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Help! turns fifty

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29. July, 1965: Help! premieres at the London Pavilion. 
50 years ago, the Beatles' second motion picture "Help!" premiered at the London Pavilion, Piccadilly Circus, London, with The Beatles in attendance. Princess Margaret was there, too, making it a "Royal" world premiere, as the ticket says.

The Premiere
Crowds began to gather at 8:00 a.m., and by evening ten thousand fans were gathered outside to see Paul, George and Ringo arrive in a black Rolls-Royce; John’s Rolls-Royce delayed twenty minutes because of the crowd surge. Inside the Pavilion the band met Princess Margaret and Lord Snowdon, who had held off their summer holiday for the event. After the screening, The Beatles appeared at the supper party at the Orchid Room of the Dorchester Hotel attended by most of the film’s principals, including director Richard Lester, and co-stars Eleanor Bron, Victor Spinetti, Leo McKern, and Roy Kinnear. The movie was a box-office success with overall good reviews. The BBC television show Top Of The Pops also showed a clip from the film on this evening.

"Help!" actor Victor Spinetti revealed in his book that the late Princess Margaret (born 1930) was no stranger to one night stands in London hotel rooms. She was to divorce her husband in the late seventies.
Anniversary screening
For the anniversary, the South Pasadena Library in California will host a free screening of the film tomorrow, on July 30. The film is rarely being screened publically any more, but the South Pasadena Library arranged this event with special permission from the Beatles company, Apple Corps Ltd. The commercial Blu-ray will be used as source for the screening. The event begins at 6:30 p.m. No tickets or reservations are required.

On Home Video
"Help!" was released several times in different video formats by MPI Home Video and The Criterion Collection in the USA, VCI in the UK and numerous companies elsewhere in the world. On VHS, a version was released in USA during February 1987 through MPI, and was followed by a special-edition release on 31 October 1995. MPI also issued a CLV laserdisc in 1995 and two releases on DVD, the first as a single DVD release on 12 November 1997 and the second as part of The Beatles DVD Collector's Set on 8 August 2000. The DVD releases were only for the USA market, and DVDs of the film were unavailable elsewhere in the world, including the UK.

At the film premiere, same suits and bow ties, it seems, as for the premiere of their first film.
LaserDisc releases include a Criterion CAV laserdisc and a Voyager CLV laserdisc in 1987, each of which had three pressings. The first pressings had no UPC on the gatefold covers while the other two had the UPC either as a sticker or printed directly on the jacket.

In July 2007, all home video versions of the film were pulled from the market because of rights issues involving Apple Corps – now the full rights holders to the film. Apple Corps/EMI/Capitol released a new double DVD version with a fully restored film negative and newly remixed in 2.0 stereo and 5.1 surround sound of the film. This came in standard 2xDVD packaging and 2xDVD deluxe edition box set on 30 October 2007 in the UK and 6 November 2007 in America. This release contained new featurettes, three trailers (one of which is in Spanish), and a few radio ads carried over from the Criterion LaserDisc issue. The film was released on Blu-ray format in June 2013 by Universal Music, using the 2007 restoration, this was the first Beatles release after The Beatles had left EMI for Universal Music.

Home movies
Sadly, no outtakes from the film exists. When director Richard Lester visited Twickenham Film Studios around 1970 to retrieve the cutting room floor footage from his films, he learned that all outtakes from both "A Hard Day's Night" and "Help!" had been destroyed only months earlier. However, there are some home movies which were made by members of the film crew and others during the shooting of the film.

1988 VHS release "The Making of Help!"
Four 8mm film silent reels of home movies from the shooting of "Help!" were purchased in an auction and released by a very anonymous company in 1988 as an 18 minute VHS film, housed in a film can. The same material was released on DVD in 2006.

2006 DVD release "The Making of Help!"
A 15:34 version of this film (speed variation may be the cause of the length discrepancy) exists on YouTube.

In April 2015, author of the new "Help!" book, "Eight Arms To Hold You" (one of the film's working titles) Simon Wells published on YouTube this home movie footage of a solo John scene on bike in the swimming pool in Bahamas:



Fact for nerds
Throughout "Help!", Ringo is seen playing his drum kit adorned with the "drop T" Beatles logo. In nearly all the scenes, the bass drum head logo is variation no. 4 (there were seven different variations of the bass drum logo throughout the sixties), which was used from May 31, 1964, straight through to August 1, 1965. The exception is the scene where they are recording "You're Going To Lose That Girl", where "drop-T" drum head no. 3 – The "A Hard Days Night" head is employed.

Tug of War & Pipes of Peace - full details

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Tug of War: Archive edition.

Release date: October 2, 2015.

Tug of War will not only be made available as a Deluxe edition, but also as a SUPER Deluxe edition, limited to 1,000 copies worldwide. (Update: Official press release, including package shots and video ads)

Disc 1 (All tracks: Remixed 2015):
  1. Tug Of War
  2. Take It Away
  3. Somebody Who Cares
  4. What's That You're Doing?
  5. Here Today
  6. Ballroom Dancing
  7. The Pound Is Sinking
  8. Wanderlust
  9. Get It
  10. Be What You See (Link)
  11. Dress Me Up As A Robber
  12. Ebony And Ivory
Playing time: 41:10

Disc 2 (All tracks: Original mix. Remastered 2015):
  1. Tug Of War
  2. Take It Away
  3. Somebody Who Cares
  4. What's That You're Doing?
  5. Here Today
  6. Ballroom Dancing
  7. The Pound Is Sinking
  8. Wanderlust
  9. Get It
  10. Be What You See (Link)
  11. Dress Me Up As A Robber
  12. Ebony And Ivory
Disc 3 (All tracks: Remastered 2015):
  1. Stop, You Don't Know Where She Came From (Demo)
  2. Wanderlust (Demo)
  3. Ballroom Dancing(Demo)
  4. Take It Away (Demo)
  5. The Pound Is Sinking (Demo)
  6. Something That Didn't Happen (Demo)
  7. Ebony And Ivory (Demo) 
  8. Dress Me Up As a Robber / Robber Riff (Demo)
  9. Ebony And Ivory (Solo Version) (Previously only released on the 12" vinyl single in 1982)
  10. Rainclouds (Previously released as the B-side to "Ebony And Ivory")
  11. I'll Give You A Ring (Previously released as B-side to the "Take It Away" single)
Playing time: 36:00

DVD:
  1. Tug of war (Music video version 1)
  2. Tug of war (Music video version 2)
  3. Take it away (Music video)
  4. Ebony & Ivory (Music video)
  5. Fly TIA – Behind the scenes of Take it away (18 minutes documentary)

Recorded from October 1980 to December 1981 with George Martin producing, the project was interrupted by the murder of John Lennon. New recording sessions 3 February to 2 March on Montserrat in George Martin's Air Studio with Stevie Wonder, Carl Perkins, Stanley Clarke and Ringo Starr. Recording sessions then continued at George Martin's Air Studios in London.

Formats:
  1. Standard. 2 CD (remixed and bonus)
  2. Deluxe. 3 CD (remixed, original, bonus) + DVD + 112 pages book and 64 pages scrapbook. Includes Hi-Res download of CD 1 & 3
  3. Super deluxe. Like 2, plus: acrylic box and 5 hand numbered photos 8”x10” from Linda McCartney's archives. Limited to 1.000 copies (worldwide).
  4. Vinyl. 2 LP remixed and bonus includes high quality mp3 of CD 1 & 3
  5. Download standard-res (remixed) no e-book
  6. Download standard-res (remixed) includes e-book
  7. Download standard-res (remixed) (mastered for iTunes) no e-book
  8. Download Hi-res (remixed) 24 bit 96kHz includes e-book
  9. Download standard- res (remixed & bonus) no e-book
  10. Download standard- res (remixed & bonus) includes e-book
  11. Download standard- res (remixed & bonus) (mastered for iTunes) includes e-book
  12. Download Hi- res (remixed & bonus) 24 bit unlimited includes e-book

For promotional purposes, a radio special has been produced, as well as a video film. Also, "Take it away" (single edit) (2015 remaster) will be used in some way, perhaps as a download from PaulMcCartney.com.

Pipes of Peace: Archive edition
Release date: October 2, 2015.

Disc 1 (All tracks: Remastered 2015)
  1. Pipes of peace
  2. Say say say
  3. The other me
  4. Keep under cover
  5. So bad
  6. The man
  7. Sweetest little show
  8. Average person
  9. Hey hey
  10. Tug of peace
  11. Through our love
Playing time: 38.58

Disc 2 (Bonus CD)
  1. Average person (Demo)
  2. Keep under cover (Demo)
  3. Sweetest little show (Demo)
  4. It’s not on (Demo)
  5. Simple as that (Demo)
  6. Say say say (New 2015 remix)
  7. Ode to a kola bear (B-side of the "Say say say" single)
  8. Twice in a lifetime (Bonus from the 1993 CD, a title song from a movie)
  9. Christian bop
Playing time: 32:00

DVD
  1. Pipes of peace (Music video)
  2. So bad (Music video)
  3. Say say say (Music video)
  4. Hey hey in Montserrat (Home video 3 minutes)
  5. Behind the scenes at AIR (6 minutes)
  6. The man (Home video 4 minutes)

The recording sessions started during the previous album, "Tug of War" and continued in September-October 1982 and February-July 1983.

Formats:
  1. Standard. 2 CD (remaster and bonus)
  2. Deluxe. 2 CD (remaster, bonus) + DVD + 112 pages book and 64 pages book about the Pipes of peace music video. Includes Hi-Res download of cd 1 & 2
  3. Vinyl. 2 LP remaster and bonus, includes high quality mp3 of the CDs
  4. Download standard-res (remastered) no e-book
  5. Download standard-res (remaster) includes e-book
  6. Download standard-res (remaster) (mastered for iTunes) includes e-book
  7. Download Hi-res (remaster) 24 bit 96kHz includes e-book
  8. Download standard- res (remaster & bonus) no e-book
  9. Download standard- res (remaster & bonus) includes e-book
  10. Download Hi- res (remaster & bonus) 24 bit unlimited includes e-book

Paul has remixed "Say Say Say" in a 2015 version. A completely new video without neither Paul nor Michael Jackson has been made, but is not yet ready for publication. In some way,  "Say say say" (12" single mix), "Say say say" (instrumental) and "Simple as that" will be used, possibly as downloads from PaulMcCartney.com

A radio special has been produced for promotional purposes.

It's clear that the "Pipes of Peace" project is somewhat smaller than the "Tug of War" project. "Tug of War" has always been a favourite album for Paul, and he made sure that the album's integrity was preserved for earlier CD releases by not including bonus tracks to the album lineup.

Those of you who were around back in 1984 may recall that Paul and Michael Jackson's duet "The Man" was seriously considered as a third single from "Pipes of Peace" and it was rumoured that these plans had come so far that a music video was produced. An enterprising video bootlegger did put together a collage video for the song back in the eighties, but the real video never leaked. As you can see, neither a single mix nor a music video for that song have been provided as part of this package. However, the home video for "The Man" included here may provide said single mix or footage from the scrapped music video. Or it may just be the regular track with home video footage of Paul and Michael doing the dishes.

Doing the dishes.

Tug / Pipes press release and commentary

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For the first time since The Beatles, Paul hired George Martin to produce his albums.
MPL and the Concord Music Group are proud to announce two more landmark installments in the multiple GRAMMY-winning Paul McCartney Archive Collection. On October 2, 2015, Paul’s early ‘80s back-to-back classics Tug of War and Pipes of Peace will receive lavish multiple configuration reissue treatment including exclusive 2015 remixes of both the entire Tug of War album and the Pipes of Peace classic collaboration with Michael Jackson “Say Say Say,” a treasure trove of previously unreleased tracks and never before seen video, and much more.

Released in 1982, Tug of War was Paul’s first album following the break-up of Wings and his third solo LP overall. Hailed upon its release as “exquisitely crafted” by The New York Times and a “masterpiece” by Rolling Stone, Tug of War went to #1 in no less than nine countries. Tug of War yielded such classic tracks as Paul’s #1 duet with Stevie Wonder “Ebony and Ivory,” the top 10 single “Take It Away,” and of course “Here Today,” the conversation Paul never had with the late John Lennon that remains a staple of Paul’s live set to this day. Pipes of Peace, Paul’s fourth solo album, followed in 1983 and continued Paul’s early '80s run of platinum records. Singles from Pipes of Peace included the title track and of course Paul and Michael Jackson’s timeless “Say Say Say,” a multi-format global chart-topping smash continually cited as a landmark of that or any year--as recently as 2007, Vibe magazine rated “Say Say Say” as one of the greatest duets of all time.
As with the GRAMMY-winning Band On The Run and Wings Over America Archive editions, Paul personally supervised all aspects of these releases and their various formats, which include:

Special edition of Tug of War
Tug of War will be issued as a 2-CD Special Edition comprised of the 2015 remix of the entire album, plus a second disc of bonus audio featuring eight previously unreleased demos of both album tracks and outtakes “Stop, You Don’t Know Where She Came From” and “Something That Didn’t Happen,” as well as demo and solo versions of “Ebony and Ivory” and more.
DeLuxe edition of Tug of War

The Tug Of War 3-CD/1-DVD Deluxe Edition adds the original 1982 album mix and a DVD featuring original music videos for the album’s singles and the brand new 18-minute documentary “Fly TIA—Behind The Scenes on Take It Away” featuring previously unseen archival footage. In keeping with the award-winning Paul McCartney Archive Collection standards, the Tug Of War Deluxe Edition will include a 112-page essay book and 64-page scrapbook, while the strictly limited run of 1000 Super Deluxe sets will arrive in a limited edition acrylic slipcase with five hand numbered prints of images from the Linda McCartney archive.

Super DeLuxe Limited (1,000) edition of Tug of War
The Pipes of Peace 2-CD Special Edition is made up of the original album plus a 9-track bonus disc with such exclusive gems as a 2015 remix of “Say Say Say” by Spike Stent, unearthed demos of three album tracks and outtakes “It’s Not On” and “Simple As That,” the previously unreleased “Christian Bop” and more.
Special edition of Pipes of Peace

DeLuxe edition of Pipes of Peace

The 2-CD/1-DVD Pipes of Peace Deluxe Edition features a bonus video disc comprised of the original promo clips for all three of the album’s singles, plus previously unreleased clips from Paul’s film archives. The Deluxe configuration will also include a 112-page essay book and 64-page book that takes the reader behind the scenes on the “Pipes of Peace” title track video shoot.

From the Pipes of Peace music video
Both albums and their companion bonus audio discs will also be released as 2-LP 180-gram audiophile vinyl editions complete with gatefold sleeves and download cards. The newly remixed and mastered Tug of War and remastered Pipes of Peace will also receive standard and Hi Res digital releases, as well deluxe digital and Hi Res releases featuring all bonus audio.
2LP vinyl edition of Tug of War

2LP vinyl edition of Pipes of Peace
Tug of War and Pipes of Peace are the newest installments in the acclaimed and ongoing Paul McCartney Archive Collection. The inaugural release in the series, the Deluxe Edition of Paul McCartney and Wings’ 1973 milestone Band on the Run, won the 2010 GRAMMY Award for Best Historical Album, while the Deluxe Edition Box Set of the 1976 classic live collection Wings Over America took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package. Previous releases in this ambitious reissue program encompassing 41 years of timeless material from the most successful songwriter and recording artist of all time include solo works McCartney and McCartney II, Paul and Linda McCartney’s RAM, and Wings’ Venus and Mars and At The Speed Of Sound.

iTunes pre orders:
Tug of War
Pipes of Peace
Pre order physical formats and non-iTunes downloads here.


Commentary:

What's new about this installment of the Archive Collection (apart from introducing the concept of a "super" deluxe limited edition), is that Paul has remixed an entire album. And it's the newly remixed edition which will be the only version available in the standard (aka "Special") edition of "Tug of War", as well as on the 2LP vinyl set. McCartney wouldn't have gone to the step of remixing "Tug of War" unless he was unhappy with the original mix. Of all his albums, "Tug of War" seems to have a special place in McCartney's mind. Unlike his other albums, both the original CD release and the 1993 remastered edition of the album was kept clean from bonus tracks, thus preserving the integrity of the song collection featured on the album. This is a step further, remixing this album to create the ultimate edition.

Remixing a stereo album means that you can tamper with each instrument's and each vocal's volume and placement in the stereo picture. You may also bring into the mix instruments or vocals that were mixed low or muted when the original mix was made. If the remix is a radical one, you may even record new, additional vocals and/or instruments to introduce into the mix. This has probably not been done here.

For The Beatles circle, remixing seem to be a temporary thing. The 1999 release of The Beatles "Yellow Submarine Songtrack" brought great, remixed stereo versions of the songs in the collection, 2000's "1" reverted to the old sixties stereo mix. Yoko Ono remixed John Lennon's entire catalogue back in the early 2000's but the catalogue reverted to Lennon's original mixes for the Signature box in 2010 and the most recent vinyl Lennon boxed set also uses the original mixes.

Initially, the 2006 soundtrack to Cirque du Soleil's Beatles tribute "Love" was going to feature original songs from The Beatles' catalogue in new stereo remixes, but the project developed further. Giles Martin: "To begin with, it was just going to be the Beatles remixed, and the idea of chopping and changing didn't really come to fruition until we tried stuff out. Apple are the four Beatles' families, so we played them to Paul, to Ringo, to Yoko, to Olivia Harrison, and they gave the green light for the whole thing to go ahead".
If you ask me, the entire Beatles catalogue should be remixed in stereo, as the sixties version of stereo mixing was highly experimental, as well as severely limited by the non-availability of multitracks, apart from the original twin, four and eight track consoles of the day. Now that Giles Martin has made multitracks by digitally separating instruments, a more modern version of stereo as well as surround sound can be accomplished.

But back to the "Tug of War" album. It's not mentioned in the press release who the remix engineer is, but it seems that Paul himself was remixing the album at his studio at The Mill, according to a May interview in Q magazine. He even sought the advice of the Q journalist, playing for him the remixed "Ballroom Dancing". Apart from the "Tug of War" album, another remix is being included with "Pipes of Peace", a 2015 remix of Paul's hit duet with Michael Jackson, "Say say say". remixed by Spike Stent. This does not replace the original mix of "Say say say" on the "Pipes of Peace" album, but is included as a track on the accompanying bonus disc.

As a video collector, I am always looking forward to see the track lists of DVDs included with the McCartney Archives Collection DeLuxe editions. And I keep getting disappointed. Where in the past we would get the unreleased "One Hand Clapping" film, we just keep getting ultra short documentaries and previously released music videos. What I'm most looking forward to see in this new collection is the behind the scenes look at the filming of the "Take It Away" music video. Wings Fun Club members were invited to participate as an audience for the concert scenes in the music video, and were treated to an impromptu concert by McCartney and his band, which were assembled especially for that particular scene. Paul sang songs like "Lucille," "Twenty Flight Rock," and "Searchin’" during the warm up. Fun Club member Margaret Dreyton reported from the event in the Wings Fun Club magazine, "Club Sandwich", and you can read her full report reproduced at the excellent "Meet The Beatles For Real" site.

I have to admit that I actually have bypassed the DeLuxe editions of "Venus & Mars" and "Speed of Sound" so far, although I'm still planning on acquiring them at some point in time. I wonder how many other McCartney fans have jumped off the Archives train during it's journey? Shelf space and economy are contributing factors in this equation. Hi-res digital audio files are the dominating formats for audio aficionados of today, and the source for modern domestic playback of music. I still plan on getting the new "Tug of War" DeLuxe, as it was a very important album for me back in 1982 when I was twenty. It was the soundtrack for that summer for me, a summer when I actually met Paul McCartney himself, the day after the "Take It Away" video had been shown on "Top of the Pops" for the first time. I'll pass on spending 85 extra £'s for five hand numbered photos and an acrylic box, thank you very much.

Cilla and The Beatles

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Cilla Black, 1943-2015
Cilla Black was born Priscilla Maria Veronica White in Liverpool, England, on 27 May 1943 and grew up in the Scotland Road area of the city. Her parents were John Patrick White and Priscilla Blythen. Black had a Welsh grandfather, Joseph Henry Blythen, who was born in Wrexham, Wales, and Irish great-grandparents on her father's and mother's side of the family. She was raised in a Roman Catholic household, and attended St. Anthony's School, which was behind St. Anthony's Church in Scotland Road, and Anfield Commercial College, where she studied Shipping Management.

The Cavern Club or was it The Iron Door?
Cilla was working as a Dictaphone typist at BICC, the Cable Company, when she first started singing with local groups. It all began when she went to the Iron Door Club with her friend Pauline Behan (who was going steady with George Harrison at the time and was later to marry Gerry Marsden of Gerry & the Pacemakers). The group on stage was Rory Storm & the Hurricanes and Pauline asked them if Cilla could get up with them and sing "Fever". As a result she made several further appearances with the band. She was encouraged to begin singing by Liverpool promoter, Sam Leach, who booked her first gig at the "Casanova Club", where she appeared as "Swinging Cilla". Another account says that it was at The Iron Door that Leach booked Cilla for the first time. Never one to take anything too seriously, John Lennon used to announce her as Swinging Cyril when she joined the Beatles on stage to sing "Summertime", or "A Shot of Rhythm and Blues".

Meanwhile, she worked as a waitress at the "Zodiac" coffee lounge, where she later met her future husband Bobby Willis. Black was featured in an article in the first edition of the local music newspaper "Mersey Beat" by the paper's publisher, Bill Harry, who mistakenly referred to her as Cilla Black. She liked the name more, and took it as her stage name. Determined to become an entertainer, Cilla gained a part-time job as a cloakroom attendant at Liverpool's Cavern Club. This element of the story has turned into legend. According to Bill Harry, more people had seen her serving tea at the Zodiac coffee lounge than tending people's clothes at the Cavern Club.

Her impromptu performances impressed the audience and the Liverpool bands. Black became a guest singer with the Merseybeat bands Rory Storm and the Hurricanes, Kingsize Taylor and the Dominoes and, later, with the Big Three. When she performed with the Hurricanes, she used to share vocals on the song "Boys" with their then drummer, Ringo Starr.

Cilla signed her first contract with long-time friend and neighbour, Terry McCann, but this contract was never honoured as it was signed when she was under age (the age of majority was then 21) and her father subsequently signed her with Brian Epstein.

Audition for Epstein, backed by The Beatles
Epstein had a portfolio of local artists. At first, he showed little interest in Cilla. She was introduced to Epstein by John Lennon, who persuaded him to audition her. Her first audition was a failure, partly because of nerves, and partly because the Beatles (who supported her) played the songs in their own vocal key rather than re-pitching them for Cilla's voice. In her autobiography "What's It All About?" she wrote:

"I'd chosen to do "Summertime", but at the very last moment I wished I hadn't. I adored this song, and had sung it when I came to Birkenhead with the Big Three, but I hadn't rehearsed it with the Beatles and it had just occurred to me that they would play it in the wrong key. It was too late for second thoughts, though. With one last wicked wink at me, John set the group off playing. I'd been right to worry. The music was not in my key and any adjustments that the boys were now trying to make were too late to save me. My voice sounded awful. Destroyed - and wanting to die - I struggled on to the end".

Recording with George Martin
But after seeing her another day, at the "Blue Angel" jazz club, singing "Boys", Epstein contracted with Cilla Black as his only female client on 6 September 1963. Epstein introduced Cilla to George Martin who signed her to Parlophone Records and produced her début single, "Love of the Loved" (written by Lennon and McCartney), which was released only three weeks after she contracted with Epstein. Despite an appearance on ABC-TV's popular "Thank Your Lucky Stars", the single peaked at a modest No. 35 in the UK, a relative failure compared to début releases of Epstein's most successful artists (the Beatles, Gerry and the Pacemakers and Billy J. Kramer & the Dakotas). Under Epstein's management, Cilla made her concert debut at the Odeon, Southport, in a show with the Beatles on 30 August. She then appeared with the Beatles on the all-Merseyside edition of the "Thank Your Lucky Stars" TV show and was booked for the Beatles Christmas Show at the Finsbury Park Astoria in north London from 24 December.

Love of The Loved
"Love of the Loved" is a song written mainly by Paul McCartney, credited to Lennon–McCartney. It is one of his earliest compositions and featured in the Beatles live act in their early days. The group recorded the song at their 1962 audition for Decca Records, but never issued it on any of their official releases. The Beatles audition version was left off Anthology 1, even though the other Lennon–McCartney originals from the same session, "Hello Little Girl" and "Like Dreamers Do", were included. Cilla Black recorded it for her debut single, which was produced by George Martin. It was not a big hit for her, reaching #35 on the UK Singles Chart.

"Love of The Loved" Parlophone R5065
Black's second single, released at the beginning of 1964, was a cover of the Burt Bacharach–Hal David composition "Anyone Who Had a Heart", which had been written for Dionne Warwick. The single beat Warwick's recording into the UK charts and rose to No. 1 in Britain in February 1964 (spending 3 weeks there), selling 800,000 copies in the UK in the process. Her second UK No. 1 success, "You're My World", was an English-language rendition of the Italian popular song "Il Mio Mondo". She also enjoyed chart success with the song in Australia, New Zealand, Europe, South Africa and Canada. Both songs sold over one million copies worldwide, and were awarded gold discs.

It's For You
Black's two No. 1 successes were followed by the release of another Lennon–McCartney composition, "It's for You", as her fourth UK single. Paul McCartney played piano at the recording session and the song proved to be another major international success for Black, peaking at No. 7 on the UK charts.Paul McCartney, who had been present at Abbey Road Studios when Cilla Black had recorded her breakthrough hit "Anyone Who Had a Heart", had written "It's for You" with John Lennon using "Anyone Who Had a Heart" as the model although Black herself has opined: "For my money, ['It's for You'] is nothing like the 'Anyone...' composition." 


A Spanish EP featuring "It's For You" as the title track.
On 3 June 1964 McCartney cut a demo of "It's for You" to give to Black and producer George Martin. Black recorded the song at Abbey Road Studios that 2 July with Martin producing the session and she would recall: "That was some session...John [Lennon] and Paul [McCartney] joined me and George Martin. We made one track and then everyone had a go at suggesting how they thought it should be recorded. George said it should be one way, John and Paul another and I just added my suggestions while they were thinking of what else they could do with the composition."

Having Black, well publicized as an associate of the Beatles, record a Lennon–McCartney tune did not result in the anticipated smash hit: "It's for You" followed Black's back-to-back #1 hits: "Anyone Who Had a Heart" and "You're My World", into the Top Ten but remained there for only two weeks - 29 August and 5 September 1964 - at #8 and #7.

Cilla and Brian
Cilla was never aware of the fact that her manager was gay. In 2014, she told The Telegraph"With hindsight, he was gay. But at the time we didn’t have that word and I wouldn’t have known what it meant if we did. I didn’t know Brian was a homosexual – in fact, I fancied him. But then, I fancied George Martin, too. Not that I ever did anything about it. I was always faithful to Bobby." After the death of Brian Epstein, Cilla's partner and songwriter Bobby Willis took over the management duties. In 2010, Cilla unveiled a blue plaque in memory of Brian Epstein at Epstein's first London office on Monmouth Street, Seven Dials, London.

Cilla with her manager, Brian Epstein.

Step Inside Love
In late 1967 McCartney was approached to write the theme for Cilla's new variety show on BBC Television, "Cilla". It was a show that Brian Epstein had secured for Cilla shortly before he died. Paul recorded the original demo version of "Step Inside Love" at his London home, accompanying himself on guitar. The theme song  consisted of just one verse and the chorus.

Cilla's recording of this short song was used as the theme during the early weeks of the show, until it was decided that the song needed an additional verse, so McCartney came to the BBC Theatre and wrote it there. According to the producer of the show, the opening line of the second verse ("You look tired, love") came from McCartney's observation of Cilla looking tired from the long rehearsals for the TV show. McCartney then added a third verse and this version was recorded as a studio demo at Chappell Studios in London on 21 November 1967, with McCartney on guitar accompanying Cilla on vocals. This demo was the basis for the single, although where the McCartney demos were recorded in the key of D, the final arrangement of the single version was transposed up a fifth to G, to take advantage of Cilla's higher register.

McCartney recorded the song on 16 September 1968 during The Beatles (a.k.a. "The White Album") sessions, but it did not appear on the album. After ad libbing "Step Inside Love", McCartney led the group into "Los Paranoias", which (despite George Harrison not being present) was credited to all four members of the band. The two songs were released as a single CD track on Anthology 3 in 1996.

Paul and Cilla recording "Step Inside Love" Colourised EMI publicity photo.
The single version of the song (with Cilla singing live over the studio backing track) was premiered on 5 March 1968 edition of her show; the single was released on 8 March 1968, and reached number eight on the British charts in April 1968. The recording was also featured on Cilla's third solo studio album "Sher-oo!"Remixed club versions of Cilla's original 1960s vocal were released in 2009 on her album "Cilla All Mixed Up". An excerpt from the actual recording session with Paul, George Martin and Cilla can be heard as bonus material on the CD box set Cilla 1963-1973 The Abbey Road Decade and a longer extract circulates among collectors.

Other Beatles covers
Cilla Black continued to record Lennon-McCartney compositions throughout the period (1963–1973) that she was under contract to EMI's Parlophone; Cilla's recordings of "Yesterday", "For No One" and "Across the Universe" became radio favourites. Paul McCartney said Cilla's 1972 interpretation of "The Long and Winding Road" represented for him how he always intended the song to be sung. She also recorded John Lennon's solo composition "Oh My Love" as well as McCartney's "Junk".

With a little help from Ringo
On 6 February 1968, Ringo Starr made an appearance on the first episode of Cilla Black's television show. On this occasion the other guests were comedian Spike Milligan and ventriloquist Peter Brough.

Ringo and Cilla, 1968.
Ringo appeared during the opening credits and in a number of skits. In the first, he assisted Cilla in sorting through her fan mail and introduced one of her singing performances, "I'm Playing Second Fiddle To A Football Team". A second sketch saw him interact with Peter Brough and performing with his own 'dummy', introduced as Ariadne but actually Cilla Black in a school uniform.

Ringo and Cilla duetted unaccompanied on the 1905 song "Nellie Dean" while he drank from a pint of beer, and finally they sang and danced to a 1917 song entitled "Do You Like Me?". It was Paul’s father, Jim McCartney who had suggested the number, he used to play it when he had a jazz band.

On October 1, 1970, Ringo Starr recorded his second appearance on Cilla Black's television show "Cilla". It was aired on BBC1 on February 13, 1971 and featured the two duetting on "Act Naturally".

Cilla and Ringo at Geilo in Norway. From the TV special "Cilla in Scandinavia"
A 1971 special, "Cilla in Scandinavia" saw Cilla team up with Ringo again for scenes filmed at the Geilo winter resort in Norway. During the show, Ringo performed "It Don't Come Easy" and duetted with Cilla and children's show character Basil Brush on "The Snowman Song".

At a Cannes Film Festival during the 1970s, Cilla joined George Harrison, Ringo Starr and glam-rock pop star Marc Bolan to attend a screening of the John Lennon-Yoko Ono experimental film "Erection". She also holidayed with them on this trip aboard a yacht chartered by Ringo. "Photograph" was written on this trip - originally intended for Cilla to record - but Ringo decided to record it himself. George Harrison also wrote two songs for Cilla - "The Light That Has Lighted The World" and "I'll Still Love You (When Every Song Is Sung)". The latter she recorded in 1974, but it was not heard publicly until 2003, when it surfaced on a retrospective collection entitled Cilla: The Best of 1963-78.

Later life
Along with a successful recording career in the 1960s and early 1970s, Cilla Black hosted her show, "Cilla", for the BBC between 1968 and 1976. After a brief time as a comedy actress in the mid-1970s, she became a prominent television presenter in the 1980s and 1990s, hosting hit entertainment shows such as "Blind Date" (1985–2003) and "Surprise Surprise" (1984–2001).

By actively supporting the Conservative Party during the Margareth Thatcher years, Cilla alienated herself somewhat from her working class roots in Liverpool, but later in life considered herself apolitical and no longer saw herself as conservative.

In 2013, Cilla celebrated her 50 years in show business. British television network ITV honoured this milestone with a one-off entertainment special which aired on 16 October 2013. The show, called "The One & Only Cilla Black", featured Cilla Black herself and was hosted by Paul O'Grady.

In 2014, Cilla Black was the subject of a three-part television drama series, "Cilla", focusing especially on her rise to fame in 1960s Liverpool and her relationship with Bobby Willis. ITV aired the first installment on 15 September 2014, starring BAFTA award-winning actress Sheridan Smith.

Cilla was married to her manager, Bobby Willis, for more than 30 years until he died from lung cancer on 23 October 1999. Cilla herself died at her holiday home near Marbella, Spain, on 1 August 2015.



Even though her career as a television personality was longer than her singing career, she wanted her epitaph to be "Here lies singer Cilla Black".

Sources:
Wikipedia
The Beatles Bible
Mersey Beat
Daily Mirror

Paul jams with Jefferson Airplane, 1967

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4th April 1967 in San Francisco
This photo has been floating around on social media sites the past couple of days, prompting speculations about what the occasion was, until someone was able to sort it out. Turns out it's photo of Paul McCartney with Jorma Kaukonen & Paul Kantner from Jefferson Airplane in San Francisco, taken on 4th April 1967. McCartney is playing a right-handed Rickenbacker 360/12, which probably belonged to Paul Kantner.
McCartney and Mal Evans visited the Fillmore Auditorium, where Jefferson Airplane were rehearsing. Afterwards they accompanied Marty Balin and Jack Casady to the Oak Street apartment they shared with the band's road manager Bill Thompson. McCartney played them an acetate of the "Sgt Pepper's Lonely Hearts Club Band" album.
They also attempted a jam, but that was abandoned because all their equipment was right-handed, which McCartney had trouble playing.

Speaking of rare photos, yesterday George Harrison's Twitter account published a better photo of The Beatles sitting on the stairs of Abbey Road, with Ringo's driver Alan standing behind them.

Alan
We have used this to replace our earlier version of this photo in our Abbey Road photo shoot extravaganza, "The road goes on forever".

Alternative poster art

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© 2015 Mitch O'Connell

Chicago artist Mitch O'Connell decided Paul McCartney needed a new tour poster, and he was the one to make it. In O'Connell's words: "I decided to stop waiting for Sir Paul to give me a ring requesting that I design his tour poster, and just went ahead and whipped one up. So if you know the second cousin to Paul's lighting guy, someone who works at the dry cleaner where Paul drops off his shirts, or have third row tickets to an upcoming concert, please pass along my art! Who knows, not that he'll like it, but with your help, he might actually see it!"

Duly passed along. How many references do you spot?

The U.K. Help! album turns fifty

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A very light and very blue photo of a "Help!" album cover.
It is fifty years since The Beatles released their "Help!" album. Photographer Robert Freeman decided that he wanted to shoot the album cover with The Beatles wearing the costumes that they had been wearing when the film scenes in Austria was filmed, preferrably against a white background. Trouble was, the film had moved on, and they were now busy filming in England, and had problems fitting an album cover photo session in between the filming. The solution was that Freeman arranged for a huge white background to be brought to where they were filming, and shoot the photos when The Beatles weren't needed on the set.

Ringo gets ready to be photographed for the album cover, Victor Spinetti, in costume, watches.
After the photos had been taken, Freeman arranged the individual Beatles across the cover, with the composers Lennon-McCartney in the middle, flanked by Harrison on the left and Ringo on the right.

Over the years, different pressings of the U.K. "Help!" LP have had various degrees of the blue colour of The Beatles' costumes. The photo of the album cover found on the TheBeatles.com site is probably the lightest and bluest of them all.

Judging by the photos of George's and Ringo's capes that were sold at an auction in Liverpool in 2014, The Beatles' costumes worn for the shooting of the "Help!" album cover weren't nearly as light or blue as the cover depicts them. They were almost black.

The above rendition of George and Ringo on the "Help! cover, with 2014 photos of their capes inserted. 


George's and Ringo's capes, with a probably current "Help!" album cover.
So we took the liberty of darkening the "Help!" album cover somewhat, and removed most of the blue tint, to see what it would have looked like without these enhancements.

A more stern look is what this seems to be.
So we looked around the internet to see if we could find a decent photo of a first U.K. 1965 release, and this is what we found:

A somewhat dark photo, but not so blue, initially.

And here is the remastered mono edition of the album from 2014, which looks very good indeed, picturewise:

2014 mono remaster

Beryl Bryden meets the Beatles in Barcelona

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Paul McCartney and unknown lady at the Beatles' hotel room in Barcelona. Photo: Juana Biarnés
Beryl Audley Bryden (11 May 1920 – 14 July 1998) was an English jazz singer and washboard player, who played with Chris Barber and Lonnie Donegan. Ella Fitzgerald once said of Bryden that she was "Britain's queen of the blues". Bryden joined the Chris Barber band on washboard, and played on the group's gold disc earning, "Rock Island Line" in 1955 with Lonnie Donegan on vocals. She made her last recording in 1998, shortly before her death. Beryl Bryden died in 1998 at the age of 78.
In August 1965, she wrote a piece in British music paper New Musical Express (issue # 970, August 13, 1965) about her encounter with the Beatles in Barcelona on July 3, 1965:

The clipping also included a photo of Beryl with the Beatles in their hotel room in Barcelona.
Beatles remembered Beryl's washboard.
«The Beatles may be off to America this week, but it'll be a long long time before I forget the time I met them on another part of their world travels!»
«I was appearing in Barcelona, when I was invited to the press conference before their recent show at the main bull ring. I was sure I hadn't met the Beatles before, so you can imagine how amazed I was when they saw me and shouted: "Hi Beryl, where's your washboard?" Seems they remembered me from their old days in Hamburg, when I dropped in to see their show after a jazz concert.»

«It really was fun, that press conference. A lady journalist was trying to interview Paul even though she didn't speak English, so he was using Spanish! He seems to know it quite well.»
John and Paul
«The boys just seem to live music – it was going all the time, what with John, Paul or George playing the guitar – or Nina Simone or the Byrds on the record player.»

«At their hotel after the evening show, John got me to sing "Movin' On" to his guitar accompaniment, then Paul played some flamenco. But they kept asking me to play my washboard and after a while I made a 20-minute dash to my hotel just to get it. It was a session too good to miss!»

«It kind of worked out skiffle and blues, with George and Paul on guitars, John on the harmonica and Ringo playing maracas. I played the washboard, and an unknown spectator worked out on the spoons!»

«I guess it was about 5am when I left – nine and a half hours in which the marvellous Beatles really warmed my heart and I left thinking what charming, natural, humourous and down-to-earth people they are.»

According to a Spanish news report, the party was broken up by Brian Epstein, who had received complaints from the hotel's management about the noise coming from the Beatles' living room.  The Beatles shared three rooms at the Hotel Avenida Palace, with two Beatles sharing bedrooms, occupying rooms 109 and 110. These were both adjacent to room 111, which served as a living room, accessible from both bedrooms.

The Beatles Suite, room 111 at Hotel Avenida Palace. Photo: Marcel·Lí Sàenz
Room 111 is now "The Beatles Suite", decorated with about fifty photographs, magazine covers, articles, posters, reports and official documents and even a replica of the bass guitar that Paul McCartney used,  a Höfner 500/1 model. You may book the room for between 200 and 450 euros, depending on the hotel season.

Juana Biarnés
Photographer Juana Biarnés was Spain's first female photo journalist. She first took photos of the Beatles during the flight from Madrid to Barcelona, where she had been hiding in the plane's toilet. When she knocked on the hotel room door in Barcelona, Ringo opened and quipped: "You again?", before letting her in. The pictures she took of the Beatles secured her a contract with People magazine.

Barcelona has always been a Beatlesfriendly city. When I, as editor for the Norwegian Wood Beatles fanzine, corresponded with Beatles fan clubs around the world back in the eighties, I was surprised to find that the city of Barcelona had no less than two Beatles fan clubs. I subscribed to a magazine published by one of these clubs for a while, and was astonished by the quality of the full colour magazine "The Beatles' Garden" and the pins they produced for their members. Today, they run a Facebook page.

There's also a Beatles themed bar in Barcelona, "La Garrafa dels Beatles", partly a bar and partly a museum, which opened in 1976.

At last - Lennon at the Hit Factory 1980

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Stills from video of John Lennon in the studio, 1980
Yesterday, we could finally feast our eyes on moving images from the footage of John Lennon recording "I'm Losing You" at the Hit Factory Studio. On August 19th, 1980 at the Hit Factory recording studios in New York City, director Jay Dubin filmed John Lennon & Yoko Ono with the intention of producing music videos to promote their upcoming release "Double Fantasy". The recording sessions for "I'm Losing You" and Yoko's "I'm Moving On" were filmed. Two cameras were in use, and the footage was committed to 1 inch video tapes. Only the raw film exists, as Dubin never edited the footage.
This incredibly important footage turned out to be the last documented time that John Lennon was filmed making music, and even more incredibly, has never been seen by the general public. Footage from the recording of "I'm Moving On" was used in the 1985 documentary "Yoko Ono: Then & Now", released on VHS home video. Approximately 10 seconds of footage from the session is shown, and underneath the narrative, you can clearly hear Yoko's song, "I'm Moving On". On April 20, 1992, NHK-TV of Japan broadcasted a nearly 15 second clip of the footage, which also included clips of drummer Andy Newmark, guitarists Earl Slick & Hugh McCracken, and Yoko Ono getting ready to sing at the microphone.

Yesterday, Revolver Records & Video uploaded a version of the 1998 "line drawing" video for "I'm Losing You", intersped with footage from supposedly the secondary camera of John Lennon singing and strumming his limited edition futuristic Sardonyx guitar in 1980. Link to the video.
This footage proves that Lennon's attempt to drown the film in his bathtub (which was what was reported at the time) was unsuccessful. Apparently, Lennon was dissatisfied with the way he looked in the video. Most of what we see is Lennon aggressively strumming and slapping his guitar, but there are also a few cutaways to his face, he still has long hair and is wearing Yoko Ono's cap. It's sad to see John Lennon being so alive and eager to play when we know the outcome of this story. Published only yesterday, the video clip has already attracted more than 10,000 visitors. Revolver Records & Video have used the wrong version to dub this footage, the proper audio to accompany this clip appears on HMC's "Oddities 3" release.

Many people have refused to believe that this footage actually exists, finally we have evidence that proves them wrong. We can only hope that Yoko (or bootleggers) are planning to release a fully edited version of the footage from cameras one and two, but word is that all that still exists is twenty minutes from camera two.

You can read more about the guitar Lennon is playing at the Guitar Player site. The outdated Double Fantasy Video mystery Page has the full history behind the filming of the footage.

Introducing The Beatles to kids

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New book for young readers: Fab Four Friends - The Boys Who Became The Beatles
We die-hard fans may know who John, Paul, George and Ringo were, as will a generation of baby boomers, and also that generation I belong to, kids who grew up in the seventies. People born in the seventies, growing up in the eighties will also be familiar with the fabulous foursome, thanks to Paul McCartney's solo successes, George Harrison's stray hit with "Got My Mind Set On You" and The Traveling Wilburys. People who grew up in the nineties may have caught the fever with the "Anthology TV"-series. Forty-five years after the Beatles broke up, their popularity remains undiminished, with 41.8 million likes on Facebook, 2.8 million Twitter followers, a ranking as the "most important band" on Wikipedia* and the #1 spot on Rolling Stone's list of 100 Greatest Artists of All Time. But there are new generations who are no longer recognising those four names as a unity, the most popular pop/rock band ever.
A new book is going to try and remedy that, introduce the band to kids today. Fab Four Friends: The Boys Who Became the Beatles is a new picture book from Macmillan that introduces the next generation of fans to the story of John, Paul, George and Ringo. Focusing on the early years, written by author Susanna Reich and illustrated by Adam Gustavson, the book shows how four boys from Liverpool became the bestselling band in history.

Beatles biographer Bob Spitz calls the book "the perfect introduction to the mythic pop band — a thoughtful and delightful retelling that, like the Beatles, hits all the right notes."

The book traces the Beatles’ roots through each boy’s childhood and teen years. Evocative language and richly-detailed paintings tell the story of the band from its earliest days as a skiffle group to its explosion onto the world stage.

It’s all here, from John and Paul’s meeting at St. Peter’s Church to George’s audition on a double-decker bus and Ringo’s early love of the drums. Heady nights in Hamburg, sweaty gigs in the Cavern Club, the adoration of hometown fans, the crush of being told that "guitar groups are on the way out," the thrill of Beatlemania—this ultimate rock 'n' roll story will appeal to readers of all ages, the press release assures us.

To be released in hardcover on August 18, 2015 (13 September in the UK), the book looks for an audience whose age range is 6 - 10 years, and has 32 colourful pages.

Help! photo from Beatlefan

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The upcoming issue (#215) of "Beatlefan" celebrates fifty years of Help!
In the upcoming issue of Beatlefan, there is going to be a trivia competition where the winner will get a 16" x 16" print of the image used on the cover. The photo comes from the Vincent Vigil collection, and is one of the images which will be going into the permanent collection of the Rock'n'Roll Hall of Fame and Museum. The scene is from the performance of the title song "Help!", early on in the film. That part of the film is the only black and white portion of it, and it was also very probably filmed using black and white film stock. Luckily, photographers shooting colour film were also present, capturing images like this one. Filmed at Twickenham film studios, the mimed performance of "Help!" was also used as a promotional film (music video of the day) on TV.
A sample issue of Beatlefan costs $8 in the U.S. or $11 elsewhere. U.S. funds only. Be sure to specify #215. For more information, email goodypress@gmail.com.

Speaking of "Help!", remember what we posted a few days ago about the shooting of the cover? As you know, the order in which the Beatles are standing from left to right is different in the USA and the UK. Also, there is the matter of whether or not some or all of the images have been presented mirror-flipped.

UK positions: George, John, Paul, Ringo.


USA: Apart from being in black and white, only George keeps his position, but is mirror-flipped.
USA movie poster: Same as on the US album.
So this brings us these questions: Why were the USA figures presented in black and white, why did they not appear in the same order as in the UK, and why was Georges image mirror-flipped?

WogBlog reader Stephen McGowan wrote to us about these issues, and presented us with the puzzle, which he also seemed to solve during our mail exchange.

The simplest answer (which often is the correct one, mind you), is perhaps that Capitol Records, who released the album in the US, did not have the colour photo negatives (or positives, for that matter), of  those four individual shots of The Beatles which were going to be used on the British "Help!" album cover. What they did have were images from the film itself, and they presented those in a colourful gatefold cover. As for the four individual shots, which they used for the album sleeve and United Artists reused for their movie poster, they probably just had black and white negatives of those.

Adding to the confusion, there's also a book of sheet music from Northern Songs.

UK edition of the "Souvenir film and song album" book. 
Inside this book are these four individual black and white shots, which upon close inspection reveal that George, John, Ringo and Paul are standing on a white platform for the photo shoot:

George, as on the UK sleeve

John, as on the UK sleeve

Ringo, as on the UK sleeve

Paul, mirror-flipped compared to the UK sleeve

The positioning of each Beatle on the cover seems to have been a last minute decision. In our previous blog post about the royal world premiere of "Help!", we showed a photo of the outside of the London Pavilion. We would like to draw your attention to the large figures on display on the facade of the building:

The "Help!" figures outside the theatre.
George, Ringo, John and Paul. Exactly in the same order, not as on the UK album sleeve, but as on the US one. Did the Capitol executives see this photo and used it to position the four black and white photos for their album release? Or was it a coincidence? George is like he is on the US album (notice the light glare in his hat), but Ringo is mirror-flipped, hinting that it was perhaps the latter.

Another photo, taken inside the London Pavilion of Ringo, his wife Maureen and Paul reveals a bit of a "Help!" poster behind them.

Note that Paul's image on the poster is like in the songbook, not like the sleeves and the facade of the theatre.
The photo shows inconsistency between the figures on the facade outside the theatre and the poster in the lobby inside. As you can see, on this poster the Paul figure is mirror-flipped, just like in the songbook rendition.

Then it's the finished UK movie poster. Made by United Artists, it's probably not that surprising that they used the same order as they had done for the US poster - and once again presents the four figures in black and white.

UK film poster

The sum of all these discrepancies is evidence that the positioning of these four Beatles figures, and their appearance on the upcoming album sleeves had not yet been decided upon.

So who was flipped and who was not? During the photo shoot for the album cover, scenes for the film were still being, as it were, filmed. Still needed on the set in different clothes, the Beatles just changed to their Obertauern costumes for the "Help!" album cover.

George
Here is a shot of The Beatles in their costumes, from Obertauern:

Wearing the same costumes in Obertauern, earlier in the filming.
If this black and white shot is correct, and going by signs behind it is, it means George is mirror-flipped on the UK "Help!" sleeve, as per the side of the buttons in his coat. That means he is correct on the US album sleeve.

George, as per the US album sleeve, only in colour.
Ringo
If the film stills featuring Ringo are correct, which we know they are (we've all  seen it enough times) then the large one on Pavillion is correct and all others are flipped, including both the UK and US sleeves. In the shooting of the cover, the ring is not on his right hand, but on left. Perhaps it was added afterwards, you might ask? Not according to this photo, taken during the photo shoot:


Ringo at the photo shoot: ring on his right hand.
This shows that the photo on the UK and US album covers was a mirror image. So here's what he really looked like in the photo:

Flipped the correct way, blue colour removed.
Paul
If Paul is flipped, then he would be wearing a watch on the wrong hand for a leftie. Though his fringe is most unPaul like, compared to this picture with Victor Spinetti, taken on the same occasion.

Spinetti, in costume, seems to be omnipresent on this occasion.
As you can see, Paul's costume for the album cover shoot is the same as he was wearing in Obertauern, a rather black, furry thing (before he became an animal lover) with a zipper.
Colour photos of Paul taken in Obertauern wearing the same costume reveal that it's really black, and has been coloured blue only for the UK "Help!" cover.

Photographic evidence of the true colours of The Beatles' costumes.

So, taking the wristwatch issue into consideration, Paul is probably correct on the album sleeves, but was flipped in the song book.

Paul, what we assume is the correct way, blue colour removed.
John
Was John's image reversed? Once again we turn to a photo with Victor Spinetti on the occasion of the cover shoot at Cliveden House.

John in cover shoot costume, Spinetti once again in a costume appropriate for the day's "Help!" scenes.
If we use the same reasoning re buttons as we did with George, and if the photo with Victor Spinetti shown above is correct, (and Spinetti's buttons are consistent through all images), then yes - John is flipped on the album sleeves.
John, flipped back and blue removed.
We could  really do with a contact sheet of the actual shoot to see whether or not we are correct in our assumptions. Photographer Robert Freeman's photo books "Yesterday" and "A Private View" do not contain these photos, so either he's not showing, or United Artists, EMI or Apple own them, or they may have been lost to time.

Since the pictures were individually taken, and furthermore not actually correct for the semaphore of spelling out H E L P, then a correct order is irrelevant - there is no correct order. However, eager as we are to please, here's a rendition of the UK "Help!" album front cover, with no Beatle reversed.

The UK "Help!" album front cover, after restorations.
Thanks to Stephen McGowan for all the photos he sent and the conclusions he came to. For the recent re-releases of the "Help!" film for the home video market (2007 on DVD, 2013 on Blu-ray), the box covers look like the UK album cover. In conclusion, some of the Beatles were reversed on both the UK and the US album sleeves. John, George and Ringo are reversed on the UK cover, only Paul is presented the right way around. John and Ringo are reversed on the US album cover, Paul and George appear as they were photographed.

An earlier discussion on this same theme can be found here, it eventually comes to the same conclusions.

Meryl Streep at the Shea Stadium concert - the truth

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Meryl Streep with dark hair and a cap at a Beatles concert at Shea Stadium.
One recently much publicised myth is that actress Meryl Streep was at the famous Beatles concert at Shea Stadium in August 1965, when she was a kid. Yes, Meryl was at a Beatles concert, yes it was at Shea Stadium. It just wasn't the famous 1965 concert but the largely forgotten 1966 concert at the same venue. Famously, the three surviving Beatles didn't even remember having played Shea Stadium twice when they were interviewed for the "Beatles Anthology" TV-series. Here's one of those YouTube clips who are pretending it's the 1965 concert:


In the clip, the TV reporter's line of questioning reflects the disappointing ticket sales, which makes him ask if the Beatles' popularity is on the decline.
Whereas the 1965 tour of the USA was a triumph with sold out venues everywhere, this was not the case with the 1966 tour, which came after a controversial statement from John Lennon about the Beatles' popularity versus that of Jesus Christ. The disappointing 1966 tour of USA ended with the Beatles giving up touring altogether.
Here's an older and longer version of the newsclip footage, which doesn't try to pass this off as the 1965 concert, but correctly identifies it as the 1966 Shea Stadium concert.



Born June 22, 1949, Meryl Streep was 17 at the time of the 1966 Shea Stadium concert in August. In 1990, she presented a Grammy lifetime achievement to Paul McCartney, and in 2013 she made an appearance in McCartney's music video to "Queenie Eye", filmed at Abbey Road studios in London.

The posting of this fact was spurred by the many claims that Streep was at the 1965 Shea Stadium Beatles concert. Unfortunately, this corrective will be a feeble attempt to set the record straight, as popularly believed myths usually triumph over the truth.

The Shea Vox continental organ

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Playing with his elbow, John Lennon at Shea Stadium, 1965.
The Vox Continental Portable Organ used by John Lennon at the historic August 15, 1965, Shea Stadium concert, as well as the Beatles' August 13, 1965 appearance on The Ed Sullivan Show and on the studio recording of "I'm Down" didn't last long.

The actual organ used at Shea Stadium in 1965.
In front of a crowd of 55 600, Lennon closed out the most famous concert in history with a frenzied rendition of "I'm Down", in which he wildly pounded on the offered keyboard, resulting in the organ not working properly for the next show in Toronto on August 17.
The next day in Atlanta, the organ was traded in for a functioning Vox Continental organ from the Thomas Organ Center - The Vox Shoppe, the exchange being completed by a local Atlanta policeman. The organ remained in the possession of the owner of The Vox Shoppe for nearly four decades.
The organ itself is distinguished by a non-standard Vox Continental logo adhered to the front of the case, which is clearly visible in pictures and film from the event and from the set of The Ed Sullivan Show two days prior.
Before auctioning away the organ in 2008 at Christies's Punk/Rock auction at New York's Rockefeller Plaza for $182,500, the original organ was repaired, keeping all the original parts (which were in pristine condition) and was fully functional at the time of the auction.

The organ features a four octave keyboard, wood weighted black and white keys (reversed), detachable Z-shaped chrome frame stand, orange top and accompanying cases.

Prior to the auction, the organ was featured in exhibitions at the Rock and Roll Hall of Fame and Museum, Cleveland, Ohio, The Beatles Story in Liverpool and "John Lennon Unfinished Music" at Cite de la Musique in Paris.

I'm Down
"I'm Down" was specifically composed by McCartney to serve as the show closer, a studio version was recorded at the same day as "Yesterday" and released as the B-side of the "Help!" single and elsewhere. The Beatles had previously closed their shows with Little Richard's "Long Tall Sally", but wanted to be able to use one of their own songs as the closing rocker for their shows. Having tried for a while to write such a song, McCartney finally came up with "I'm Down". "That’s Paul…with a little help from me, I think," said John Lennon in 1980. Paul is quoted as saying, "I’m not sure if John had any input on it, in fact I don’t think he did.  But not wishing to be churlish, with most of these I’ll always credit him with 10 per cent just in case he fixed a word or offered a suggestion.  But at least 90 per cent of that would be mine."

Rehearsing.
"Long Tall Sally" was still used for their European tour in June/July, but starting with the fan club concert in Blackpool, August 1st, it was replaced by "I'm Down", just nine days after it had been released as the B-side to the "Help!" single in Britain. As we know, the song was the show closer for the USA tour in August. This was continued on the UK tour in December, and all in all "I'm Down" was performed at 34 concerts in 1965.

The song continued to be the set list closer in 1966, the first concert being the NME Poll Winners concert at Wembley Empire Pool, London, England on May 1, 1966. "I'm Down" was kept during the Bravo Beatles Blitztournee of Germany, as well as on their Far East tour of Manila and Tokyo.

Then came that final tour, the USA tour of 1966. Now The Beatles started to alternate between playing "I'm Down" and "Long Tall Sally". When the tour started at the International Amphitheater in Chicago, IL, on August 12, 1966 "I'm Down" was played at the afternoon concert at 3 pm, but substituted by "Long Tall Sally" for the evening's show at 7.30pm. This practice continued, whenever they played two concerts in a row somewhere, they would play "I'm Down" at one show and "Long Tall Sally" at the other. This rule is confirmed by the one exception, at both August 19 shows at the Mid-South Coliseum, Memphis, TN, "Long Tall Sally" was the featured closer. In the cities where they gave only one concert, "Long Tall Sally" was favoured, and was the closer of their last ever concert at Candlestick Park in San Francisco, CA on August 29. Their last performance of "I'm Down" was at one of their Seattle Center Coliseum concerts in Seattle, WA, on August 25, 1966.

As Paul McCartney was the principal singer of both songs, one would think that he would favour his own "I'm Down" when he started touring again, after The Beatles. However, it was "Long Tall Sally" that he chose to close the concerts on the Wings tour of 1972. In fact, he never sang "I'm Down" again, until the Concert For New York City at Madison Square Garden, New York, NY, on October 20, 2001, where he opened with it. At the time, McCartney was criticised for opening with such an unknown Beatles song.

Another eight years went by, until he started playing the song regularly on his 2009 tour of USA. He performed it nine times in the middle of the set list during that tour, before again abandoning it. The performance of the song at Citi Field in New York City was released on a live CD & DVD album from the tour, "Good Evening New York City". In the concert film, "I'm Down" switches back and forth between McCartney's 2009 performance and The Beatles' 1965 performance at Shea Stadium. On the bonus DVD, the complete McCartney performance is shown.

If you want to know more about "I'm Down" you must be a Beatlemaniac, but here it is.

The missing piece

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Paul, John and George at the bar, Indra Club, Hamburg, August 1960.
Fifty-five years ago today, The Beatles started their professional career as musicians. Leaving jobs, school and parents behind, they had left Liverpool to start their residency as a bar band in Hamburg's Indra Club, near the Reeperbahn. A series of photos were taken while they were there, not many - just a handful. The photo depicted above of Paul, John and George at the Indra bar is one of them.

This is how the photo is usually presented to us, but something is missing. The full photo shows the full band, with Stuart Sutcliffe and Pete Best standing next to them. Pete Best has the complete photo, and a part of it was shown on his Best Of The Beatles DVD.
For his excellent website of photos of the early Beatles, Chazz Avery has matched a still from the DVD with the one we all knew, resulting in this image.

Stu and Pete restored back in, from a partly shown image in a DVD film.
I've tried to get in touch with Roag and Rory Best to ask them publish the complete photo, but haven't gotten any answer back.

When the Beatles museum in Hamburg was in operation, all the images of The Beatles at the Indra club were on display, but this particular photo was taken from Avery's website and cleverly positioned behind one of the other photos to disguise the fact that it was, in fact, incomplete.

Can you help? If you have a complete version of this photo, get in touch. Or if you know Pete, Rory or Roag, show them this blog post.

Update: Indra photo found

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The five Beatles at the Indra Club, Hamburg, August 1960.
Having just arrived at the Indra Club in Hamburg, fifty-five years ago, five piece band The Beatles was photographed inside the club, wearing their lilac stage costumes. At least one of the stage photos was used to promote the band at the club and was made into a postcard. Others, like the one above, showed them in a more casual pose, standing by the Indra bar.
The above photo includes the missing piece we requested in our last blog post. Clearly scanned from some magazine or newspaper, our reader Guus Limberger found the photo at the now defunct "The Gilly" Beatles photo blog. That blog was famous among the fans for posting images of the Beatles which had remained unseen for ages, due to the keeper of the blog constantly scanning images from vintage publications.
Many of the photos distributed to magazines in the sixties were used once and then either filed away, becoming victims of later fires, or binned after the photo had been published. Unfortunately, some of the photographers sold their negatives - and these photos are now only available in scans of old magazines, newspapers, books or library microfilms of the original publications. Hanne, keeper of The Gilly blog used all these sources for her blog posts.
In the case of this particular photo, we know that at least one uncropped vintage print still exists in Pete Best's collection, due to it's partial inclusion in his Best of The Beatles DVD.

This image is usually shown in a cropped version, where bass guitar player Stuart Sutcliffe and drummer Pete Best have both been removed, like this:

The common version of this photo.
As you can see, this image is in a much better quality than the vintage scan, and it also has a little more bottom and slightly more top - so there's still room for improvements. Here's a composite I made from the two versions of the photo:

The two images, one on top of the other.
Pete seemed to carry his drumsticks with him. We also have a lot more of the Indra wall behind Pete, compared to this earlier composite made by Chazz Avery, which had Stu and Pete inserted from a video still.

An earlier restoration, still with a bit missing.
Anyway, thanks to Guus Limberger for sending us the complete photo from "The Gilly", and hopefully some day we will see a good quality version of the complete photo. This is rather a historic photo session, since it was The Beatles' very first engagement as professional musicians, their first concerts in a foreign country, and the first step on a road that took them everywhere.

Hamburg Beatles collection on the market

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George Harrison at the Beatles' living quarters in the cinema building across the street from the Indra Club.
German Beatles expert, fan, historian and collector Uwe Blaschke died in 2010, leaving a vast collection of memorabilia from The Beatles' Hamburg days behind. He used to display his collection on the website BeatlesCollection.de. The collection has now been divided into lots, and is for sale via Heritage Auctions. Among the amazing things there are several signed items, including unique one-of-a-kind items like letters and postcards, but also the original recording contract with Polydor for the Tony Sheridan sessions, which has been getting attention by the media at large. There are items from clubs the Beatles played in Hamburg, the Indra Club, Kaiserkeller, Top Ten Club and the Star Club. I want the pig-shaped tip jar from the Star Club ;-)
The auction also features lots from later on in The Beatles' career.

Here's a promotional video for the auction, which is held September 19-20.



You can take a closer look at the auction lots here.

Beatles concert to air on the radio

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Celebrating fifty years since The Beatles played their one and only Minnesota concert, at the (Old) Metropolitan Stadium in Bloomington, local radio station WDGY has produced an hour-long retrospective on the show, including the Beatles' entire 35-minute performance and audio of the press conference they held beforehand. The show will air at 5 p.m. Friday on 740 AM and 107.2 FM HD. The broadcast will also be available at wdgyradio.com.
Although The Beatles toured America three times between 1964 and 1966 they performed one time only in Minnesota, in the middle of their 1965 US tour and played to an estimated audience of 25,000 fans, on August 21, 1965. That was the only concert of the tour that was not sold out, the capacity of the stadium was 45,000.
Some of the empty seats at the stadium.
Arriving at the airport, The Beatles were attacked by 3-4,000 crazed fans when they got off their chartered plane at 4:15 pm. Ringo was the first off the plane and a fan pushed through the cyclone fence and yanked at him.  Paul may have been accosted as well. Plans for picture taking were abandoned and they barely got into their car before the mob escaped the 60 Bloomington policemen.

Before the concert, the Fab Four held a press conference in the Minnesota Room of the stadium. Facing them were 12 microphones, 5 TV cameras, 150 reporters, and a few teenage "observers" who had won a contest.  Most of the questions were silly but then so were most of the answers. Also at the press conference, a Rickenbacker 360-12 electric 12-string guitar in a Fireglo red sunburst finish was presented to George Harrison on behalf of the musicians of Minnesota.

George gets a new guitar.
At the concert, "Twist and Shout" was reportedly not performed because John had throat problems. They performed 11 songs in 35 minutes:

She's A Woman
I Feel Fine
Dizzy Miss Lizzy
Ticket To Ride
Everybody's Trying To Be My Baby
Can't Buy Me Love
Baby's In Black
I Wanna Be Your Man
A Hard Day's Night
Help!
I'm Down

The Beatles on stage at the stadium.
During the concert, a helicopter hired by one of the competing radio stations came hovering over the stadium at one point, prompting Lennon to fire at it with his guitar mimicking a rifle.

An amateur recording of the concert started to appear around 2002, sourced from a cassette copy of another cassette which had been transferred from an original reel to reel tape in the seventies. The audio files had been processed in Cool Edit by the uploader to enhance them. The resulting 128/44 mono MP3's were available for download in the alt.binaries.sounds.mp3.beatles newsgroup. These mp3-files were later used by one of the downloaders to make a bootleg compact disc. Here's the story of the original reel-to-reel tape recording, as recounted in 2004 by the person who taped it:

"I'm the person who originally taped the Beatle concert at Met Stadium. I had no clue that my recording might be the only existing copy of the Met Stadium concert. I haven't paid much attention to the bootleg concert market or any of that. In August of 65, I was a nerdy kid with a cheap Sears tape recorder. I went to the concert with a friend. As I recall, we sat about 8-10 rows from the field, just a bit beyond what would be first base at a ball game."

"I didn't tape any of the opening acts because I wanted to save my batteries. I waited until the Beatles were playing to start the recorder, but I did not miss any songs. The Beatles did not play 'Twist and Shout'. The first song, 'She's a Woman' does have a short missing part. The reason for this is, in my stupid excitement, I was pressing down on the lid of my Sears special and I had stopped the reels. I could see this through a little window in the recorder's tin lid. In the first part of the tape my friend and I were goofing around, making silly noises and watching the little VU meter bounce. It's embarrassing to think that there are all sorts of people listening to this nonsense (and cursing it for spoiling the Beatle noise). But please, cut us a break. We were just kids and had no clue."

"I'm sure others have written about the concert itself. I remember the radio DJ's of the day telling everyone that the Beatles wanted everyone to have a good time, but asked that people save the screaming for the times between songs. That seemed to have a great effect. In spite of the poor sound on the tape, my memory is that I heard the music very well. When the songs ended though, it was deafening. My parents were in the parking lot during the concert and they said the same thing. I wonder if I would have gotten a better recording if I had just left the tape machine with them."
"Another thing I remember about the concert is that &*@#! helicopter. Didn't people realize that they were witnessing history? :-)"

"So here we are, many years later. I recently acquired a working reel-to-reel and have gone through my old tapes. I've located an early copy of the recording, but I'm not sure if it's the original. Unfortunately, it's an old acetate tape in bad condition. The best copy of the recording I have is a cassette version that was made in the early seventies. The MP3's that are circulating are from that copy."

So, perhaps the original tape has been found, cleaned up and used to produce the concert portion of tomorrow's radio broadcast? Let's hope so!

The day will also be celebrated by an earlier two hour live radio broadcast from the Hard Rock Cafe, where invited guests will reminisc about the concert. A photo exhibition from the Bob Bonis collection will also take place at the Mall of America, which stands on the site of the old Metropolitan Stadium, where The Beatles played.

More about the events of the day: TwinCities.com
More about The Beatles' visit to Bloomington: Instamatic Memories (PDF)

UPDATE: The wording on the radio station's web page sounds like they are not airing the concert at all, but recreating the set list by playing records. Here's what they are saying: "WDGY and Dennis Mitchell, the host of Breakfast with the Beatles produced a special one hour show with story’s (sic), insight and the original concert set list."

Lennon and McCartney in October

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Rehearsals for the One to One concerts
Yesterday, the official John Lennon accounts on Facebook and Instagram published the above photo from the One to One rehearsal. The caption went:
Which one would you like to have heard?
On this day 20 Aug 1972 - At the Fillmore East at 105 2nd Ave & E6th St, NYC, John & Yoko and Elephants Memory rehearsed a series of songs for the upcoming ONE TO ONE Concert at Madison Square Garden:

Cold Turkey
Give Peace A Chance
Come Together
Well Well Well
Mother
New York City
Instant Karma
It's So Hard
O Sisters O Sisters
Woman Is The Nigger Of The World
Don't Worry Kyoko
It's Only Make Believe
Open Your Box
We're All Water
Tequila
Move On Fast
Roll Over Beethoven
Unchained Melody
New York City
Long Tall Sally
Hound Dog
Mind Train
Back Off Boogaloo
Bunny Hop

The posting has further boosted the rumour mill about an upcoming DVD/Blu-ray release of the recently revised film and audio recordings from these concert. At the request of Yoko, Jack Douglas has been working on these recording for some time now, as technology has finally caught up with how poorly this was recorded. Footage earlier deemed unusable for the 1985 video cassette/laser disc releases has now been improved enough by new techniques to be slated for inclusion.

If the photo really is a teaser for an upcoming release, it's likely that the release date will be on or around October 9, when Lennon would have celebrated his 75th birthday.

Live Peace in Toronto 2015
And just a few hours ago, Paul McCartney's website and Facebook account announced the first published date of Sir Paul's autumn tour, with a date in Toronto, Canada - October 17th.

McCartney: Take it Away edit released

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Paul is the cover boy, in this 1982 incarnation.
The new "Uncut" magazine is out tomorrow in Britain, and features an exclusive interview with Paul McCartney. They visit Sir Paul at his studio in Sussex where he talks openly about working with and without John Lennon – and discusses extensively the relationship that revolutionised music.

“When I think of John, I think of us writing together,” says McCartney. “‘A Day In The Life‘… stuff like that.”

Uncut has also gotten an audio exclusive, in the form of a 4:05 single edit of the track "Take It Away". The version is available via SoundCloud, but only accessible from the Uncut page. The single edit has previously available on the original vinyl single, as well as on the Wingspan album. It is also featured on a Rolling Stone webpage, and you can even download an mp3 from the download section of Paul McCartney's website (requires that you have registered your email address with the website). This version of the song is not scheduled to appear on the upcoming archival edition of the "Tug of War" album. The edit has been remastered in 2015 for promotional purposes only.

121 new Beatles photos

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The Beatles on stage in Copenhagen. Photo: Johan Brun. From Digitalt Museum.
The Beatles never came to Norway, but photographer Johan Brun from the Norwegian newspaper "Dagbladet" was sent to Copenhagen when the Fab Three plus Jimmy Nicol had their concerts there on 4. June 1964. Now the 121 stunning black and white photos are available online at the Norwegian Digital Museum, most of them probably for the first time ever. As well as the concerts, the photos also cover the Beatles arrival at the airport, a press conference and their departure. Rather a large number of photos focus on the mania and the audience, but there are also quite a few wonderful photos of the Beatles themselves.

The fab three. Photo Johan Brun. From Digitalt Museum.
You can view all the photos spread across six pages on the website of the Digital Museum.
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