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The "Help!" store

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The main HMV store in Oxford Street, London, December 1965.
Twenty years or so ago, a Norwegian gentleman who was partly involved in selecting Beatles songs to release as singles in Norway told me this story.

He happened to be in London, England on the day The Beatles' album "Help!" was released. As he was walking along Qxford Street, London's main shopping street, he noticed that one of the stores there was just selling "Help!" albums. The Norwegian went inside the shop, and the only question he was met with was "mono or stereo?"

Mono or stereo?

I haven't come across any other references to this shop other than the story he told me, and I have no clue as to for how long the store was in operation. It may have been that this was the regular HMV store, fitted out for the occasion, or that HMV, which was EMI's own record store chain, had rented a vacant shop and stocked it up with "Help!" albums only. I have found no photos of their window display either, that would have been interesting. If you can verify the story about this "Help!" store, please comment.

Admiral Grove 10 for sale

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The "V for victory" sign was recently replaced with a new one.
Following the death of former resident Margaret Grose, the house where Ringo Starr grew up and lived until The Beatles took off is up for sale. Number 10 Admiral Grove in Toxteth, where the former Beatle lived until he was 21, is up for auction after the housing association gave the okay for the sale to go-ahead.

Ringo the accordionist in the doorway at Admiral Grove 10, with mother Elsie.
The two-bed Victorian terrace property was a regular haunt for the Fab Four in their younger days and other well-known faces on the Merseybeat scene, including the late Cilla Black. The Empress pub at the end of Admiral Grove was also famous for appearing on the front of Ringo’s first solo album, Sentimental Journey. In the film "The Mersey Sound" from 1963, Ringo can be seen leaving the house in Admiral Grove to be picked up by George Harrison, arriving in his car. The scene was also used in the promotional music video for the BBC recording of "Words of Love" in 2013.

Outside Admiral Grove 10: Ringo with his mother Elsie and stepfather Harry.
The property still attracts fans daily as it is part of the official Beatles Tour and Margaret Grose, the tenant who had lived at the property for 37 years, was always happy to invite people in to have a look inside the house until her death last year.

Following her passing away, Plus Dane made the decision to sell the house at auction on 24th March 2016.

Claire Griffiths, Plus Dane’s Executive Director of Property, said:

“Plus Dane has considered all of the options in relation to this property following the sad death of Margaret, who was a well-respected figure in the community. We felt it would be most beneficial to the community for the property to be sold as any profits made will be reinvested back into Plus Dane homes in the L8 area.”

Taking on board the concerns local residents may have, a number of restrictions have been placed on the sale of the house so it cannot become a tourist attraction or museum.

The house is just up the road from Ringo's first childhood home in 9 Madryn Street, which was recently saved from demolition. Ringo moved from Madryn Street to Admiral Grove at age 5.



Like other recently sold former Beatles member's houses, an auction will be held at the Cavern Club. The auction will take place on Thursday 24th March and the house has a guide price of £55,000, but auctioneers Countrywide are hoping it might attract investors with an interest in the Fab Four.

Tony Webber, Auction Surveyor, Countrywide Property Auctions, said:

“We are delighted and excited that Plus Dane Housing has chosen Countrywide to auction this property, which is such a unique part of Liverpool’s history as well as that of The Beatles.  We have auctioned properties lived in by three other members of The Beatles – John Lennon, George Harrison and Paul McCartney, and we expect a high level of interest from potential buyers in the UK and internationally.  We would urge all interested parties to register their details as soon as possible to ensure they don’t miss out on this rare opportunity.”

In 2014 and 2015, Beatles fan Jackie Holmes purchased both George Harrison's former home at Upton Green in Speke as well as the former home of Julia Stanley Lennon, John's mother, in Bloomfield Road in Allerton’s Springwood estate. She plans to live in the house in Bloomfield Road, where Julia taught young John to play the banjo and rent out George Harrison’s former home at Upton Green in Speke as a Beatles-themed let. The house in Bloomfield Road was sold for £155,000 in late March 2015, while Upton Green went for £156,000 in October 2014.

In October 2013, John Lennon’s childhood home at 9 Newcastle Road in Wavertree (just off Penny Lane), sold at auction for £480,000 to an undisclosed telephone bidder. Paul McCartney’s childhood home in 72 Western Avenue was sold at a Cavern Club auction in February 2015 for £150,000 to a mystery buyer.

The Beatles and WW II

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The soundtrack album, 1976.
All This and World War II is a strange 1976 musical documentary which juxtaposed Beatles songs, performed by a number of contemporary seventies artists, with World War II newsreel footage and 20th Century Fox films from the 1940s. It lasted two weeks in cinemas and was quickly sent into storage. The film has never been officially released on home video or DVD, but bootleg copies of the film are available from several collector-to-collector resources. A fairly high quality transfer is also available as an unofficial DVD release.

The Beatles World War II is the new title of the reedited film.
Now it's being readied for an official DVD release in May, but in edited form and with a new title, "The Beatles World War II". The new edit by Tony Palmer means it's not quite the same film - as great chunks of it is re-edited, but he has used much of the same material, and of course many of the same songs. This is the new song selection:

1. Greensleeves – arr. Vaughan Williams – 2:00
2. The Fool on the Hill – Helen Reddy – 3:37
3. Yesterday – David Essex – 2:44
4. The Long and Winding Road"– Leo Sayer – 4:47
5. I Am the Walrus – Leo Sayer – 3:49
6. Come Together – Tina Turner – 4:08
7. Shostakovich 11th Symphony – 3:00
8. Maxwell's Silver Hammer – Frankie Laine – 3:27
9. She's Leaving Home – Bryan Ferry – 3:07
10. Let It Be – Leo Sayer – 3:43
11. Getting Better – Status Quo – 2:19
12. Help! – Henry Gross – 3:07
13. Nowhere Man – Jeff Lynne – 3:56
14. Lucy in the Sky with Diamonds – Elton John – 6:15
15. With a Little Help from My Friends – Jeff Lynne – 3:00
16. Strawberry Fields Forever – Peter Gabriel – 2:30
17. Get Back – Rod Stewart – 4:24
18. A Day in the Life – Frankie Valli – 4:04
19. Shostakovich 11th Symphony – 3:00
20. Michelle – Richard Cocciante – 4:00
21. The Long and Winding Road"– Leo Sayer – 4:47
22. When I'm Sixty-Four – Keith Moon – 2:36
23. Golden Slumbers/Carry That Weight – The Bee Gees – 3:17
24. Hey Jude – The Brothers Johnson – 4:58
25. Shostakovich 4th Symphony – 4:00
26. Fool on the Hill – John Williams – 3:00

The original intention of the filmmakers was to use actual Beatles music in the film. The decision to use other artists covering Beatles music was made by the film's producers after they realised additional money could be made through a soundtrack album. The decision was a sound one, as the soundtrack actually generated more revenue than the film. The vinyl (and cassette) soundtrack album was released in November 1976, and as a limited CD release in 2007. It was re-released on CD last year, still as a limited edition release.

2015 CD re-release

Further reading: Earcandymag.com

McCartney album news

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News about Paul McCartney's upcoming album, courtesy of The Sun.
British tabloid newspaper The Sun reports that Paul McCartney has hired Adele "Hello" producer Greg Kurstin to work on his new album. An anonymous source within the recording industry is quoted by The Sun to have said: "Paul loved what Greg did with Adele and knows he can add something special to his record. He is really embracing the pop direction of his last album and wants to continue in that vein with his new stuff".
Kurstin was originally going to produce Paul’s full album, but the understanding now is that he is going to work on a couple of tracks first and they will take it from there.

Source: The Sun

Mister Twist reissued

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Reissue of the "Mister Twist" EP
In France, Cameleon Records have reissued the EP record "Mister Twist" by Tony Sheridan. The cover has a photo of Tony Sheridan taken by Astrid Kirchherr in the autumn of 1961 in Hamburg, at the Heiligengeistfeld ("Field of the Holy Spirit"), during the Herbst Dom festivities. The twist was a popular fad at the time, hence the title. This is possibly the earliest known international release of a Beatles record, although the group is not mentioned on the cover or the label of the record. Still, that's the fab four backing Tony Sheridan on these numbers, and "Cry For A Shadow" is a Lennon-Harrison (spelt Horrison on the label) penned original instrumental. "My Bonnie", coupled with "The Saints" was released as a single in Germany in October 1961. A follow-up single containing "Why" and "Cry For A Shadow" was planned for release in Germany, but was cancelled. Hence, this French EP record is likely to have been the first outing of these songs.

"When The Saints", "Cry For A Shadow", "My Bonnie" (with the introduction in German) and "Why", were recorded with the German producer Bert Kampfert at the beginning of the summer of 1961, specifically on 22 and 23. June 1961, in the Friedrich-Ebert-Halle, Hamburg-Harburg.
A release for the French market, the record's original release date is lost in time, but a copy of the EP was officially given to the "Bibliothèque nationale de France" on January 26th, 1962, and the receival date was stamped on the record's back. This was documented by French Beatles author Erik Krasker in his book, "Enquête sur un mythe 1960-1962" in 2003, in English as "The Beatles Fact and Fiction 1960-1962" in 2009.

Back cover of the reissue.

An original "Mister Twist" on the Polydor label, catalogue number 21 914 will set you back between £200-£300. The record was also released in early 1962 in Spain and Argentina.

In Germany, Polydor issued two EP's of songs from the sessions. The first, "Ya Ya" (October 1962, Polydor 21 485), contained "Ya Ya"/"Sweet Georgia Brown"/"Skinnie Minnie". The second, "My Bonnie" (July 1963, Polydor 21 610) contained "My Bonnie"/"Cry For a Shadow"/"The Saints"/"Why"

Cameleon Records

Review of the new HMC bootleg DVD of Let It Be

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A copy of the latest release from His Master's Choice, "TMOQ Vol #23 The Beatles: Let It Be - The Movie" has reached us, and here's our verdict.

The stereo clips that appeared last year on Revolver TV appear to be slightly stretched vertically and squeezed horizontally. The NTSC version released by HMC is a different transfer of an identical copy, but has not been distorted like the Revolver version was. The version on this DVD (as was also the case with the Revolver TV online clips) is in the 4:3 aspect ratio, which makes it plausible that this copy stems from a video tape which was readied for release by VCI in the UK back in 1997 - but withdrawn. On an old 4:3 TV, the image will fill the whole screen, whereas on a modern 16:9 TV there will be black bars on the sides, but not on the top/bottom. The picture quality of the HMC version seems better than all previous versions, similar to the watermarked Revolver TV clips.

The overall impression of this presentation is that it's quite good looking and sounding. It doesn't look like any real picture restoration has taken place per se, the artifacts typically present on older celluloid still there, but no missing cells. The imperfections are most noticeable at the very beginning of the first film reel. I imagine, in spite of the evidence on The Long And Winding Road on "Beatles 1" that later restorations in the digital realm must have cleaned up these. Great stereo on everything from For You Blue onwards and good picture quality. It may have been taken from a VHS (or Beta) copy though, because the image is a little bit blurry. The end credits are missing, we are left with the still as the Beatles are leaving the roof, no titles superimposed on the picture. You may recall that Revolver TV's version of the rooftop footage included end credits about the 1992 restoration.
As mentioned, from For You Blue onwards, the new HMC version is in full stereo, which includes:

- For You Blue
- You Really Got A Hold On Me
- Shake Rattle And Roll
- Kansas City/Miss Ann/Lawdy miss Clawdy
- Dig It
- January 31st Apple Studio tracks
- January 30th Roof top tracks

A previously shared online bootleg DVD taken from the 16mm UK and German TV broadcasts of the film featured remastered mono sound from the Nagra reels as well as remastered stereo sound from the various stereo mixes. If you have this previous effort, the only track you didn't have in stereo before now was You Really Got A Hold On Me.

If you compare the image of the new HMC version to the UK/German hybrid bootleg DVD, the older release has a bigger, less cropped picture. The image of the new version, although in better quality, is missing a lot of the bottom part of the picture, compared to the UK/German hybrid DVD and it even has a little less (just a tad) at the bottom than the video from Revolver TV. As noted before though, the picture quality is the best ever, save for the glimpses Apple has given us on various documentaries like the Anthology DVD, the mini documentary on the 2009 remastered Let It Be CD and various clips used in promotion of Let It Be...Naked.

The HMC DVD is accompanied by a soundtrack CD (not reviewed here), all housed in a 24 page booklet, which includes a brief history of the film, a biography on Michael Lindsay-Hogg, some interview bits with George, John, Paul and Ringo from 1969, details about tracks from the film on "Anthology 3" and "Let It Be..Naked", stills from the film, the film poster and even an ad for the official "Beatles 1" cd/DVD/Blu-ray release.

See also our main Let It Be page.

Let It Be comparison

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HMC opening shot
By request, here are a few screenshots from the recently released HMC version of "Let It Be" compared to an older bootleg DVD of the same film.

Opening shot, older version.

HMC Title screen
Onscreen Beatles logo, HMC.

Onscreen Beatles logo, older version.

George arriving, HMC

George arriving, older version. More bottom, less top.

Two Of Us, HMC.

Two Of Us, older version

End screen, HMC - more sky than earlier.

End screen with titles, older version.

End screen with titles 2, older version.
As you can see from these comparisons, the picture quality of HMC is brighter and better, but the bottom part of the screen is severely cropped, whereas it has more of the top part. The older bootleg has the German release of the film, from around 1984 as image source. As most noticeable on the end screen, the right part of the screen is also cropped quite a bit on the new release, and the end credits are also completely missing.
The version uploaded by Revolver TV to YouTube last year did feature both these original end credits, as well as additional credits particular to the 1992 restoration:






See also our main Let It Be page.

New songs and mixes for Love

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From the Las Vegas Beatles show "Love" by Cirque du Soleil.
As previously reported, Cirque du Soleil's production of The Beatles show "Love" is undergoing changes for the show's tenth anniversary. "Love" director Dominic Champagne talked to the Montreal Gazette about what's been done; what's new and what has been taken out.

The show has currently taken a three week break while being renewed, and the refreshed "Love" will première on February 25. There's not going to be a big opening, but the participants will continue to tinker with the production in the months to come, in preparation for an official 10th-anniversary red carpet première in July (postponed from the previous announcement of June) with Paul McCartney, Ringo Starr, and Olivia Harrison and Yoko Ono attending.

Sound bites and video
There were sound bites of the Beatles in the original show; one of the big changes is that there will be more of them now, and much more video of the four band members. "They’ll be more present via imagery," said Champagne. "A year and a half ago, they gave us access to their entire audio-visual library, which was not the case in the very beginning."

Acrobatics
"Love" is one of the least acrobatic Cirque shows, but Champagne feels the time is right to add a couple of big acrobatic numbers.

Music
There will also be a few changes in the music. Giles Martin is also doing new remixes of the songs, taking into account changes in technology over the past decade. Champagne didn’t want to reveal too much, but did say that "Twist and Shout" has been added and "I Am the Walrus" dropped. "Twist and Shout" was in the initial plan for "Love", but the Beatles didn’t have the right to use it at the time because it’s not their original song. "It’s such a strong vocal performance from Lennon, and it’s the kind of song you’d hear at a 30-year-old’s wedding today," said Champagne. "We hope that the Cirque du Soleil dancers will relaunch the twist with the act."

Source: Montreal Gazette

McCartney plays Europe again this year

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Paul McCartney to play two European festivals in June.
  • Sunday 12th June – Pinkpop, Netherlands
  • Thursday 30th June – Rock Werchter, Belgium

Paul McCartney has confirmed he will headline two European festivals this summer.  In June he’ll perform at Pinkpop in the Netherlands and Rock Werchter in Belgium.

These appearances follow a year that saw Paul headline both Firefly and Lollapolooza in the US as well as closing the Roskilde festival in Denmark.

Speaking about performing at Pinkpop Paul said:
"I love a festival audience and we plan to close Pinkpop with a massive party. I’ve not done a festival in the Netherlands before so it will be an exciting new experience for me and for the audience, so we can all rock out together. Get ready Pinkpop we’re on our way. See you in June."

Pinkpop organizer Jan Smeets said: "I am very proud that Sir Paul McCartney, one of the world’s greatest artists will play at Pinkpop. His first Dutch festival show ever. An artist who was never on our wish list because we never thought it would even be possible! A Beatle at Pinkpop, it's almost unbelievable."

And on Rock Werchter Paul commented:
"We’ve been having so much fun at different festivals around the world in recent years and I can’t wait to get to Belgium with the band for our first festival there. I’ve heard such great things about Rock Werchter so I know it’s going to be a big night of rock'n’roll and partying to remember."

Rock Werchter boss Herman Schueremans said: "The number 1 on my wish list. Paul McCartney is one of the last really big names to be missing from our rich festival history. Sometimes such a high profile visit is purely a matter of luck. The artist must be performing and the diaries have to fit. This time it all worked out. Every generation has its McCartney classic. He has inspired so many musicians, and is still doing so today. I am looking forward to the concert."

Links:
Pinkpop
Rock Werchter

Carl Perkins'"Dance" album

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Dance album of Carl Perkins
Those of you who have read Mark Lewisohn's "Tune In" book will have noticed that the Beatles were very fond of the "Dance Album of Carl Perkins", and that they performed and/or recorded several of the tracks from the album. And it didn't stop there.

The album was first released in 1957 on Sun Records, and was later re-released as Teen Beat; The Best of Carl Perkins in 1961. In the U.K., the album was released in 1959 on the London label, which is likely the edition The Beatles had.

U.K. edition of the album on the London label.
A waning star in the USA, Carl Perkins toured Great Britain together with Chuck Berry in May 1964. On the last night of the tour, Perkins attended a party where he sat on the floor sharing stories, playing guitar, and singing songs while surrounded by the Beatles. Ringo Starr asked if he could record "Honey Don't". Perkins answered, "Man, go ahead, have at it." The Beatles went on to record covers of "Matchbox", "Honey Don't" and "Everybody's Trying to Be My Baby". The Beatles had also previously recorded two versions of his "Glad All Over" for the BBC in 1963.

Here's the "Dance Album of Carl Perkins" track by track, and it's Beatles connotations.

BLUE SUEDE SHOES was performed by John Lennon with his Plastic Ono Band in concert at the Toronto Rock Revival Festival on 13 September, 1969 and a recording of the concert was released in December that year, as the album Live Peace in Toronto 1969. Lennon's version was also featured on the Carl Perkins' collaboration album Go Cat Go in 1996.

These days, Paul McCartney administers the Carl Perkins song catalogue through his publishing company MPL Communications. McCartney recorded a version of MOVIE MAGG on his 1999 album Run Devil Run.

The Beatles first recorded SURE TO FALL (in love with you) as part of their Decca audition on January 1, 1962 in London. The Beatles thought highly enough of the song to record "live" versions of it four times for the BBC, all broadcast on the group's BBC radio programs. A recording made on 1 June 1963 for the BBC radio series Pop Go the Beatles would later appear on the Beatles' 1994 compilation album Live at the BBC. Their September 3, 1963 BBC recording appeared on the 2013 compilation album On Air – Live at the BBC Volume 2.

Ringo Starr later recorded a new version of "Sure To Fall" on his 1981 album, Stop and Smell the Roses, produced by Paul McCartney who also played bass and piano. The song would also appear on his 1989 greatest hits collection Starr Struck: Best of Ringo Starr, Vol. 2.

GONE GONE GONE was jammed by The Beatles on January 7, 1969 - early on in the Get Back sessions. It was almost complete, too.

The Beatles recorded their version of HONEY DON'T on October 26, 1964 as one of the last songs recorded for Beatles for Sale, which was released in the United Kingdom on December 4, 1964. Originally, John Lennon had been handling the lead vocals on the Beatles' concert performances of the song, but for the album, Ringo was handed the song as his one token song per album. The Beatles performed the song twice for the BBC for the From Us To You and Top Gear programs. A version sung by Lennon is available on Live at the BBC, and a version sung by Starr was released on On Air – Live at the BBC Volume 2. During rehearsals for his Plastic Ono Band album in 1970, John Lennon sang this song again, plus "Matchbox" - both exist on tape but are as yet unreleased. A version featuring both Ringo and Carl was performed on the TV special "Blue Suede Shoes: A Rockabilly Session" in 1985.

ONLY YOU (And You Alone) was suggested by John Lennon as a song for Ringo to do on his Goodnight Vienna album. John played acoustic guitar and sang a guide vocal over the backing track of "Only You", onto which Starr later overdubbed his own lead vocals. Lennon's version was later rediscovered and included on the 1998 box set John Lennon Anthology, and on the highlights collection Wonsaponatime. Starr's recording was issued as a single in 1974. Early in the following year became a number one hit on the US Hot Adult Contemporary Tracks chart, and reached number six on the Hot 100.

ALL MAMA'S CHILDREN - this song was added to the album as an afterhought, as the seventh and final track on side 1 when the album was re-released as "Teen Beat; The Best of Carl Perkins" in 1961. The B-side of Perkins' single "Boppin' The Blues" in 1956, "All Mama's Children" was co-written by Carl Perkins with Sun label mate Johnny Cash. Some later repressings of the "Dance" album feature this song and some don't. No Beatles connection that we know of.

TENNESSEE was briefly jammed by The Beatles during the Get Back sessions on January 9, 1969, the vocals were handled by John Lennon, briefly joined by McCartney on harmony vocals. George also joins in, and he's probably the one who remembered the lyrics best.

WRONG YO-YO - or Right String but Wrong Yo-Yo is another one of those tracks that were just jammed at the Get Back sessions. This was the final day of the sessions, January 31, 1969 - the day after the rooftop concert. The Beatles taped and filmed "Two of Us", "Let It Be" and "The Long and Winding Road" for the documentary and album, but also played around twenty other songs, including this one from Carl Perkins.

The Beatles recorded the Carl Perkins arrangement of EVERYBODY'S TRYING TO BE MY BABY on 18 October 1964 at EMI Studios, London, with George Harrison on vocals. It was first released as the final track on Beatles for Sale in the U.K. later that year. They had been playing it live since 1961. The Beatles' recording finishes with a false ending, with the final phrase repeating itself after the song seems to have stopped. A version recorded live at the Star-Club in Hamburg in December 1962 contained four of these musical phrases. The Beatles continued to perform the song after their studio recording was released, and although the performance of this song was recorded at Shea Stadium on 15 August 1965 was missing on the concert film, the song from this performance was included on Anthology 2.

Live performances of the Beatles'"Everybody's Trying to Be My Baby" were recorded in June 1963 for the BBC radio program Pop Go The Beatles, and in November 1964 for Saturday Club. The latter recording can be heard on Live at the BBC.

George Harrison performed the song with Carl Perkins on the TV special "Blue Suede Shoes: A Rockabilly Session" in 1985.

The Beatles began performing MATCHBOX around 1961. Their then-drummer, Pete Best, performed the lead vocals. In 1962, John Lennon sang the song during a performance at the Star-Club in Hamburg, Germany; a recording of this exists and was included on "Live! at the Star-Club in Hamburg, Germany; 1962".

The next year, the Beatles performed "Matchbox" with Ringo Starr on lead vocals for their BBC radio show, and this version would be included on the "Live at the BBC" album. Starr also sang lead vocals when it was recorded in 1964 for the "Long Tall Sally" EP in the UK.

John Lennon also sang it during a taped rehearsal for his 1970 Plastic Ono Band album, but it remains unreleased.

In February 1987 at the Palomino Club in Los Angeles, celebrity guests including George Harrison joined Taj Mahal in an unplanned jam session after the regular concert. The two-hour performance is captured on low-quality videotape, connected to the in-house video system. Amongst the tracks George performs are "Matchbox" (with Mahal), "Honey Don't" and "Blue Suede Shoes" (with John Fogerty). The performance is not released.

Not to be outdone, Paul McCartney has also performed the song many times. In 1990, a live version by McCartney was released on his "Tripping The Live Fantastic" concert album.  A year later, he performed an acoustic version at his MTV Unplugged TV special in 1991, but the song was not included on the subsequent album, "Unplugged (The Official Bootleg)". However, a rocking soundcheck version was released on a DVD which accompanied his "Back in the US" CD.
In conclusion, "Matchbox" is probably the only song all five Beatles have been handling the vocals for.

YOUR TRUE LOVE was performed by George Harrison and Dave Edmúnds for the TV special "Blue Suede Shoes: A Rockabilly Session" in 1985 and later released on a CD, Carl Perkins & Friends - Blue Suede Shoes - A Rockabilly Session on Snapper Records in 2006. The Beatles also briefly revisited the song during a Get Back session on January 3, 1969.
At Carl Perkins' funeral service on January 23, 1998, George performed the song as a tribute to his old departed friend. The song didn't seem to be familiar to the rest of the mourners.

BOPPIN' THE BLUES was performed and recorded by Paul McCartney with Carl Perkins in 1981 at Montserrat, but remains unreleased. Carl Perkins arrived for the "Tug of War" recording sessions in Montserrat on 21 February, 1981. He and McCartney began recording three days later, performing oldies including "Honey Don't", "Lend Me Your Comb" and "Boppin' The Blues". A duet, "Get It", was also taped that day, and released on McCartney's album the next year. Together they also recorded Perkins' tribute to McCartney, "My Old Friend", on 25 February. That song was unreleased for more than a decade, but finally appeared on Perkins' collaboration album "Go Cat Go" in 1996.

The Beatles positively mined this album for songs.
Paul McCartney regularly performs songs from Carl Perkins'"Dance" album at soundchecks. Last time he played here in Norway (2015), he did three in a row: "Matchbox", "Honey Don't" and "Blue Suede Shoes". McCartney's soundchecks are famously not really soundchecks per se, but pre-concert one hour concerts for VIP ticket buyers.

The Carl Perkins album was re-released in the U.K. on Charly Records in 1981, catalogue number CRM 2012. That same year, an Italian release on the Oxford label was made available. In 1984, a Spanish release of the album appeared on the CFE ‎label. In Australia, Topline Records released the album in 1987. A CD of the album was released in the U.S. by Varèse Sarabande in 2004. In the U.K. , Snapper Music and Charly Records released a CD with plenty of bonus tracks as SNAP 291. In 2015, as part of Record Store Day's "Black Friday", a remastered translucent colour vinyl edition of the album was pressed, limited to just 1500 copies worldwide. Although the track "All Mama's Children" was mentioned on the web page of the release, it failed to appear on this pressing of the album, which then stayed true to the original.

Harrison on Clapton's new album

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20 May sees a new album with Eric Clapton where George Harrison participates.
"I Will Be There" is a song of unknown vintage, and a certain Angelo Mysterioso participates on acoustic guitar and vocals. Angelo Mysterioso used to be the pseudonym of George Harrison when he helped out on Cream's "Badge", a song co-written by George and Eric (and with a little help from Ringo).

On the new Clapton album "I Still Do" this song is track 3. The album has been produced by Glyn Johns, who also was the mixing engineer for various versions of the unreleased "Get Back" LP, which eventually became "Let It Be".

Victor Spinetti's younger brother Henry plays drums, as he did on Paul and Linda McCartneys "Ram", Paul's "CHOBA B CCCP" and George's "Gone Troppo".

Even the cover has a Beatles connection, it features a portrait of Clapton by Peter Blake, who also designet the cover for "Sgt. Pepper's Lonely Hearts Club Band".

Live Atlantic City 1964

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Due out in March. But is it really from Atlantic City?

The Livewire label is releasing what they call a "classic live performance: FM radio broadcast from The Convention Hall, Atlantic City, New Jersey. August 30th 1964".
Back in August 2014, for the 50th anniversary of this concert, local radio station KOOL-98.3 FM announced that they were going to air this concert. Dave Coskey, president of the Longport media company, reported that staff had discovered the recording in the radio station's archives as they worked to commemorate the concert anniversary. He said . "It's a 50 year old tape, it certainly doesn't sound pristine, but we think the historic value of it outweighs the technical quality," Coskey said. "I sat down and listened to it from start to finish. I thought it was especially cool, I'd always heard about the Beatles in Convention Hall, this is going to be as close as you can get to seeing it."

When the broadcast was aired, Beatles collectors soon heard that what they in fact played, was an old vinyl 1970's bootleg called "Live At Whiskey Flats" - pops, clicks and all. That album contains what most collectors consider to be a concert at the Philadelphia Convention Hall, which took place several days after Atlantic City.

When a collector wrote to Coskey in the aftermath of the broadcast, about this disappointment, he received this reply:

Thanks for your note. I’m sorry that you’re “disappointed”. The recording that we have was marked “Atlantic City August 1964” – which is why we said that “we believe” this to be the recording from Atlantic City. We initially promoted the concert as an opportunity to celebrate the 50th anniversary of the Atlantic City show. We purchased the live Beatles concert from the Hollywood Bowl and planed to air that because it was the same set list and seemed like a good way to celebrate the anniversary. When we found this concert recording we thought the historic value of a live recording was a better way of celebrating the anniversary. Again, sorry that you were disappointed. 

The new release is available to pre-order from Amazon, both in the UK and Germany. Release date is March 11. It remains to be heard if this is the real deal, but we sincerely doubt it is.

Contents:
  1. Twist and Shout
  2. You Can't Do That
  3. All My Loving
  4. She Loves You
  5. Things We Said Today
  6. Roll Over Beethoven
  7. Can't Buy Me Love
  8. If I Fell
  9. I Want to Hold Your Hand
  10. Boys
  11. A Hard Day's Night
  12. Long Tall Sally

Links:
Amazon UK
Amazon Germany

If you visit those Amazon sites, you'll also see advertisements for a pair of Beatles BBC CDs, "Live on Air 1963", volumes 1 and 2. The outfit releasing these is Reel to Reel. Volume 1 was released on 4 Dec. 2015, and Volume 2 is due out on March 25.

Live on Air 1963 - Volume One. Reel to reel. Already released.

Live on Air 1963 - Volume Two. Reel to reel. Due out March 25.
It seems everyone can release Beatles CDs in the EU countries these days without getting hassle from Apple Corps Ltd. or Universal Music.

How I Won The War Blu-ray

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How I Won The War was released on Blu-ray in USA in January.
"How I Won The War" was filmed in 1966 and premiered in 1967. John Lennon played the part of Private Gripweed in this anti-war movie, which was directed by Richard Lester. The new Blu-ray edition was released in USA on January 12, 2016. The small, independent film company Kino Lorber has released it, but they have failed to supply us with information about regional coding. Their website only ships the film to USA and Canada, so it's a fair guess that it's regian A and only playable on North American Blu-ray players. This edition has no subtitles, either.

In their review, Blu-ray.com notes that the AVC encoded image (1.67:1 aspect ratio) presentation provides a respectful but unremarkable viewing experience, with passable details for a feature of this age, slightly muted but comfortable colours.

In the sound department, Blu-ray.com calls the 2.0 DTS-HD MA sound mix "extremely harsh on the ears, offering a shrill listening experience". Music is described as "equally unpleasant".

Bonus material:
  • The Bed Sitting Room
  • "Trailers From Hell" with John Landis
  • The Knack "Trailer From Hell" with Allan Arkus
  • Trailer Gallery
I guess the main reason "How I Won The War" keeps being released in the various formats as they become popular, is the fact that John Lennon is one of the actors. Lennon delivers a good performance as Gripweed, and I believe he could have become an actor, had he wanted to.

Lennon later remarked that he accepted the part because he didn't know what to do, now that The Beatles had abandoned live concerts. In the movie, Gripweed is wearing round glasses, something Lennon kept using in the aftermath.

Having his hair cut for the movie.
His Beatles hairdo was also cut short. The hairdresser kept the hair he cut off for nearly fifty years, and eventually auctioned it off only recently, February 20, 2016. It was sold for $35,000!

Material for cloning? Lennon's hair, fifty years later.

Links:
Kino Lorber's page for the film
Review from Blu-ray.com
Amazon.com

New Beatles vs EMI theory

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"Mersey Beat" 31 May, 1962.
On the front page of "Mersey Beat" in June 1962, there was an article about the Beatles' Parlophone release - due out in July.
At the EMI A&R meeting for the July releases, George Martin announced that he had a new group called The Beatles. He was met with laughter. Then after he had played "Love Me Do", he was met with criticism, especially about the drumming.
Martin decided against releasing the Beatles record. He called Brian Epstein and this is the phone call where Brian started crying and begging Martin to reconsider.
Brian made a deal to purchase the minimum amount of discs EMI would press for the initial release.
Martin agreed, but wanted to re-record the songs. In early August 1962, Brian had to explain to The Beatles what had happened to their July release. That set the wheels in motion to get rid of Pete Best.
It would also eliminate Mona Best and her involvement in managing The Beatles with Brian. That's why the record came out in October instead of July.
The original June 1962 EMI contract was with John, Paul, George, and Pete. Brian always held Pete's share in escrow and only paid Ringo a salary, because he knew Pete could sue and win 25% of the Beatles' EMI income from the original 4 year deal.

This theory was posted by the founding editor of "Mersey Beat", Bill Harry on his Facebook page, but it came to him as a message from James Scroggins. So, what do you think? It kind of makes a bit of sense. Liverpudlians seem to forever have claimed that the rumours of Epstein buying up huge quantities of "Love Me Do" to make an impressions on the charts was nonsense. Maybe so, but perhaps he had to buy a substantial amount of the first pressing just to close the deal with Martin & EMI? And this theory also takes care of the question about why Pete Best was sacked.

Beatles Live Project update

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The Beatles Live - news trickles in slowly.
A Beatles news page of the Japanese Universal Music site now has a few details regarding "The Beatles Live Project". The "project" part of the title has been dropped, and THE BEATLES LIVE is the current working title. The page also has the autumn of 2016 as the approximate time of the film's release.

Translating somewhat awkwardly from Japanese, using Google Translate, the page goes on to say that "The Beatles Live" covers the Liverpool era of the band, and chronicles the tour years from 1963 onwards, spanning 15 countries, 90 cities and 166 performances and ending with the August 29, 1966 concert at San Francisco's Candlestick Park. The film interweaves filmed concert footage with interviews with celebrities and officials, exploring the evolution and phenomenal popularity of the group.

The news item goes on to list film credits:
Director: Ron Howard.
Producer: White Horse Pictures' Nigel Sinclair and Scott Pasukutchi. Imagine Entertainment's Brian Grazer.
Executive producers: Apple Corps Ltd. represented by Jeff Jones and Jonathan Clyde, Imagine Entertainment represented by Michael Rosenberg, White Horse Pictures represented by Guy East and Nicholas Ferral.

The production crew has been pretty tight lipped about what's in the film, if there's going to be spin-off products etc. Here's what White Horse Pictures writes on their website:

"The Beatles Live Untitled Project" is a feature-length documentary focused on The Beatles’ touring years, from the early days of the Cavern Club in Liverpool and engagements in Hamburg in the early ’60s to their last public concert in Candlestick Park, San Francisco, in 1966. By their last tour date in August of 1966, The Beatles had performed 166 concerts in 15 countries and 90 cities around the world. The cultural phenomenon their touring helped create, known as “Beatlemania,” was something the world had never seen before and laid the foundation for the globalization of culture.

Beatlemania was not just a phenomenon. It was the catalyst for a cultural shift that would alter the way people around the world viewed and consumed popular culture. At its core the film will be a piece of raw entertainment that includes an undercurrent that explains the climate that allowed for this cultural pivot point to occur. The unique conditions that caused technology and mass communication to collide. The film will also explore the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime. Most of all, the film will aim to illuminate what it was about the band itself – both the music and the musicians – that made the world fall at their feet, to unfurl itself in a joyful wave of youthful revolution that would reverberate through the ages.

Here at the Wogblog headquarters, word has reached us that a two hour plus "rough cut" of the film was screened in Los Angeles this month, and only to people involved with the film project. Still, the fact that Universal Music in Japan now has a news item about it, is perhaps is a sign that we are about to get some more detailed news from the official sources.



As fans of The Beatles, all we need to see is a multi-disc video collection stringing together all available performance footage in chronological order, perhaps linked with a few comments by the Fab Four themselves and Brian Epstein, taken from sixties interviews and press conferences. But that's not a likely scenario. This will be a film targeting a broader audience, and we must prepare ourselves for an ordinary documentary with talking heads and some edited performances from televised concerts, video taped concerts or home movie footage from concerts. If we're lucky, we'll get to see some stuff we didn't know existed. But we'd surely wish that Apple Corps would bring out full concert home video discs as spin off products for the fans. The Beatles' legacy deserves that kind of treatment.

Links:
Official website


One off Beatles single

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A two-sided 10" record, to be played at 78 rpm.
A record Brian Epstein (his handwriting on the label) had made at the HMV store in Oxford Street in 1962 to bring around and play when he had meetings with record companies is up or auction. It contains two songs from the Decca audition of the Beatles.

Epstein wrote "Paul McCartney & The Beatles", because he sang lead on the track.

The record contains two songs, "Hello Little Girl" and "'Till There Was You". It's the granddaughter of Les Maguire (74) from the Liverpool group Gerry and the Pacemakers who is auctioning off the record, estimated to bring in up to £10,000. It's likely that this record was used for the Pacemakers to learn "Hello Little Girl", which they went on to record.



"Hello Little Girl" was offered to Gerry and the Pacemakers as a follow-up to "How Do You Do It". They recorded it 17 July 1963, but decided not to release it, opting instead for Mitch Murray's song "I Like It" - probably a wise move.
Before the Pacemakers, on 3 July another Liverpool group, The Fourmost recorded a version of the song at EMI in Abbey Road, produced by George Martin. Released on 30 August, it became the group's debut single and went to no. 9 on the UK charts. Gerry and the Pacemakers' version of the song was canned and remained unreleased until 1991, when it appeared on their CD "The Definitive Collection".

The version on this Beatles single was released on "Anthology 1" in 1995.

John Lennon & The Beatles is the "Hello Little Girl" credit.
Omega Auctions will auction off the single on 22 March.

Source: BBC News

The Beatles in Canada

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New book: The Beatles in Canada - The origins of Beatlemania! by Piers Hemmingsen
The Canadians were the first north-Americans to discover The Beatles, a fact that isn't well-known south of the border. Months before the Americans caught on, Capitol of Canada did not, unlike their U.S. chapter, reject George Martin's attempt to have Beatles records released.  This new book celebrates the release of the Beatles first records in North America and their very first number one charted record in Canada, She Loves You. The book includes Forewords by noted Beatles expert and British author Mark Lewisohn, and extensive contributions by Capitol of Canada's Paul White - the A&R man who put his career on the line in early 1963 to issue the Beatles music in North America before anyone else. The book, the first in a two volume series, is an authoritative reference work that thoroughly delves into the roots of Beatlemania in Canada and continues its way to chronicle the actual events at the dawn and rise of the Beatles fame in Canada. The book also includes a special companion audio CD with one hour of rare audio clips.

The Beatles In Canada - The Origins Of Beatlemania documents the creation, marketing and distribution of the Beatles music in Canada, and lists the earliest radio station chart successes in the most remote outposts of Canada. There are chapters on trans-Atlantic press coverage, the fan clubs, original Beatles advertising, record reviews and profiles of the key people and places that were involved in this uniquely Canadian story.

Thoroughly illustrated with original photos and artifacts, the author has had unique access to the archives of the key players in the history of the Beatles in Canada, and also to private collections of Canadian Beatles artifacts going back more than 50 years. But the best of the book lies in the stories of the young fans who in some wonderful cases brought Beatles records to Canada from England in the summer of 1963 and turned their friends on to these new sounds.

Each book is numbered and signed by Piers Hemmingsen. The author has followed The Beatles since he first saw them in England in early 1963, has written previous books on the subject and has been a regular contributor to the British Beatles Fan Club Magazine and has provided articles over the years to Goldmine Magazine and Record Collector Magazine. He has provided detailed archival research on special project assignments for EMI Music Canada and Universal Music Canada.

Links:
UK & Europe: MusicRoom.com
USA: The Fest for Beatles Fans
Canada: TheBeatlesInCanada.com
Sample pages: TheBeatlesInCanada.com
TV interview with the author
The book's Facebook page

The Beatles in the news

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Long time Beatles fan Colin Barratt has taken his personal collection of news cuttings about The Beatles from the UK in the sixties and turned them into a series of books - paperback and Kindle editions. The books are printed on demand by Lulu.com. Interviews; adverts; tour listings are all here.

News cutting
Through this Amazon.co.uk link, you can take a sneak peek inside the first volume.

This is a nice opportunity to read stories and see what the press said about them, all those years ago. The vast majority of cuttings will not have been seen since their one and only publication.

Another cutting
So far, Colin has published the following volumes:




Colin has also started a Facebook group, where he publishes both cuttings from his books as well as other, interesting Beatles material.

Another Mad Day Out book

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In 2010, photographers Don McCullin ("A Day In The Life Of The Beatles") and Stephen Goldblatt ("Mad Day Out") released a book each from the so called "Mad Day Out" Beatles photo sessions. A third photographer, Tom Murray tagged along, and is now ready with a book of his own 23 colour photos from that day, titled "Tom Murray's Mad Day Out".

On the 28th of July, 1968, photographer Tom Murray was asked by Don McCullin to give him a lift to an early morning photoshoot in London. He said, ‘bring your camera you may get some nice snaps!’ Armed with just two rolls of colour film, he had no idea who he was going to be working with that day.

As 25 year old Tom walked towards the door at the rehearsal rooms he could hear "Lady Madonna" playing out on the piano and as he entered the studio there they were; Paul at the piano, John with Yoko, George and Ringo, all waiting to hit the road for a frantic day of publicity shots. Rushing around London with a few other photographers on a summer’s Sunday morning, Tom, the youngest present, created some of the most iconic colour photographs ever taken of the band.

“It was a perfect assignment and a day to remember. Getting to hang out with my favourite band, to take pictures of the Fab Four was just sensational. Were they really mad? Well, you know what pop stars are like. They’re always running around doing crazy things. That’s what makes them so interesting.”– Tom Murray.

The day after the shoot, as The Beatles busied themselves with recording an anthem called "Hey Jude", Tom’s two rolls of film were processed and printed. He selected 23 images that he considered told the story. Incredibly, they were then stored away for almost thirty years.

In 1998 Tom Murray held an exhibition of the 23 surviving photographs of The Beatles. The photographs were viewed in public for the first time ever, since they were taken.

A brochure of Murray's limited edition prints from 1998.
Now, after many decades, Tom agreed to present what many consider to be the very best colour photographs of The Beatles in a unique, special edition book.

This is the first ever book chronicling the photographs and the stories behind each one on ‘that mad day’. The book is another one from Archivum Publishing, who is also behind the photo books "Eight Arms To Hold You: 50 Years of Help! and the Beatles" from last year and "All You Need Is Love" this spring.

Read more about the upcoming Mad Day Out book on their website.

RIP, Sir George Martin

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Record producer Sir George Martin, known as the "Fifth Beatle", has died aged 90, Ringo Starr says on Twitter. In a career spanning five decades, Sir George signed the Beatles and produced more than 700 records - with huge chart success. He also worked with artists including Gerry and the Pacemakers, Shirley Bassey and Cilla Black. Beatles drummer Starr tweeted: "Thank you for all your love and kindness George peace and love." More tributes will no doubt be posted over at TheBeatles.com.

On a personal note, I had the pleasure of meeting George Martin in his office at Air Studios in London, back in the summer of 1982. He was a very nice gentleman who took the time to greet two Norwegian Beatles fans who just turned up unexpectedly and answer their questions. Rest in peace, Sir George.

Paul McCartney has released this statement:
I’m so sad to hear the news of the passing of dear George Martin. I have so many wonderful memories of this great man that will be with me forever. He was a true gentleman and like a second father to me. He guided the career of The Beatles with such skill and good humour that he became a true friend to me and my family. If anyone earned the title of the fifth Beatle it was George. From the day that he gave The Beatles our first recording contract, to the last time I saw him, he was the most generous, intelligent and musical person I’ve ever had the pleasure to know.

It’s hard to choose favourite memories of my time with George, there are so many but one that comes to mind was the time I brought the song 'Yesterday’ to a recording session and the guys in the band suggested that I sang it solo and accompany myself on guitar. After I had done this George Martin said to me, "Paul I have an idea of putting a string quartet on the record". I said, “Oh no George, we are a rock and roll band and I don’t think it’s a good idea”.  With the gentle bedside manner of a great producer he said to me, "Let us try it and if it doesn’t work we won’t use it and we’ll go with your solo version".  I agreed to this and went round to his house the next day to work on the arrangement.

He took my chords that I showed him and spread the notes out across the piano, putting the cello in the low octave and the first violin in a high octave and gave me my first lesson in how strings were voiced for a quartet. When we recorded the string quartet at Abbey Road, it was so thrilling to know his idea was so correct that I went round telling people about it for weeks. His idea obviously worked because the song subsequently became one of the most recorded songs ever with versions by Frank Sinatra, Elvis Presley, Ray Charles, Marvin Gaye and thousands more.

This is just one of the many memories I have of George who went on to help me with arrangements on 'Eleanor Rigby', 'Live and Let Die' and many other songs of mine.

I am proud to have known such a fine gentleman with such a keen sense of humour, who had the ability to poke fun at himself. Even when he was Knighted by the Queen there was never the slightest trace of snobbery about him.

My family and I, to whom he was a dear friend, will miss him greatly and send our love to his wife Judy and their kids Giles and Lucy, and the grandkids.

The world has lost a truly great man who left an indelible mark on my soul and the history of British music.

God bless you George and all who sail in you!

Paul
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