon Of Kentucky / Night Train To Memphis" (05:17)
14. Carl Perkins & George Harrison "Glad All Over" (02:36)
15. Carl Perkins & Eric Clapton "Whole Lotta Shakin' Goin' On" (02:30)
16. Carl Perkins "Gone Gone Gone" (02:38)
17. Carl Perkins "Blue Suede Shoes" (03:11)
18. George Harrison "Blue Suede Shoes" (Encore) (02:54)
19. Carl Perkins "Gone Gone Gone" (Encore) (00:52)

A Hard Day's Night - speed corrections

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© Bettmann/CORBIS
You might recall that one thing the new edition of A Hard Day's Night DVD/Blu-ray didn't address, was the speed issue. The film was shot at 25 fps and played back at 24 fps, but they neglected to speed up the tracks during filming, and as a result, when played back, the songs sound slower in the film than on the records.

Music Radar interviewed Giles Martin about the speed issue.

MR: I read that the mixes of the songs in the film were slower than the album versions. Why was that?

GM: “Yeah, and that’s something I asked them to change. When I was working on the Martin Scorsese-George Harrison film, I noticed it. And I Love Her was a semitone down. It’s got to do with frame rates. I asked them, 'Can you change the frame rate of the film?' and of course, you can’t because that would speed up the film. Pitching the music but keeping it at the same speed might have worked, but then you’re going into a digital world that’s kind of unpleasant. It’s a bit like plastic surgery, and you don’t want to be doing that, putting a new face on something. The thing about And I Love Her in the film is, it’s a different mix. It’s not a double-tracked vocal, whereas the original is.”

Now, a friend of WogBlog has released speed corrected versions on YouTube. Done in computer at 106% playback speed, these versions match the speed of the 09 remastered studio tracks, but with the audio from the film.

And I Love Her



If I Fell



I'm Happy Just To Dance With You


Finale Concert


Unseen Ed Sullivan photos

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Rehearsal: February 8 - Set construction

On Facebook, Dave Morrell recently published two hitherto unseen photos from The Beatles' first Ed Sullivan appearance, which he says came from the collection of "Good guy Gary", and which said Gary told him to "share with everyone". Taking Gary's words literally, we present these photos to readers of our blog.

Rehearsal: February 8, 1964.

Something is going on

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Something is being counted down to over at thebeatles.com. Is it just a new website design, or could it be that we are finally getting that "1"- themed collection of The Beatles' promotional films (aka music videos) that we first wrote about in December 2013, and which was then scheduled for release in October 2014? If it is, it'll be interesting to see if some of our suggestions have been listened to!
Word is, all will be revealed on Tuesday, September 15th.


The news about a "1"- themed video collection was first revealed in an internal memo which was accidentally published online in December 2013, and then removed again. According to the memo, the DVD was supposed to be out in October 2014, alongside a reissued vinyl edition of the "1" album. Even though the vinyl album reissue came through (only about a month later than anticipated, it was released on Nov 24, 2014), the video collection release didn't happen in 2014.

In 2015, The Beatles' YouTube account so far has released two full promo music videos, "A Day In The Life" in February and "Ticket To Ride" in April. Both films have since been removed again.

In 2007, Apple Corps Ltd put together a music video for "Old Brown Shoe", for an unknown purpose.
Other people's uploads of promotional films by The Beatles have also been removed from YouTube lately. The reason is usually that the films contain content belonging to Apple Corps Ltd.

[​IMG]
The first sign of things to come was tweeted by George Harrison's account.
One promotional film that was uploaded this August and that's still (at the time of writing) available on YouTube, is a 2007 music video for George Harrison's song "Old Brown Shoe", which you may or may not find here. Since it was uploaded, fans of The Beatles have been discussing this film on social media sites. What was the purpose of this film? Why did Apple Corps Ltd have it made? Did anyone catch this on TV? There was no particular product released in 2007 to tie this film in with, and it has gone by fairly unnoticed. As you can see from the photo above, it was leaked from an inside source and not from a TV broadcast, as it has the clock slate present before the actual film starts. The song was on the B-side of the "Ballad of John and Yoko" single, and it hasn't had a music video before this. Could there have been plans to make a video compilation of singles A- and B-sides?

Over at the Steve Hoffman forum, someone noted that notice that the three Beatles music videos formerly for sale on iTunes ("Hey Bulldog", "Get Back", "Don't Let Me Down") no longer are available.

Another person says that Universal Music in his country has listed a new version of the "1" album coming up, remixed for 5.1 surround sound and with an accompanying Blu-ray of the music videos due in November. High Fidelity Pure Audio (HFPA) is a marketing initiative, spearheaded by the Universal Music Group, for audio-only Blu-ray optical discs. Launched in 2013 as a potential successor to the Compact disc, it has been compared with DVD-A and SACD, which had similar aims.

Mock-up, based on the look of the countdown.

HFPA is encoded as 24-bit/96 kHz or 24-bit/192 kHz linear PCM ("high-resolution audio"), optionally losslessly compressed with Dolby True HD or DTS-HD Master Audio. Some of the earlier releases in this program have been multi-channel, like Tears For Fears'"Songs From The Big Chair" in a new 5.1 mix, released last December. Last February, a Blu-ray disc of John Lennon's "Imagine" album was released, although in stereo only. As you'll know, a quad mix of the "Imagine" album was made in the mid-seventies, which they could have either have used as is, or used as a basis to remix the original album tracks accordingly. They chose not to, though. Perhaps "1" will be a first?

Since Giles Martin did do some work on the Beatles' multitracks to make them useable for The Beatles Rockband, surround sound mixes can be made (also witness "Love"), and with modern day equipment, amateur audio wizards have managed to make listenable stereophonic versions of songs where only the mono recordings are available, songs like "Love Me Do" and "She Loves You". It remains to be seen if they can make a 5.1. channel surround mix of "She Loves You", though.

Love Me Do in stereo

Lennonology at the printers

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Chip Madinger has mailed us to tell us that the book is at the printers, and in celebration the people who have so far purchased the book and joined the Lennonology forum have access to the first three chapters as an advance preview. Madinger says that he will also be making this same section of the book available to the general public in the near future.
Lennonology.com

Ringo takes stock

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1963 drum kit.
After having sold their homes in England and Monaco, Ringo Starr and his wife Barbara Bach have been taking stock - and found that they have too much stuff. Ringo is 75 years old and not getting any younger, so what are they to do with it all? The answer is to get rid of some of it by auctioning it off.
And being Ringo, there are lots of interesting Beatles related stuff. Among the cutlery, the saucers, glasses and dinner services are items like his 1963 drum kit and the #000000001 edition of "The Beatles" (White album),  several guitars, including a Gretsch which was a gift from George Harrison and a Rickenbacker from John Lennon.

Over 800 items will be offered Dec. 4-5 at Julien's Auctions in Beverly Hills, California. A portion of the proceeds will benefit the couple's Lotus Children Foundation that focuses on social welfare issues around the world.

Highlights and their pre-sale estimates:
  • Ringo's first 1963 Ludwig Oyster black pearl three-piece drum kit that he used in over 200 performances and recordings between May 1963 and February 1964. Paul McCartney also used the set on his first solo album, "McCartney." $300,000-$500,000.
  • John Lennon's 1964 Rose-Morris Rickenbacker with a fire-glo sunburst finish that he played during The Beatles' 1964-1965 Christmas shows. He made a gift of the guitar to Ringo in 1968. $600,000-$800,000.
  • A 2000 Mercedes Coupe, first owned by George and acquired by Ringo after the guitarist died in 2001. $60,000-$80,000.
  • A seven-tom drum kit inspired by drummer Hal Blaine and commissioned for Ringo by George in 1968. Only five sets of the custom kits are known to exist. $10,000-$20,000.
Highlights will be on display for a week at The Hard Rock Cafe New York in Times Square starting Nov. 16. They also will be shown at the Museum of Style Icons in Ireland and at Julien's prior to the sale.


Julien's anticipates the sale could top $5 million-$10 million.

"It's really a once in a lifetime opportunity. Ringo will never do this again. They are the only items he's letting go," said auctioneer Darren Julien.


Link to auction: JuliensAuctions.com/

Restoring the Pepper caravan

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The Sgt Pepper caravan in it's heyday.
During 2012 a long lost piece of Beatles History, the psychedelic Sgt Pepper's Gypsy Caravan, previously owned by John Lennon, was rediscovered. The caravan is in need of an extensive and highly specialised restoration to bring it back to the glory of its 1967 debut. Over the next 18 months the Delight Makers charity will be undertaking the restoration, whilst producing a documentary of its untold story.

The aim is to have the restored caravan and film ready for 2017, the 50th anniversary of the Sgt Peppers Album release. The next step will be to take the caravan on tour to promote peace education. The project is called Peacing Together.

In addition to preserving a unique piece of Beatles History and cultural “memorabilia”, the documentary of the untold story aims to broaden our insight and understanding of John Lennon, beyond his well known contribution to music and world peace.


It is hoped that the caravan and Peacing Together tour will act as a catalyst and provide an opportunity to reach out and connect with a global audience to raise funds and awareness for peace and healing.

Website: PeacingTogether.org

Beatles 1 mystery solved

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CD/DVD Gatefold Digipack
On November 6, 2015, a Blu-ray, a DVD and a digipack containing a CD and DVD will be released. Also, there's a Deluxe limited 1CD/2Blu-Ray edition to be made available the same day, optionally as DVD.

Deluxe limited blu-ray edition
The "1" CD will feature a new 2015 remixed and remastered version of the album by Giles Martin and Sam Okell.

Editions:
Without the CD:
Press release:

THE BEATLES’ VIDEOS AND TOP HITS COME TOGETHER FOR THE FIRST TIME

All-New Editions of The Beatles 1 Pair Beautifully Restored Promotional Films and Videos with Brand New Stereo and Surround Audio Mixes

Beatles 1+ Deluxe Edition Celebrates the Sight & Sound of The Beatles in 50 Films & Videos

London – September 15, 2015
After The Beatles stopped touring, and because travelling around the globe to promote new releases was impossible, the band increasingly made what could be described as “mini movies”. These pioneering promotional films and videos helped to define the way we have come to watch music, not least because The Beatles approached filming with the same ease and innovative spirit they brought to the recording studio, exploring new creative possibilities with infectious delight. Showcasing the band’s filmed work to accompany their 27 No.1, U.K. and U.S. singles, The Beatles 1 is newly restored and expanded in multiple configurations for global release on November 6 by Apple Corps Ltd/UMG.

The 27-track CD/DVD and CD/Blu-ray pairs beautifully restored videos for each song, with new stereo and 5.1 Dolby Digital and DTS HD surround audio mixes. The brand new Beatles 1+ celebrates their career in over 200 minutes through 50 promotional films and videos. This includes the 27 No.1s, with the restored videos, along with a second disc of 23 videos, including alternate versions, as well as rarely seen and newly restored films and videos; all include new audio mixes in deluxe CD/2-DVD and CD/2-Blu-ray packages. The 27-track audio CD is also being made available with new stereo mixes. A 2 LP, 180-gram vinyl package will follow.

TThe new editions of The Beatles 1 have been made possible following extensive research, and restoration of the original promo films, classic television appearances and other carefully selected videos spanning the band’s history. Apple Corps dug deep into The Beatles’ vaults to select a broad range of films and videos for their rarity, historical significance and quality of performance. An 18-person team of film and video technicians and restoration artists was assembled by Apple Corps to undertake painstaking frame-by-frame cleaning, colour-grading, digital enhancement and new edits that took months of dedicated, ‘round-the-clock work to accomplish.

The result is a visual run down of The Beatles’ number one records, as well as the additional tracks on the bonus disc of Beatles 1+ that show the band in previously unseen standards of clarity and quality; many of the films and videos have never before been commercially released, in whole or in part.

Beatles 1 and Beatles 1+ offers the restored films, including 35mm negatives scanned in 4K and digitally restored with new stereo and 5.1 surround audio remixes, produced from the original analogue tapes by the GRAMMY® winning team of Giles Martin with Sam Okell at Abbey Road Studios. For four of the videos, Paul McCartney and Ringo Starr have provided exclusive audio commentary and filmed introductions, respectively. The 1+ Deluxe Edition, presented in an expanded 124-page illustrated hardcover book includes ‘an appreciation’ of The Beatles’ ground-breaking films and videos by music journalist and author Mark Ellen and extensive, detailed track/video annotation by music historian and author Richard Havers.

“These videos and films are spectacular reminders of the era we lived in. They also rock!”
Paul McCartney

“II think it’s really interesting to see the videos we made, some of them incredible and some of them really incredible. How else would we have got to sit on a horse?”
Ringo Starr

Between 1962 and 1970, The Beatles released 27 No.1 hit singles in the U.S. and the U.K. In 2000, these timeless songs were collected for The Beatles 1, which topped the charts in 35 countries and became that decade’s bestselling album worldwide. 15 years later, 1 is revisited for this entirely new, visually-inspired presentation.

It’s The Beatles, as you’ve never seen them before.

The Beatles 1

[CD: DVD: CD+DVD: Blu-Ray: CD+Blu-Ray]
DISC 1 AUDIO (CD) + DISC 1 VIDEO
(DVD or Blu-ray)

Love Me Do
From Me To You
She Loves You
I Want To Hold Your Hand
Can’t Buy Me Love
A Hard Day’s Night
I Feel Fine
Eight Days a Week
Ticket To Ride
Help!
Yesterday
Day Tripper
We Can Work It Out
Paperback Writer
Yellow Submarine
Eleanor Rigby
Penny Lane
All You Need Is Love
Hello, Goodbye
Lady Madonna
Hey Jude
Get Back
The Ballad of John and Yoko
Something
Come Together
Let It Be
The Long and Winding Road
DISC 1 VIDEO EXTRAS

Paul McCartney audio commentary
Penny Lane
Hello, Goodbye
Hey Jude
Ringo Starr filmed introductions
Penny Lane
Hello, Goodbye
Hey Jude
Get Back
The Beatles 1+

CD/2-DVD: CD/2-Blu-ray]
DISC 1 AUDIO (CD) + DISC 2 VIDEO (DVD or Blu-Ray)

(same as above)

DISC 2 VIDEO (DVD or Blu-Ray)

Twist & Shout
Baby It’s You
Words Of Love
Please Please Me
I Feel Fine
Day Tripper *
Day Tripper *
We Can Work It Out *
Paperback Writer *
Rain *
Rain *
Strawberry Fields Forever
Within You Without You/Tomorrow Never Knows
A Day In The Life
Hello, Goodbye *
Hello, Goodbye *
Hey Bulldog
Hey Jude *
Revolution
Get Back *
Don’t Let Me Down
Free As A Bird
Real Love
DISC 2 VIDEO EXTRA

Paul McCartney audio commentary
Strawberry Fields Forever
* alternate version

NOTES ON THE VIDEOS

BEATLES 1 DVD

DISC ONE

1. LOVE ME DO
Newly edited clip, featuring material from BBC TV’s The Mersey Sound, with performance footage filmed on 27 August 1963 at the Little Theatre, Southport.
2. FROM ME TO YOU
A live performance at the 1963 Royal Variety Show, filmed at The Prince Of Wales Theatre, London, on 4 November 1963.
3. SHE LOVES YOU
A live performance from the Swedish Television show Drop In, recorded on 30 October 1963 during a short Scandinavian tour.
4. I WANT TO HOLD YOUR HAND
From the Granada TV programme Late Scene Extra filmed on 25 November 1963.
5. CAN’T BUY ME LOVE
First broadcast in the TV show Around The Beatles, filmed on 28 April 1964 and broadcast the following month. It features a different audio track to that of hit single, recorded by The Beatles on 19 April 1964.
6. A HARD DAY’S NIGHT
Live performance at the Palais des Sports, Paris on 20 June 1965, while on a short European tour.
7. I FEEL FINE
Filmed at Twickenham Film Studios on 23 November 1965. One of ten films shot that day to satisfy global TV demand for broadcast material to accompany The Beatles’ hit records.
8. EIGHT DAYS A WEEK
A brand new clip edited from material filmed at the Shea Stadium concert in New York City on 15 August 1965, during which the band performed twelve songs, but ‘Eight Days A Week’ was not among them. The clip says so much about the band’s frenetic lifestyle in 1965, at the height of Beatlemania.
9. TICKET TO RIDE
Filmed at Twickenham Film Studios on 23 November 1965.
10. HELP!
The less frequently seen clip of those filmed at Twickenham Film Studios on 23 November 1965.
11. YESTERDAY
Paul performing on The Ed Sullivan Show, videotaped in New York City on 14 August 1965 and broadcast the following month, the day before the single was released in America.
12. DAY TRIPPER
Three versions of this clip were filmed at Twickenham Film Studios on 23 November 1965. This is version 2, in which all of the group are wearing polo neck sweaters, except for Paul, who wears a black shirt.
13. WE CAN WORK IT OUT
There were three versions of the ‘We Can Work It Out’ video filmed atat Twickenham Film Studios on 23 November 1965. This is version 2 in which all four Beatles are wearing black polo neck sweaters.
14. PAPERBACK WRITER
Filmed in 35mm, and in colour, in Chiswick Park, West London, by director Michael Lindsay-Hogg.
15. YELLOW SUBMARINE
This clip is newly created from original Yellow Submarine footage.
16. ELEANOR RIGBY
This clip is taken directly from the Yellow Submarine movie.
17. PENNY LANE
A ground-breaking clip by Swedish director Peter Goldmann that captures The Beatles in Stratford, London, and at Knole Park in Kent, with additional material shot in Liverpool.
18. ALL YOU NEED IS LOVE
Filmed in Studio One at Abbey Road, on 25 June 1967, and beamed around the globe as a part of the TV programme Our World. This colourised version was created for The Beatles Anthology TV programme in 1995.
19. HELLO, GOODBYE
London’s Saville Theatre was the location for this promo film, shot on 10 November 1967; The Beatles wear their Sgt. Pepper outfits.
20. LADY MADONNA
Just prior to leaving for India, The Beatles met up in Studio Three at Abbey Road, on 11 February 1968. They were filmed while recording ‘Hey Bulldog’.
21. HEY JUDE
Filmed at Twickenham Film Studios on 4 September, for broadcast on David Frost’s TV show, Frost On Sunday. The introduction by David Frost is different from that on disc 2.
22. GET BACK
The promo clip made available at the time of the original release of the single featured performances from the Apple rooftop synched to the record. This new clip has been rebuilt to replicate the original but with improved picture quality.
23. THE BALLAD OF JOHN AND YOKO
This original promo clip features outtakes from the Let It Be movie, with other private footage shot in Amsterdam, London, Paris and Vienna.
24. SOMETHING
The video features George and Pattie, John and Yoko, Paul and Linda, and Ringo and Maureen. and was filmed at locations in Berkshire, Surrey, and the Mull of Kintyre.
25. COME TOGETHER
The clip was created in 2000 by Melon Dezign for the launch of thebeatles.com and the original Beatles 1 album.
26. LET IT BE
A 1970 promo clip was made available to support the release of the single and it was different to the one featured in the Let It Be movie; this clip has been rebuilt from the original footage.
27. THE LONG AND WINDING ROAD
This clip is taken straight from the Let It Be movie.
DISC TWO

1.TWIST AND SHOUT
From the Granada Television programme Scene At 6.30, which was videotaped on 14 August 1963.
2.BABY IT’S YOU
One of two clips used to promote the single taken from the 1995 Live At The BBC album. The clip is enhanced by the inclusion of unique colour footage of The Beatles filmed outside the BBC’s Paris Studio on Lower Regent Street, London.
3.WORDS OF LOVE
When On Air – Live At The BBC Volume 2 was released in 2013, it included ‘Words Of Love’, a Buddy Holly composition that the band recorded for radio. This new clip is a mix of existing footage and innovative animation.
4.PLEASE PLEASE ME
A live performance videotaped on 9 February for The Ed Sullivan Show, which was screened on 23 February 1964.
5.I FEEL FINE
Filmed at Twickenham Film Studios on 23 November 1965, this clip shows The Beatles eating fish and chips during their lunch break.
6.DAY TRIPPER
From the TV special The Music Of Lennon & McCartney that first broadcast in mid-December 1965.
7.DAY TRIPPER
Filmed at Twickenham Film Studios on 23 November 1965, with the group wearing their Shea Stadium Jackets with the ‘Nehru’ collars.
8.WE CAN WORK IT OUT
Filmed at Twickenham Film Studios on 23 November 1965 – showing The Beatles wearing the Shea Stadium jackets.
9.PAPERBACK WRITER
Shot on videotape at Abbey Road, on 19 May 1966, this studio version is prefaced by a short introduction by Ringo. It was broadcast on The Ed Sullivan Show in America.
10.RAIN
‘Rain’, the B-side of ‘Paperback Writer’, was filmed in colour at Chiswick House, West London, on 20 May 1966.
11.RAIN
This black and white clip is a new edit from several takes of ‘Rain’ videotaped at Abbey Road on 19 May 1966.
12.STRAWBERRY FIELDS FOREVER
Directed by Peter Goldmann and with newly restored footage, this was filmed at Knole Park, Kent on 30 and 31 January 1967.
13.WITHIN YOU WITHOUT YOU/TOMORROW NEVER KNOWS
The merging of these two tracks, one from Sgt Pepper’s Lonely Hearts Club Band, the other from Revolver, was created for The Beatles Love show by Cirque du Soleil, which opened in June 2006 in Las Vegas. This video was created to promote the Love album released later that year.
14.A DAY IN THE LIFE
Filmed in Studio One at Abbey Road on 10 February 1967, this includes classical musicians, who were asked to wear evening dress, fake noses and funny hats for the recording session.
15.HELLO, GOODBYE
This clip is another shot at London’s Saville Theatre on 10 November 1967; The Beatles wear their ‘street clothes’.
16.HELLO, GOODBYE
This third version was also shot at London’s Saville Theatre on 10 November 1967; it includes elements from the first two films but with additional footage unique to this edit.
17.HEY BULLDOG
The original footage from a 1968 shoot for the ‘Lady Madonna’ promo film was unearthed in the mid-1990s. It was revealed that The Beatles were recording ‘Hey Bulldog’ and is an edit done to promote the reissue of the Yellow Submarine movie in 1999.
18.HEY JUDE
This is an edit of the two other takes filmed on 4 September 1968 for the Frost On Sunday TV show. This has a different David Frost intro to the clip on disc 1.
19.REVOLUTION
One of two versions, this was shot the same day as ‘Hey Jude’. John’s lead vocal is completely live, as are most of Paul and George’s backing vocals. The instrumentation, including Nicky Hopkins’ electric piano, is from the master tape.
20.GET BACK
This clip was assembled in 2003 to support the release of the album Let It Be…Naked and utilises studio footage from the famous Get Back/Let It Be sessions.
21.DON’T LET ME DOWN
This was the B-side of ‘Get Back’ and this clip is a composite of two live performances from the Apple rooftop in 1969. It was made available to support the release of Let It Be…Naked in 2003.
22.FREE AS A BIRD
The 1995 video is a work of art by director Joe Pytka, who used the concept of a bird’s-eye view to pay homage to many Beatles songs and images.
23. REAL LOVE
This video directed by Geoff Wonfor and ex-10cc and leading pop promo-maker Kevin Godley, this video was made in 1996 to support the release of the single.


Video restoration.

Beatles 1 and Beatles 1+

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All three "Hello Goodbye" Saville Theatre videos are included. This is from Video #1.
One of the most eagerly awaited Beatles products is about to hit the market. For Beatles video collectors, the release of a collection of the music videos was on the top 3 most wanted list, alongside the "Let It Be"-movie and "The Beatles at Shea Stadium" TV-film.
Yesterday, I first published a list of the releases as prematurely revealed by Amazon, and then waited for the official announcement, which was expected at 2pm UK time, 3pm my time here in Norway.
When the time was up, and the information went public, I just pasted the contents of the press release over my previous blog post, and then left it. The next hour I spent translating the text to Norwegian for an identical blog post on the site of Norwegian Wood, the Beatles fan club, and when that was finished I had to go, because Tuesdays I go pub-quizzing.
Today, when I again had access to my computer, I was amazed to find that yesterday's WogBlog post had raked up the most traffic this blog has ever seen. More that 10,000 views in a single 24-hour session is fabulous by my standards.
After The Beatles'"Anthology" TV series, then head of Apple Corps Ltd, Neil Aspinall was asked what was up next, perhaps a video collection of The Beatles' promotional films? His reply was that it was "too obvious". Well, we're certainly glad things have changed with the new management.

Back in December 2013, when it was first revealed that a "1"-themed Beatles video collection was in the works, planned for release in October 2014, I wrote a blog post about it, and forwarded my suggestions about what the collection should look like. Let's compare what I wrote with what came out of it.

Aspect Ratio:

In December 2013, I wrote: "One important decision to make is whether or not to make it a 16:9 (widescreen) or a 4:3 (old TV) collection. Back when McCartney released his own music video collection, "McCartney Years", the director had chosen to make it 16:9 despite all the original music videos having been made in the 4:3 aspect ratio. So he chopped off tops and bottoms to make this happen, and there was an outcry among the fans about this. We don't want that to happen again. But if they decide to go for this, the general public will want widescreen, please do all the necessary restoration work in the original 4:3 aspect ratio format and save it for history. When everything is done and ready,  you can do the conversion to 16:9 and release that - perhaps with an option for the concerned core fans to purchase a limited edition 4:3 version of the DVD/Blu-ray or as a download".

Judging by the samles they have offered in the promotional material for the new release, it does indeed look as if they have listened to my suggestions, as the videos seem to have kept their 4:3 aspect ratios.

Audio:

In December 2013, I wrote: "As for sound, the ones that don't have a unique audio mix should be synched to the remastered stereo sound from the albums, "Hey Jude" and "Revolution" should use the original soundtrack that was partly performed live as it happened. And hire Giles Martin to produce a 5.1 surround sound optional audio track. And use me as a consultant for the project".

Well on this matter, they have bested me for sure. I never thought they'd give it a completely new stereo mix. I thought that idea went out of the window after the 1999 "Yellow Submarine Songtrack" album. Now that remixing is again back in fashion, perhaps we'll see the whole catalogue revamped in modern stereo? They did hire Giles Martin, and he did produce a 5.1. surround sound mix. They never got around to hire me as a consultant, but then again they did get my advice for free through the blog post.

The videos

Here's a video-by-video account of what I wrote back then and what they did:

1. Love Me Do.
I wrote: "EMI did make a video for this song back in 1982, and I think two different versions of it is circulating. Since this has been the official Love Me Do video for three decades now, it's best to use it again. It may need to be recompiled, using the same footage in upgraded quality".
Here's their description: Newly edited clip, featuring material from BBC TV’s "The Mersey Sound", with performance footage filmed on 27 August 1963 at the Little Theatre, Southport.

As the two videos I wrote about also were based on the mimed footage from the Little Theatre in Southport, they somehow used a bit of my idea. And the bit about recompiling the video with the same footage in upgraded quality was also used for their recreations of the "Get Back" and "Let It Be" promos.

2. From Me to You
3. She Loves You
I wrote: "There are no music videos or promotional films, as they said in the sixties, for these two. So they will probably make a couple, using performance clips or mimed TV appearances. Big Night Out/Ready Steady Go?"

They went for performance clips. For "From Me To You", they used a live performance at the 1963 "Royal Variety Show", filmed at The Prince Of Wales Theatre, London, on 4 November 1963. For "She Loves You", they used a live performance from the Swedish Television show "Drop In", recorded on 30 October 1963 during a short tour of Sweden.

4. I Want to Hold Your Hand
I wrote: "Again, the same sítuation (no known promo film exists), but the TV clip from "Late Scene Extra" of the Beatles miming to this song in front of a huge model of a camera has been regarded as the music video for this song among fans for a long time, so they should use that".

And they did. Description: From the Granada TV programme "Late Scene Extra" filmed on 25 November 1963.

5. Can’t Buy Me Love 
6. A Hard Day’s Night
For these two films, I suggested: "They could have used footage from the A Hard Day's Night film for these, but that footage is now owned by Miramax and has to be licensed from them. Another option is to use performance footage and synch it to the records, for instance from the Shea Stadium film etc. Ready Steady Go for "Can't Buy Me Love"?"

As they seemed to have come to an agreement regarding the "A Hard Day's Night" film, and were involved in remixing the sound for the 2014 release, I suppose they could have used it now. But they didn't. For "Can't Buy Me Love", they used a mimed performance from the TV show "Around The Beatles", filmed on 28 April 1964 and broadcast the following month. For this show, the Beatles re-recorded the songs and mimed to these new recordings.

For "A Hard Day's Night", like earlier for the "From Me To You" and the "She Loves You" films, they turned to a live performance. The film they used came from a live performance at the Palais des Sports, Paris on 20 June 1965, while on a short European tour.

7. I Feel Fine
I wrote: "We are now entering the realm of the Intertel promo films, as produced by Tony Bramwell and directed by Joe McGrath. Tuesday November 25th, 1965, the Beatles filmed ten different promotional clips in black and white for five songs, "Help!,""We Can Work It Out" (three versions), "Day Tripper" (three versions),""Ticket To Ride" and "I Feel Fine" (two versions). So for this and some of the following clips, the producer of the new video collection has the luxury of choosing between several films. And I do think that the Intertel videos should be used, because they have been regarded as the music videos of these songs since the sixties. In Anthology, they would put several of these together to create variety, but in my opinion they should select one video of each to represent each song. If they want to include more than one, the alternative version(s) should be presented as bonus material on the DVD".

Which is very much what they did. Of the ten Intertel films from Twickenham videotaped that day, they have used eight of them, over the two video discs. Both versions of "I Feel Fine" will be on the new releases, on video disc 2 of Beatles 1+ is the clip showing The Beatles eating fish and chips during their lunch break.

8. Eight Days a Week
Here I wrote: "No obvious choice. One thing to consider is to make use of the old US Beatles cartoons. That's how bootleg DVD video makers have solved this in the past, but given Universal Music's resources, they could also create a new video".

And create a new video they did, using scenes from "The Beatles at Shea Stadium", which is what I suggested for "A Hard Day's Night" (see above). Their description: A brand new clip edited from material filmed at the Shea Stadium concert in New York City on 15 August 1965, during which the band performed twelve songs, but "Eight Days A Week" was not among them. The clip says so much about the band’s frenetic lifestyle in 1965, at the height of Beatlemania.

9. Ticket to Ride
My suggestion: "Intertel".

And they did: Filmed at Twickenham Film Studios on 23 November 1965. The Beatles' YouTube account actually published the full "Ticket To Ride" promo back in April 2015, but it is gone again now.

10. Help!
Again I suggested: "Intertel".

And they did. Their description: The less frequently seen clip of those filmed at Twickenham Film Studios on 23 November 1965.

11. Yesterday
I wrote: "There are two performances they could use footage from: Blackpool and Ed Sullivan. No Beatles Greatest Hits video compilation is complete without "Yesterday"."

They went for the latter of my suggestions: Paul performing on "The Ed Sullivan Show", videotaped in New York City on 14 August 1965 and broadcast the following month, the day before the single was released in America.

12. Day Tripper
Again my suggestion was simply "Intertel".

And they did: Three versions of this clip were filmed at Twickenham Film Studios on 23 November 1965. This is version 2, in which all of the group are wearing polo neck sweaters, except for Paul, who wears a black shirt. For the second video disc on the Beatles 1+ collection, they included one of the other two versions from the same day, with the group wearing their Shea Stadium jackets with the "Nehru" collars. So that leaves the third "Day Tripper" Intertel promo unused. But they also included a version from the TV special "The Music Of Lennon & McCartney" which was first broadcast in mid-December 1965.

13. We Can Work It Out
I just wrote: "Intertel".

And they did. There were three versions of the "We Can Work It Out" video filmed at Twickenham Film Studios on 23 November 1965. On the first video disc, they included version 2 in which all four Beatles are wearing black polo neck sweaters. Another version is included on the second video disc for Beatles 1+, The Beatles wearing the Shea Stadium jackets. Which leaves the third Intertel "We Can Work It Out" unused.

Paperback Writer
I suggested: "As we saw in 'Anthology', there's a gorgeous video for this, made in the gardens of Chiswick. But they also have several Intertel promos filmed in a studio, so again a choice has to be made. And again, other versions can be bonus material".

They seem to have followed my suggestions, on video disc 1 is the film I mentioned first, filmed in 35mm, and in colour, in Chiswick Park, West London, by director Michael Lindsay-Hogg. On video disc 2 of Beatles 1+, they used the colour studio version which was filmed with Ringo's introduction for The Ed Sullivan Show. A couple of black and white versions of "Paperback Writer" shot in Abbey Road's Studio One went unused.

15. Yellow Submarine
I wrote: "They could make one from footage from the cartoon film, the same goes for the next one":
16. Eleanor Rigby

And they have followed my suggestions. For "Yellow Submarine", there's a newly created clip from original "Yellow Submarine" footage, whereas "Eleanor Rigby" is taken directly from the "Yellow Submarine" movie.

17. Penny Lane
I wrote: "There's only one music video for this one, and a great one it is, too".


A look at "Penny Lane" before and after colour corrections.
And of course they used it, that one was in the cards. A ground-breaking clip by Swedish director Peter Goldmann that captures The Beatles in Stratford, London, and at Knole Park in Kent, with additional material shot in Liverpool.

18. All You Need Is Love
Here I wrote: "They have to go for the "Our World" clip, colourised or in black and white, either way is good".

Another no-brainer, filmed in Studio One at Abbey Road, on 25 June 1967, and beamed around the globe as a part of the TV programme "Our World". This colourised version was created for "The Beatles Anthology" TV programme in 1995. When you see clips from this film as part of the promo for the new video collections, it doesn't look as good as the others. I don't know if they've transferred the original video tape again in 4k and colourised it over again, but it doesn't look like they have.

19. Hello, Goodbye
For this video, I wrote: "Three videos were made, all at the Savile Theatre. Of these, I prefer the one they made from outtakes, and it's also the one that's closest to modern music videos. In 'Anthology', they intercut footage from all three films, here they should use no. 3 and have no. 1 and 2 as bonus material".

From looking at the descriptions for the new releases, it looks like they've gone for no. 1 on the first video disc, and nos 2 & 3 on the second. But they've included them all, so I'm good. Unless of course, they've tampered with no. 3 and given it new edits.

20. Lady Madonna
I wrote: "There's two variations of this promo clip, both edited from footage of the Beatles recording "Hey Bulldog". Go figure"!

Their description of the clip they used: Just prior to leaving for India, The Beatles met up in Studio Three at Abbey Road, on 11 February 1968. They were filmed while recording "Hey Bulldog". So that seems good, I just hope they didn't do what they did on 'Anthology', which mixed in unrelated footage.

21. Hey Jude
Another no-brainer, I wrote: "Michael Lindsay-Hogg recorded several takes of this at Twickenham. Use one of those".

And here they have been very nice to us. One of the four takes has been used on video disc 1, and two of the other takes mixed together on video disc 2 of Beatles 1+. Which of course leaves us with the fourth take unused and we still don't have the unaltered other two takes, just a mix of them. But hey, this is a commercial product!

Their descriptions: Filmed at Twickenham Film Studios on 4 September, for broadcast on David Frost’s TV show, "Frost On Sunday". The introduction by David Frost is different from that on disc 2. On said disc: This is an edit of the two other takes filmed on 4 September 1968 for the "Frost On Sunday" TV show. This has a different David Frost intro to the clip on disc 1.

22. Get Back
For this track, I wrote "I would have gone for the studio version clip they made for 'Let It Be...Naked'".

Again, they have bested me by including both the clip I suggested (on video disc 2), and also recreated the original 1969 promo film from the original footage in better quality (on video disc 1).
Descriptions: The promo clip made available at the time of the original release of the single featured performances from the Apple rooftop synched to the record. This new clip has been rebuilt to replicate the original but with improved picture quality.
And on video disc 2: This clip was assembled in 2003 to support the release of the album "Let It Be…Naked" and utilises studio footage from the famous "Get Back"/"Let It Be" sessions.

23. The Ballad of John and Yoko
Here I wrote: "Another one which has several edits, use the one with colour footage throughout. Again, the Anthology used a combination of several versions. Stick with one".

And it seems they may have followed my suggestion. Their description: This original promo clip features outtakes from the "Let It Be" movie, with other private footage shot in Amsterdam, London, Paris and Vienna.

We'll just have to wait and see if it's the one with the most colour footage throughout. No alternate versions made available.

24. Something
A true no-brainer if there ever was one, "No problem here, the one and only 'Something' promo clip", I suggested.
Their description: The video features George and Pattie, John and Yoko, Paul and Linda, and Ringo and Maureen. and was filmed at locations in Berkshire, Surrey, and the Mull of Kintyre.

From looking at the video clip of restoring this film, it does look as they went back to the original promo again, discarding previously restored versions. So it's probably one of the new 4k transfers.

25. Come Together
Here I wrote: "They made a flash animated music video for this when "1" was new, use that. Fortunately, flash allows for limitless upscaling without the loss of resolution, so go find the flash source file".

And they seemed to have followed suit, their description is: The clip was created in 2000 by Melon Dezign for the launch of thebeatles.com and the original Beatles 1 album.

26. Let It Be
I wrote: "The usual promo film for this, an outtake of the Let It Be movie. And the same goes for the next one":
27. The Long and Winding Road

And this they have indeed done, although the first one has been recreated, using the same footage and edits, but with upgraded source material. Their descriptions: For "Let It Be", a 1970 promo clip was made available to support the release of the single and it was different to the one featured in the "Let It Be" movie; this clip has been rebuilt from the original footage. "The Long And Winding Road" is taken straight from the "Let It Be" movie.

And that completes the Beatles 1 video disc. But of course, I also suggested to include some bonus material.

Extra videos

I wrote: "Now is the chance to unearth some of the Lennon B-sides of the singles, and Yoko Ono will be aware that in the later days, Paul usually had the A-sides and Lennon the B-sides. Arguably, the B-sides sold the exact same number of singles as the A-sides, so they should also be treated as number ones. And they should be placed chronologically alongside their A-sides".

"So these should include: "This Boy", "Rain", "Strawberry Fields Forever", "I Am The Walrus", "Revolution" and "Don't Let Me Down". Possibly also "For You Blue", using footage from the Get Back film. Olivia and Dhani Harrison will want that".

Of these, Apple Corps Ltd and Universal Music Group has chosen to include four of the seven I suggested.

"Rain" was included thusly: Two versions, the colour film from Chiswick House, West London, on 20 May 1966 was used as the first version. A second version was edited together from several takes of "Rain" videotaped at Abbey Road on 19 May 1966. Which leaves the full Abbey Road Studio One versions unreleased.

A sample of "Strawberry Fields Forever".

"Strawberry Fields Forever": Directed by Peter Goldmann and with newly restored footage, this was filmed at Knole Park, Kent on 30 and 31 January 1967.

"Revolution": One of two versions, this was shot the same day as "Hey Jude". John’s lead vocal is completely live, as are most of Paul and George’s backing vocals. The instrumentation, including Nicky Hopkins’ electric piano, is from the master tape.
Which of course, leaves the other version unreleased.

"Don't Let Me Down": This was the B-side of "Get Back" and this clip is a composite of two live performances from the Apple rooftop in 1969. It was made available to support the release of "Let It Be…Naked" in 2003. It has also previously been available to purchase as a download on iTunes.
A 1969 promo film to accompany this song was also assembled from studio and rooftop footage. Like "Get Back" it could have been recreated for this collection but wasn't.

Then I wrote: "In the same way, we have a few more one-offs which should make the DVD. The 1976 music video for "Back In The USSR" was made to promote the "Rock'n'Roll Music" compilation album, but it's not necessary to include it here. The same goes for the 1983 music video for "Please Please Me", both of these are largely forgettable".

Point taken, not included.

However, they didn't take this advice: "And the BBC 1994 "Baby It's You" alongside the 2013 "Words Of Love" videos are also difficult to include on a "1" compilation. Same thing with the "Within You Without You"/"Tomorrow Never Knows" video, best used on a "Love" DVD".

They included all three. But I'm not sorry they did. Description for "Baby's In Black": One of two clips used to promote the single taken from the 1995 "Live At The BBC" album. The clip is enhanced by the inclusion of unique colour footage of The Beatles filmed outside the BBC’s Paris Studio on Lower Regent Street, London.
Of course, that colour footage was also included in one of the 1995 clips. This leaves the other 1995-video unused.

"Words of Love"

The 2013 video for "Words Of Love".

When "On Air – Live At The BBC Volume 2" was released in 2013, it included "Words Of Love", a Buddy Holly composition that the band recorded for radio. This new clip is a mix of existing footage and innovative animation.

Description for "Within You Without You"/"Tomorrow Never Knows": The merging of these two tracks, one from "Sgt Pepper’s Lonely Hearts Club Band", the other from "Revolver", was created for "The Beatles Love" show by Cirque du Soleil, which opened in June 2006 in Las Vegas. This video was created to promote the "Love" album released later that year.

Here's one advice they followed: "However, 1999's "Hey Bulldog" is a great video with the Beatles recording the song in the studio. Much of the same footage was used for the "Lady Madonna" promo, so "Hey Bulldog" is another track best kept outside the play list but should be a (hidden) bonus".

"Hey Bulldog" is indeed included on video disc 2. Previously, it has also been available to purchase as a download on iTunes. I never anticipated that they would produce a whole second disc, so they had room to include more bonus material than what I initially suggested.

I also wrote: "Another bonus track could be the "Help" promo that was used in the movie, but without the dart throwing".

The promo in question, by the way, is slightly different from the one used in the film, but is not listed in the contents of the new releases and remains unreleased, unless it's an unlisted "easter egg" on one of the video discs.

Here are two other suggestions I made, both not adressed by the new release: "One video that's already linked to "1" is the "I Feel Fine" flash animated video. It was made to promote the original "1" album release, and was used on The Beatles' web site. So it could either go in to the play list instead of the Intertel promo, or as a bonus feature".

This one was not included.

"Back in 2003, Apple made a music video for "Two Of Us", and I'd hate to have it missing from the collection. However, it wasn't a single so it could be a hidden track, accessible from the menu but not part of the play list".

Again, not included - unless it's a hidden track like I suggested.

Then again, they have included some films that I didn't suggest:

"Twist and Shout" from the Granada Television programme "Scene At 6.30", which was videotaped on 14 August 1963.

"Please Please Me" - a live performance videotaped on 9 February for "The Ed Sullivan Show", which was screened on 23 February 1964.

"A Day In The Life" - a terrible oversight by me, I should have suggested this, as it is an original 1967 promo film. Filmed in Studio One at Abbey Road on 10 February 1967, this includes classical musicians, who were asked to wear evening dress, fake noses and funny hats for the recording session. The Beatles' YouTube account actually published the full "A Day In The Life" promo back in February 2015, but it was removed again after a few days.

"Free As A Bird" - I didn't suggest this and the next one, since they were both included on the Beatles "Anthology" DVD discs, so I didn't think they needed a re-release. Still, it's good to have them in this context - not to mention new audio mixes by Jeff Lynne. The 1995 video is a work of art by director Joe Pytka, who used the concept of a bird’s-eye view to pay homage to many Beatles songs and images.

"Real Love" - This video directed by Geoff Wonfor and ex-10cc and leading pop promo-maker Kevin Godley, this video was made in 1996 to support the release of the single. Two versions were made, so we're probably still missing one - unless there's one on "Anthology" and another one here.

Of course, I'm not implying that the powers that be read my blog post, but it's nice to see that quite a number of my expectations have been met.

Promoting the promos

There is going to be a lot of hoopla surrounding these new releases, in the shape of printed ads in music papers and magazines, as well as radio and TV commercials. ITV in Great Britain is going to screen a 2 hour long programme called "Nation’s Favourite Beatles", where the favourite Beatles song of Great Britain will be selected by viewer votes.
Of course, social media will also be utilized, we've already witnessed a bit of that on YouTube, Facebook, Instagram and Twitter.
It also looks like Apple Corps Ltd is trying to get rid of unlawful former uploads of these videos on YouTube by various users. .
A one hour blu-ray presentation promo disc has been produced for insiders and partners, and a 15 minute film about the project itself has also been made. And as George Harrison would have said, somewhere down the line, there's going to be a t-shirt.

Beatlemania all over again?

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November 25, 1965: The Beatles recorded ten music videos, 8 of which are due on Beatles 1+.
Photo:Apple Corps Ltd.

In October, I am going to be part of a panel discussion at the Norwegian Beatles Festival. The discussion will have the subject "What will the status of the Beatles be 20 years from now?"

Over the decades since The Beatles ceased to be, we have had some resurgence of the band's popularity, which have won them new fans in younger generations. Myself, I'm a one and a half generationer, having been alive during the Beatles' career as a touring band and actively recording and releasing records. However, since I was just a young child and didn't get into music until the seventies, I'm no first generationer.

Seventies
The first time The Beatles experienced a revival was in 1973 with the release of the red and blue album collections. This wave of success continued with the release of the singles collections in Britain and elsewhere, in 1976 new fans were recruited by the "Rock and Roll Music" 2LP and culminating with the 1977 release of "The Beatles at the Hollywood Bowl" live album. Further collections released by EMI/Capitol went by rather unnoticed by the general public.

Eighties
1981 was another big Beatles year, because of the revived sales figures of Beatles albums spurred by the tragic death of John Lennon. 1982 saw the "twenty years ago today" wave of U.K. Beatles singles, repackaged, but these records were mainly purchased by people who were already fans.
In 1987, The Beatles' records finally came to the CD medium, which fuelled another wave of recruitment.

Nineties
Not much happened for the rest of the decade, and the nineties came along. 1993 saw the first release of the red and blue albums on CD. This wouldn't have accounted for much, but Apple Corps released a bunch of music videos to television stations in order to promote the collections. Exposure on TV was free, care of the new music TV channels spearheaded by MTV, and this again lead to new generations discovering the Beatles.
Free of the old contract with EMI and lawsuits to get a better deal, "The Beatles Live at the BBC" was released in 1995 and became an instant hit, this lead to a revival kept alive for the next couple of years by the release of the Anthology TV series and albums.
The rest of the decade was relatively quiet, the 1999 release of a restored "Yellow Submarine" film with accompanying album featuring remixed songs from the film and an accompanying brand new "Hey Bulldog" music video didn't make much of a dent in music history. It was for people who were hooked already.

Naughts
2000 started the new millennium with a bang, though - that year's "Beatles 1" single disc compilation of The Beatles' biggest hits was a phenomenal success. The album wasn't just 2000's best selling album, it went on to become the bestseller of the 2000-2009 decade and won over new generations.

But since then, we've seen a lot of releases which haven't lived up to the success of that album, even though they have offered new, unreleased material, like the 2007 "Love" mashup album and the "On Air" new compilation of radio performances, not to mention the iTunes only "Bootleg recordings 1963" release. As for video, new and enhanced versions of films which had been out on video cassettes have cropped up on DVD and Blu-ray discs, with much hoo-haw among Beatles fans, but not so much in the eye of the general public.

It has been said that the new "Beatles 1" CD will now replace the previous 2009 remastered CD, which again replaced the original 2000 CD. This is new. This didn't happen with the first remixed Beatles albums, 1999's "Yellow Submarine Songtrack" didn't replace the "Yellow Submarine" album of the sixties and 2003's "Let It Be...Naked" didn't replace the 1970 "Let It Be", they exist alongside each other. But since "Beatles 1" isn't one of the original Beatles albums but a modern compilation, it isn't treated with the same reverence. This may be good news for further releases by the combined forces of Apple Corps Ltd and Universal Music Group. With the release of "The Beatles 1+", we will already be able to put together our own, remixed full "Magical Mystery Tour" album:

"Magical Mystery Tour" (from the MMT Blu-ray)
"Fool On the Hill" (from the MMT Blu-ray)
"Flying" (from the MMT Blu-ray)
"Blue Jay Way" (from the MMT Blu-ray)
"Your Mother Should Know" (from the MMT Blu-ray)
"I Am The Walrus" (from the MMT Blu-ray)

"Hello Goodbye" (from the Anthology DVD and now 1)
"Strawberry Fields Forever" (from 1+)
"Penny Lane" (from the Anthology DVD and now 1)
"Baby You're a Rich Man" (from the Yellow Submarine Songtrack album)
"All You Need Is Love" (from the Anthology DVD and now 1)

In Norway, a band who call themselves "The Beatles Project" are touring with a show comprising all the Beatles songs over a period of seven years. In 2013 it was the 1963 songs, in 2014 the 1964 songs and last week-end saw the debut of their 1965 show. The show has been a huge success, gaining favourable reviews everywhere they have played, and filling concert halls. I've been to a few of their performances, and I can report that the main part of their audiences are not young people, but there are a lot of first generationers there. This in contrast to the Paul McCartney concert I went to in July, where there were more younger fans.

Will the new releases of "Beatles 1" and "Beatles 1+" generate a new audience for the Beatles? It is a long-awaited release for us veterans, both for the visually oriented (the music videos) and the audio oriented (new stereo mixes, surround sound for the first time on several tracks) ones. But will the plethora of previously rare music videos, commercials and media reports recruit a new generation of fans? I doubt it. The era of music television is over, and MTV is split up in several channels specialising in the various new music genres. TV on demand is the new way of watching, which makes people select the type of entertainment they are already used to, and people don't experiment much. No doubt, some new fans will be recruited among the young generation, but they won't be the coolest kids in school.

Paul McCartney's Archive Collection: Flowers in the dirt

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Inlay card from preview boxed sets.
The inlay card in review boxed sets for the upcoming new Paul McCartney's Archive Collection series releases, "Tug of War" and "Pipes of Peace" was, for both boxes this one.
So, "Flowers in the Dirt" will be out on it's own, and not released simultaneously with another one from the series. Which prompts the question, will this be the final release in the series? It's likely the release will be scheduled for next year, 2016 and the series was going to end that year, according to the original plan. Standalone releases have been "Band On The Run", "Ram" and "Wings Over America", the ones that came in pairs were "McCartney" with "McCartney II", and "Wings: Venus and Mars" with "Wings: At The Speed of Sound".
In a recent interview with BBC's Radio 2 on Saturday (currently available here), Paul talked about Wings: "Wings were getting a bad rap at that time [the Seventies] because it was post-Beatles, and anything you did or I did that was solo was stood up against The Beatles. So you tend to go along with that, and I went along with a bit of that thinking 'well it's never gonna be that good but I'll do it because I love doing it'."

"And then you listen to it back and think 'this is better than I thought it was'. So that's great to do, to really listen back and think 'I'm glad I did that, glad I kept going', because you know if I listened to the critics I might have given up."

Then what happened to the Wings albums "Wild Life", "Red Rose Speedway", "London Town" and "Back To The Egg"? It's this writer's hope that the series will continue so that expanded versions of these albums will get the treatment they deserve. "Wild Life" ought to include the film from the ICA rehearsals prior to the 1972 tour, "Red Rose" should be expanded to the double album it was originally conceived as and the DVD should include the "James Paul McCartney" TV special, and "Back To The Egg" could include a live Wings concert from their last ever tour, as well as a DVD with the "Back To The Egg" TV Special.

We also have a soft spot for "Press To Play". There, I said it.

Auction results

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"Rosi", the tip jar. Photo: Heritage Auctions.
Here are some of the results from Heritage Auctions' sale of the Uwe Blaschke collection, as we reported about in an earlier blog post.

The Beatles' recording contract with Polydor: $93,750
Sealed first state stereo "Butcher cover" LP in Gem Mint 10 Condition: $75,000
Signed UK "Love Me Do" single (signed on label), framed: $25,000
Another one of those, but unframed went for just $6,250
Rare early (1962) signatures with Roy Young and Bernard Boyle in matted display: $12,500
Signed Austrian menu obtained during "Help!" filming, in matted display: $12,500
Early (late 1962) signatures on a Star-Club promo photo in matted display: $9,375
Early signatures (with Pete, 1962) on Peter Kaye promo photo in matted display: $8,750
Set of signatures on a piece of paper in matted display (1964):  $8,750
Small page featuring the signatures of all four Beatles:  $5,312
A Paul McCartney signed 1965 Höfner bass guitar:  $8,750
A vintage-style Höfner Ignition Series modern bass guitar signed by Paul: $6,875
A Liverpool Beatles fan's autographed scrapbook (1962-63):  $7,097.50
The Beatles (aka The White Album) low number A0000010:  $6,875.00
Brian Epstein typed and signed letter to Peter Eckhorn of Top Ten Club in Hamburg: $6,562
John Lennon's signed Star-Club pay voucher for the club's opening week: $5,000
A John Lennon owned Levi's suede jacket gifted through Bob Dylan: $5,000
Ringo Starr handwritten postcard  from Hamburg to his grandmother, signed "Richy":  $4,625
A second one of those also went for $4,250
Star-Club Photo signed by John Lennon and mounted with a signature of George Harrison: $4,000
John Lennon signed £10 travellers' cheque from 1967: $4,000
A full set of psychedelic Beatles portrait posters by Richard Avedon for Stern magazine also went for $4,000, as did a mono US sealed copy of the Sgt Pepper-album (MAS 2563).
"A Hard Day's Night" RIAA white matte gold record award:  $3,750
A sealed US "Let It Be" album from 1970 sold for $3,000. A pristine copy of a pasteover second-state "Butcher Cover" with the original shrinkwrap and price tag went for $1,875.
Three English Beatles jigsaw puzzles, together with A Beatles "Flip Your Wig Game": $180

You can find more auction results here. 114 items failed to reach the minimum bids, including "Rosi", the Star Club piggy bank tip jar.

Lizzie's book

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Lizzie Bravo with her book.
Lizzie Bravo's book about the Beatles "Do Rio A Abbey Road" will be released at the end of November. So far, it's the Portuguese language edition which is being released, the English language book will be available early next year. It's 300 pages, with 210 unpublished photos of the Beatles, most of the photos are of her favourite, John, then Paul, George and Ringo. Hardcover, 23x23cm, matte coated paper, photos and and/or illustrations are on most of the pages.

Lizzie will handle the sale, packaging and shipment herself, and can be contacted by e-mail (write to lizzie.bravo@gmail.com and receive more information about payment and shipping).

This is Lizzie with har favourite Beatle, John Lennon.
This is an important document because it is a great collection of photos of the Beatles, in the majority unpublished, shot by herself, and she is a historical figure in Beatlemania. You'll remember Lizzie as one of the backing singers on the original version of "Across The Universe". When she was a teenager, Lizzie Bravo used to stand outside Abbey Road studios every day, hoping to catch a glimpse of the Beatles. She moved from Rio de Janeiro to London in 1967, when she was actually on a summer holiday, sponsored by her parents for her 15th birthday, but she decided to stay and eventually found a job as an au pair to support herself. Between shifts, she hung around the entrance to the famous building on the off chance that John, Paul, Ringo or George would drop by. On 4 February 1968 she was outside the studio as usual, when Paul came outside and asked if any of them could hold a high note,. Lizzie raised her arm, as she was a soprano at her school choir back in Rio de Janeiro. After that, Lizzie and fellow Fab Four fan Gayleen Pease were escorted to Abbey Road's Studio Two, where the Beatles were busy recording "Across The Universe". Paul and John started to give the girls instructions about the part they needed them to sing. She was sharing the same microphone as Paul and John. According to Lizzie, the session lasted for "about two hours". She then returned to her "vigil" outside the studio, while Gayleen Pease went home. Lizzie's adventures in London ended in October 1969.
She was homesick, but she had also noticed that the camaraderie she had seen during the "Across the Universe" sessions seemed to have faded.
"The Beatles weren't coming to the studio every day and most of the time they wouldn't even be there together. It was time to move on."
Always a champion of The Beatles in Brazil and on the internet, Lizzie remains a Beatles fan.

Lennon's last day

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From BBC Radio 2: On 8th December 1980, one of the greatest songwriters of the 20th century was shot dead in New York City. This single voice, dramatic monologue sits between drama and documentary and is an utterly compelling story of John Lennon’s last day.
The Beatles star would have turned 75 on 9th October 2015, but his life was cut tragically short. This docu-drama, written by Stephen Kennedy, charts the events of that infamous day. The story is told by Liverpool actor Ian Hart (Boardwalk Empire, Harry Potter as Professor Quirinus Quirrell), who has played Lennon on three separate occasions. He guides listeners through the events of that fateful day in forensic detail and his narration is combined with the voice of Lennon himself – both from archive recordings and from the music that made him a legend.

Ian Hart says: "There will always be interest and intrigue into every part of his life, and now we take a sensitive look at the incomprehensible day when he was tragically taken from this world too soon."

Stephen Kennedy says: "I’m delighted to have my first radio drama commissioned by BBC Radio 2 and ecstatic to have Ian Hart performing in it. In my opinion, no actor has ever captured John Lennon’s character better than Ian did in the film Backbeat. He has extraordinary talent."

The radio play will be transmitten on Thursday October 8, between 10.00pm-11.00pm. It's likely to be available for a month following that, through the BBC iPlayer.

Stephen Kennedy is also director of the Dublin Beatles Festival.

Even though we at WogBlog are very supportive of everything that promotes or portrays The Beatles and the individual Beatles in media, we are not altogether happy with all those documentaries which focus on that fateful day in Beatles history. The senseless murder of John Lennon was a very traumatic time for those of us who were Beatles fans at the time, and one can only imagine how hard it was for those who were close to Lennon. We could have done with a more uplifting way of celebrating 75 years since the birth of John Lennon.
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