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When the Beatles Drove Us Wild: trailer

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Trailer for the upcoming Australian documentary.

TV Documentary: When the Beatles Drove us Wild, Tuesday June 10 8:30pm on ABC1

Fifty years after their only Australian tour, the ABC will screen a documentary on The Beatles ‘down under’ called When the Beatles Drove us Wild.
Narrated by Brian Dawe, who queued for three days to buy his tickets to the first concert in Adelaide, this features interviews with many leading Australians about their direct experiences.

Among those reminiscing are Glenn Shorrock, Jim Keays, Glenn A Baker, Blanche d’Alpuget, Jenny Key, ‘Little Pattie’, Chantal Contouri, ‘Molly’ Meldrum, Bob Francis, Bob Rogers andBob Katter.
Squeaky clean by day and musically charged at their concerts – it was a different story behind closed doors. Much of what really occurred on the Beatles’ Australian tour has never been told before. Like JFK before them the media indulged in the spoils of being on tour with the Beatles and turned a blind eye to the bedroom antics!

In June 1964, the Beatles made their one and only visit ‘Down Under’ and turned the southern hemisphere on its head!
The social turmoil caused by scenes of mass hysteria and the loss of control of public spaces was new and very unsettling for conservative authority figures.
In Adelaide a crowd estimated to be around 300,000 people (half the City’s population at the time)turned out in the streets to welcome the Beatles. It was the biggest reception the Beatles ever experienced, anywhere in the world.
In Melbourne the army was called in to help police control the crowd.
In Sydney over 10,000 girls entered a competition to win one of just 17 invitations to attend Paul’s 22nd birthday party!
The Beatles and their music embodied the future – a future of infinite possibilities. This was a future that promised a world of freedom and promised it to the young! For the first time in Australia and New Zealand, jobs were plentiful and there were a lot of people under twenty with disposable income. It was fun!

In Australia and NZ, the older generations, shaped by depression and war, seemed bewildered and alarmed at their children’s reaction to the Beatles.
What happened ‘Down Under’ in June 1964 was a mirror to what was evolving worldwide.
This was a time when the ‘baby boomer’ generation was just starting to find its voice and unwittingly flex its muscles. Youth culture was inventing itself, marshalling its forces and was on the march to change Australia, New Zealand and the World!

Ringo Starr setlist

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From a rehearsal
Live at the Casino Rama in Canada.
  1. Matchbox 
  2. It Don't Come Easy
  3. Wings
  4. I Saw the Light (Todd Rundgren)
  5. Evil Ways (Willie Bobo)
  6. Rosanna (Toto)
  7. Kyrie (Mr. Mister)
  8. Don't Pass Me By
  9. Bang the Drum All Day (Todd Rundgren)
  10. Boys 
  11. Yellow Submarine
  12. Black Magic Woman/Gypsy Queen (Fleetwood Mac)
  13. Anthem
  14. Honey Don't 
  15. You Are Mine (Richard Page)
  16. Africa (Toto)
  17. Oye como va (Tito Puente)
  18. I Wanna Be Your Man
  19. Love Is the Answer (Utopia)
  20. Broken Wings (Mr. Mister)
  21. Hold the Line (Toto)
  22. Photograph
  23. Act Naturally
  24. With a Little Help from My Friends
  25. Give Peace a Chance 

Beatletoon: The Making of Paperback Writer

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This cartoon, made by Alvar Ortega, is all the rage among Beatle People in social medias today. Voiced by Stevie Riks, it's "The Making of Paperback Writer".



Here are some more of Ortega's Beatles cartoons: Link.

The Beatles, interviewed by Binny Lum

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The Threetles and Binny Lum
Just released by the National Film And Sound Archives of Australia, as part of the celebration of the 50th Anniversary of the Beatles visit to Australia, this interview has been around before, but only in an edited form. This is the complete uncut interview, and this website also has the complete transcript of the interview to download as a PDF file. The site also links to other NFSA features on the Fabs.

Link: Soundcloud

Lennon's "One to One" Concerts due soon

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From one of the concerts. Photo: John Skelson.
In January 2010, WogBlog suggested that the material from the One to One concerts should be used, not only to bring us a remastered CD, but that a rethinking of the home video is in order, taking material from both concerts to bring us a more complete DVD/Blu-ray concert experience in surround sound, as well as in stereo. This was answered in September 2013 by the unexpected announcement from Jack Douglas.

On 30 August 1972 at Madison Square Garden in New York City, Lennon performed two shows, one in the afternoon and one in the evening, to raise money for children with mental challenges at friend Geraldo Rivera's request. The benefit concerts, billed as One to One, also featured other performers in addition to Lennon, including Stevie Wonder, Roberta Flack, Melanie Safka and Sha-Na-Na. These concerts were Lennon's only rehearsed and full-length live performances in his solo career, and his first – and last – formal, full-fledged live concerts since the Beatles retired from the road in 1966.
Both concerts sold out in advance. The first show, which had been added due to public demand for tickets, was dubbed “the rehearsal” by Lennon, owing to the band’s relative lack of experience performing live to such large audiences.

The setlist was (as pieced together by The Amazing Kornyfone Label from amateur recordings):

- Power To The People intro / New York City
- It’s So Hard
- Move on Fast
- Woman Is The Nigger Of The World
- Sisters, O Sisters
- Well, Well, Well
- Born In A Prison
- Instant Karma
- Mother
- We’re All Water
- Come Together
- Imagine
- Open Your Box
- Cold Turkey
- Hound Dog
- Don’t Worry Kyoko (only performed at the matinee performance)
- Give Peace A Chance

"Give Peace A Chance" was the final song, and Lennon and Ono were joined on stage by the other stars and the organisers of the concerts.

A 40 minute special from the evening performance was shown on ABC-TV on December 14th, 1972 as a pilot for the future late night music series "In Concert", with a simulcast on FM radio. The special included "Come Together,""Instant Karma!,""Sisters O Sisters,""Cold Turkey,""Hound Dog,""Give Peace a Chance" and (over the credits) "Imagine". There were also three tracks from support acts: "Superstition" by Stevie Wonder and two from Roberta Flack: "Reverend Lee"and "Somewhere".

From 1973 the King Biscuit Flower Hour live radio show produced a six song edit of highlights from the evening performance, which was played on radio stations via a transcription LP (with Yoko’s song usually not being aired subsequent to its initial airing in 1972).

Yoko's performance of "Move On Fast" was seen on British TV in BBC2's late night Rock programme "The Old Grey Whistle Test" on 30th January 1973, in order to promote her album "Approximately Infinite Universe".


In 1986, Yoko Ono decided to release a concert video, as well as a CD from the "One To One" performances.

1986 release, never remastered.

The concert video, released on VHS, Betamax, Laser Disc and the little known format VHD Video Disc was a 55 minute edit of the afternoon performance, containing the following:
Power To The People (merely a part of the record played over the PA during the introduction, the video used the afternoon show intro), New York City (from the afternoon show), It's So Hard (afternoon), Woman Is The Nigger Of The World (afternoon), Sisters, O Sisters (evening), Well, Well, Well (afternoon), Born In A Prison (afternoon), Instant Karma! (afternoon), Mother (afternoon), Come Together (afternoon), Imagine (afternoon), Cold Turkey (evening), Hound Dog (evening) and Give Peace A Chance (evening). John's introductions were also a mixture from the afternoon and evening concerts, many of which did not match the choice for the actual performance. As you'll gather from the above, Yoko also performed four other songs that were not included on the video, these were Move On Fast (afternoon & evening), We're All Water (afternoon & evening), Open Your Box (afternoon & evening) and Don't Worry Kyoko (afternoon show only).

The soundtrack was radically remixed and issued as an accompanying album (omitting Yoko Ono's tracks all together) to the home-video, both were first released in the USA by Sony on 24th January 1986, and international releases followed in February.

Upon its release, Yoko Ono was criticizedby former members of Elephant's Memory for using the first - and weaker - performance instead of the stronger evening show. They also took issue with the video release of the concert, which it was alleged had been edited to show Ono as prominently as Lennon.

However, in fact, on the album release, Ono's vocal performances on such numbers as "Hound Dog" had been mixed out completely.

"John Lennon: Live in New York City" reached #55 in the UK, and surprised many with its US appeal where it peaked at #41 and eventually went gold.

The One To One Concert Special Laser Disc
A 1992 Laser Disc from the TV Special
In 1992, the original 40 minute ABC TV Special surprisingly made it's reappearance, as an international VHS and Laser Disc release. It has also recently been aired in high definition quality on TV in several countries.

Three songs from the evening performance later saw release on The John Lennon Anthology boxed set in 1998: "Woman Is the Nigger of the World,""It's So Hard," and "Come Together," as well as Rivera's spoken introduction.
“The most recent issuance of One To One material was the inclusion of three tracks and Geraldo Rivera’s introduction from the evening on Anthology. Although the performances are considered to be superior to those of the matinee, they were considered unusable at the time of Live In New York City’s release due to unacceptable noise levels. Advances in digital restoration software allowed their inclusion on Anthology.” [Madinger & Easter, p. 80]

The performance of "Mother" was released as a bonus track on the Classic Albums: Plastic Ono Band DVD from Eagle Rock Entertainment on 28th April 2008.

Douglas has said that for the new release, unlike the 1986 LP and video cassette versions, he plans to include material from both the afternoon and evening charity concerts. Douglas said that he wants fans to be able to relive the moment with the benefit of modern technology: "What I'm proposing is that we get the One To One concert, get it to be at its proper status and sound and do a stereo and 5.1 (mix) that are worthy of the experience and make a proper DVD and get it to the fans. I would hope that we would do everything that I could get my hands on as far as footage and sound. That event really deserves more than, than we have right now."

In a May interview with hit-channel.com, Gary Van Scyoc from Elephant's Memory was asked about the upcoming release. He replied that we are getting really close to a release, as he recently met Jack Douglas who confirmed that it will be released soon.

A Hard Day's Night: Interesting facts

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The look of the UK blu-ray release of "A Hard Day's Night" when it was first announced by Second Sight Films.
The New York Post has put together a short list of ten interesting facts about the "A Hard Day's Night"film. The word "Beatles" is for instance never spoken in the film!

Read the other nine facts in the New York Post

Another interesting fact is that Second Sight Films seem to have had Second Thoughts about the cover, they have removed the colours. We think it's an improvement.
Current image of the UK blu-ray box.

A Hard Day's Night in Australia

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Australian release of A Hard Day's Night
It seems "A Hard Day's Night" is distributed by a different company for each country. Criterion Collection in the USA, Second Sight Films in the UK, Koch Media in Germany and now, Umbrella Entertainment in Australia. Very appropriate, since umbrellas played a major part in the Beatles' arrival down under. Depicted above is the Australian front cover. As we have revealed, the bonus material is also different, depending on where you live. In Germany, the "Special Edition" is a 1 Blu-ray, 3DVD release, which means it may contain even more than the USA edition, which is only 1 Blu-ray and 2 DVDs. Koch Media doesn't list the full contents, but the original German trailer is mentioned. The UK edition is the same as in the USA, except they don't get the "Running, Jumping & Standing Still" film and no deleted scene, and probably not all the trailers.
In Australia, here's what they get:

Blu-ray:
* The Beatles: The Road to A Hard day's Night- An Interview with Mark Lewisohn
* In Their Own Voices: The Beatles on A Hard Day's Night
* Anatomy of a Style
* Picturewise- A New Featurette on Richard Lester
* Audio Commentary
* New Trailer

DVD:
* Things They Said Today
* You Can't Do That! (The Making Of A Hard Day's Night)
* The Running Jumping & Standing Still short film
* Audio Commentary
* New Trailer

Site: Umbrella Entertainment (Blu-ray) and Umbrella Entertainment (DVD). Release date is 2. July. The Special Edition Blu-ray will contain a DVD with the above listed contents.

A Hard Day's Night - US box view

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A crate of hard days and nights
It seems copyright (as has been speculated) was not the reason why the familiar "A Hard Day's Night" portraits weren't used on the cover of the remastered film, as they are present on the top of the box. Seen here before shipping. Here it is, zoomed in:
Close up of three boxed sets
Back

The inner disc holder slides out

The inner disc holder

Open it and you see the discs, 2 DVDs 1 Blu-ray

Back and front of disc holder


Here's a comparison of the various front covers used so far:
Germany, Special Edition (1 Blu-ray, 3 DVDs)

Germany, Blu-ray

USA Dual format edition

Australia

UK, Blu-ray.

September for mono vinyls

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Here come the vinyls again, this time in mono.
Amazon has announced the Beatles' albums on vinyl again, in mono. Looks like they will be available both individually and as a boxed set. An official announcement from the Beatles/Apple is expected tomorrow, check Wogblog around noon - UK time. The release is for September 8, September 9 in USA.

The Beatles: Mono vinyls press release

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The vinyl mono boxed set  © Apple Corps Ltd.

With an audiophile audience in mind, The Beatles’ mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios. While the corresponding CD boxed set from 2009 was created from digital remasters, these new vinyl versions have been cut without the use of any digital technology.  Manufactured for the world at Optimal Media in Germany, The Beatles’ albums are presented in their original glory, both sonically and in their packaging

London – June 16, 2014 – The Beatles in mono

This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. On September 8 (September 9 in North America), The Beatles’ nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.
The Beatles, 1968. © Apple Corps. Ltd.

In an audiophile-minded undertaking, The Beatles’ acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.

Working in the same room at Abbey Road where most of The Beatles’ albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.

Manufactured for the world at Optimal Media in Germany, The Beatles’ albums are presented in their original glory, both sonically and in their packaging. The boxed collection’s exclusive 12-inch by 12-inch hardbound book features new essays and a detailed history of the mastering process by award-winning radio producer and author Kevin Howlett. The book is illustrated with many rare studio photos of The Beatles, fascinating archive documents, and articles and advertisements sourced from 1960s publications.

Available now for preorder at www.thebeatles.com.

The Beatles In Mono
* Available individually and collected in a limited 14-LP boxed edition, accompanied by an exclusive 108-page hardbound book.
  • Please Please Me
  • With The Beatles
  • A Hard Day's Night
  • Beatles For Sale
  • Help!
  • Rubber Soul
  • Revolver
  • Sgt. Pepper's Lonely Hearts Club Band
  • Magical Mystery Tour
  • The Beatles (2-LP)
  • Mono Masters (3-LP)

"The Beatles", affectionally known as "the White album". © Apple Corps Ltd.




Official promotional film for the mono vinyl releases.

The prices from Amazon in USA for the boxed set is $409.26, single-LPs are $26.60, the 2LP "The Beatles" $43.97 and the 3LP "Mono Masters" $77.52.

Official press release.

New auction tape: Hull, 16 October 1964

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Upcoming Pop Culture auction has lots of Beatles memorabilia
Being auctioned by Christie's this Friday:

1. A rare and previously unheard reel-to-reel tape recording of The Beatles in concert at the A.B.C. Theatre, Hull, 16 October, 1964, the recording with loud screaming throughout, recorded on 1/4 inch Emitape by John Hill from the orchestra pit at the theatre, the recording, over two tapes with an approximate total running time of 24 minutes, contains ten tracks, each introduced by either John Lennon, George Harrison or Paul McCartney, comprising:

1. Twist And Shout
2. Money (That’s What I Want)
3. Can’t Buy Me Love
4. Things We Said Today
5. I’m Happy Just To Dance With You
6. I Should Have Known Better
7. If I Fell
8. I Wanna Be Your Man
9. A Hard Day’s Night
10. Long Tall Sally

Accompanied by a ticket stub for the A.B.C. Theatre, Hull, Friday 16 October, 1964, 2nd performance 8-3, Centre Circle (Front); another smaller ticket stub printed Front Stalls; a CD recording of the concert; three original black and white photographs of the Beatles on stage, one of John Lennon, one of Paul McCartney and another of Paul McCartney and George Harrison, all 3 1/2 x 5 1/4 in. (9x13.5cm.); and a document concerning the provenance.

This appearance in Hull on 16 October, 1964, came as part of The Beatles’ 1964 British Tour. A Hard Day’s Night, the band’s third studio album, had been released earlier that year in July and this appearance saw them perform six songs from the LP, which formed part of their standard repertoire for the U.K. and later World Tour in 1964. By this time, Beatlemania was in full swing and, with much of the performance drowned out by the intense screaming of the fans, this recording gives the listener a real sense of the atmosphere in the theatre at that time. George Harrison, John Lennon and Paul McCartney all take turns to address the audience and make introductions to the songs, with McCartney in particular rallying the audience and scat singing in between songs.

2. A previously unheard reel-to-reel recording of Paul McCartney playing piano during a press conference at the A.B.C. Theatre, Hull, 16 October, 1964, the recording on 1/4 inch Emitape recorded by John Hill on a Fi-Cord Fidelity Recording machine, with a running time of 3 minutes, the recording features McCartney playing Have A Go Joe and Roll Out The Barrel, with John Lennon, George Harrison and Ringo Starr singing and responding to comments from the assembled press; accompanied by a CD recording; four black and white photographs of Paul McCartney playing piano with John Lennon, George Harrison and Ringo Starr gathered round singing and smoking, majority 3 1/2 x 5 1/4 in. (9x13cm.); and a document concerning the provenance.

Although it is known that the Beatles occasionally played Roll Out The Barrel and Have a Go, Joe during their early performances at the Cavern, the songs had certainly disappeared from their stage repertoire by 1964. Although various recordings of interviews with the Beatles are in existence, this is believed to be the only known recording of the band playing piano and singing during a press conference.

3. A previously unheard reel-to-reel recording of an interview with John Lennon, the interview conducted by John Hill at the A.B.C Theatre, Hull on 16 October, 1964 for the Hull University Union newspaper, Torchlight, published on 21 November, 1964, the interview, recorded on 1/4 inch Emitape on a Fi-Cord Fidelity Recording machine with a running time of 8.30 minutes, includes Lennon discussing the songwriting and recording process, his favourite books, failing his exams whilst on tour in Germany and Scotland and his recently released book “In His Own Write”; accompanied by a CD recording of the interview; two black and white photographs of John Hill with John Lennon and one photograph of Paul McCartney with another Torchlight reporter, largest 4 3/4 x 6 1/2in. (12x16.5cm.);a copy of Torchlight, 21 November 1964; an issue of Fabulous magazine, 18 January, 1964; and a document concerning the provenance.

Accompanying photo.

During this interview, Lennon gives some candid responses in answer to questions about various subjects. When asked if he was told what to record, he replies “We were nearly told at the beginning to record other stuff. It was us that forced the issue to record our own songs.” He discusses his songwriting process “sometimes I use the piano, I can just about handle a couple of chords…” and confesses “I enjoy recording better” [than being on stage]. When asked what he would have been if he hadn’t been a Beatle, he answers “I probably would have been a layabout” and reveals that whilst he was at Art School “I was in Scotland on tour and some other lad did the exam for me”. He talks about the last book he read Clockwork Orange and admits “I’ve enjoyed very few books…the one I enjoyed the most was Alice In Wonderland”. When probed about his future plans, he reveals that he would like to work more with film: “I fancy working on films and making them good…there’s a lot to do in films…"

Link: Christie's

Birthday boy

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Birthday party
Paul McCartney celebrated his 72nd birthday yesterday, at the Club at The Ivy in Central London. Ringo's wife, Barbara Bach and George's widow, Olivia Harrison (hidden behind Joe Walsh in this photo) were among the guests.

Earlier that day, the photographer from M&M / Splash News captured Paul and Nancy in more casual clothes, strolling around. They passed a street musician who obviously didn't notice the celebrities. But wait, what's that t-shirt the musician is wearing?

Earlier that day
Yep, it's the $40 Wings t-shirt they are currently selling at the 'Out There' tour...

New cover for UK A Hard Day's Night

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New cover. Second Sight Films
Now that's more like it! It's no secret that the Beatles fan community has been disappointed with the various proposed covers for the new edition "A Hard Day's Night" film, and British distributor Second Sight Films has finally landed on a design we are happy with.

It's not terribly original of course, as the same photo is used on The Beatles Rockband game, which was released in 2009 and still is in the shops.

The Beatles Rockband


Initially, the art for the DVD and Blu-ray in the UK looked like this:

Original cover idea, designed by design studio La Boca.
There was an outcry from the public about this, and people posted messages on the Amazon UK site that thay would rather order the film from abroad. After a while, Second Sight Films decided to drop the colours from the cover, and their second version looked like this:
Second Sight's second thought
Now it looks like they've abandoned the La Boca design altogether and the new cover is a Sight for sore eyes. The best of the lot, we think - and that includes all the foreign editions, as well.

Blue Plaque for Brian Epstein

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Another Eppy plaque: this one by Seven Dials Trust is at 13 Monmouth Street, London
SongLink International is proud to be the title sponsor of the Heritage Foundation's Blue Plaque for Brian Epstein which will be unveiled at 12 noon on Sunday 29th June, at Sutherland House, 5/6 Argyll Street, London W1 next door to the London Palladium.

Epstein's company NEMS Enterprises occupied offices on the fifth floor of the building from the height of Beatlemania in 1964 until shortly after his tragic death in August 1967, aged just 32. Epstein would have turned 80 on September 19th this year, and was recently posthumously inducted into the USA's Rock & Roll Hall of Fame. A bio-pic of his life is also currently in development.

David Stark, founder and editor of SongLink, the global song-plugging resource said, "As a lifelong Beatles fan I'm delighted to be involved with this official commemoration of Britain's most famous music manager. Epstein's signing of the Fab Four in 1962 developed into the greatest story in music and showbiz history, thanks to his belief and vision that the group could conquer the world, but even he couldn't have foreseen to what extent that would become true. Sadly Brian only lived to enjoy five years of their phenomenal success from 1963-67, but it's important that we recognise his outstanding contribution to the music industry and popular culture in his short but highly influential life."

VIP guests at the unveiling ceremony will include Geoffrey Ellis, Liverpool friend of Epstein and MD of NEMS Enterprises (later a PRS director) who worked at Argyll Street from 1964-67; Tony Bramwell (ex-NEMS & later head of Apple Records); Beatles author Mark Lewisohn; actor Andrew Lancel who stars in the upcoming play "Epstein - The Man Who made The Beatles"; Martin Lewis who secured Epstein's induction into the Rock & Roll Hall of Fame; Rod Davis of The Quarrymen (the band that became The Beatles); Adam Ant and other celebrities.

The event will be hosted by actress Vicki Michelle, President of the Heritage Foundation, and followed by a sold-out tribute lunch at the Marriott Regents Park with live music by the Trembling Wilburys, Dave Berry& others. In addition, messages of goodwill to be read out on the day are being received from Sir Paul McCartney, Ringo Starr, Cilla Black, Sir George Martin and others associated with Epstein.

David Stark added, "It's totally fitting that Brian Epstein should be honoured in his 80th birthday year, and at one of the most prestigious show business locations in the world - right next door to the London Palladium, where his clients The Beatles, Cilla, Gerry and Billy J. Kramer all performed. I'm delighted that the current owners and managing agents of Sutherland House have given permission and their blessing for the plaque to be erected, and am sure it will give pleasure and be of enormous interest to the hundreds of tourists and music aficionados who pass by the site each day, not realising that this was the place where so much of the Fab Four's busy day-to-day schedule was meticulously planned by Brian and his staff. The Heritage Foundation and I are proud to honour the man who paved the way for so many others in the music business, and who is still recognised as being one of the most visionary, hard-working and totally honest managers of all time, withoutwhom The Beatles phenomenon might never have happened."


Links:
The Heritage Foundation
Epstein - The Play
Brian Epstein website
SongLink International 

In other words, it's the usual crowd who turns up for these Beatles related plaques in London.

A Hard Day's Night - Japan edition

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Japan Limited edition of A Hard Day's Night on VAP: 6,800 yen + tax

Regular edition in Japan: 4,800 yen + tax
VAP has launched a website detailing the Japanese editions of "A Hard Day's Night", to be released on 20 August, 2014.

Bonus material:
  1. You Can't Do That! The Making of A Hard Day's Night
  2. Things We Said Today
  3. The Beatles: The Road to A Hard Day's Night interview with Mark Lewisohn
  4. In Their Own Voices
  5. Anatomy of a Style
  6. Picturewise
Special screenings will be held in theatres in Japan on August 15th.

Looks like it will only be released on Blu-ray in Japan, not as a DVD.

Australian turnaround

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The original cover design for the Australian A Hard Day's Night
Umbrella Entertainment, who are releasing the A Hard Day's Night film in Australia are also doing a 360, changing their original cover design due to fan reactions. They had used a 1963 photo of the boys, and fell under heavy criticism for this on their website. Like Second Sight Films in the UK, the company has listened to the fans and are now presenting a new cover, more in line with the USA design:

New design


And on this happy note, WogBlog is taking a holiday break, as we are going to a small Greek island with limited internet coverage. See you!

A Hard Day's Night review

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No, it's not my review but the guy who is doing Beatles-reviews over at DvdBeaver knows his stuff, and compares the new release with those older editions. Apart from that, we have heard that some buyers are experiencing synchronisation problems between audio and picture.

DvdBeaver review

The Beatles in Greece

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The Beatles, depicted with local Greek musicians

Paul McCartney in his autobiography, Many Years From Now: 'Alex ("Magic" Alex Mardas) invited John on a boat holiday in Greece, and we were all then invited. There was some story of buying a Greek island or something. It was all so sort of abstract but the first thing we had to do is go to Greece and see if we even liked it out there. The idea was get an island where you can just do what you want, a sort of hippie commune where nobody’d interfere with your lifestyle. I suppose the main motivation for that would probably be that no one could stop you smoking. Drugs was probably the main reason for getting some island, and then all the other community things that were around then... it was drug-induced ambition, we’d just be sitting around: "Wouldn’t it be great? The lapping water, sunshine, we’d be playing. We’d get a studio there. Well, its possible these days with mobiles and..." We had lots of ideas like that. The whole Apple enterprise was the result of those ideas.'
The Beatles' yacht was held up by a storm off Crete until 25 July 1967, leaving them stuck in Athens for a few days, which they spent sightseeing.

According to NEMS employee Peter Brown, their host, ‘Magic Alex’, had struck a deal with the Greek authorities. If The Beatles were given diplomatic immunity – allowing them to carry bags containing drugs into the country – then they would pose for press photographs for the Ministry of Tourism. This was agreed to without the group’s knowledge.

Unfortunately it meant that their destinations were often broadcast on Athens Radio, causing hordes of fans and journalists to follow them around. As Alistair Taylor noted: “Once on a trip to a hill village, we came round a corner of the peaceful road only to find hundreds of photographers clicking away at us.”

Derek Taylor described John's plan in his autobiography, 20 Years Adrift: "The four Beatles would have their network at the centre of the compound: a dome of glass and iron tracery not unlike the old Crystal Palace over the mutual creative/play area, from which arbours and avenues would lead off like spokes from a wheel to four vast and incredibly beautiful separate living units. In the outer grounds, the houses of the inner clique: Neil (Aspinall), Mal (Evans), Terry (Doran) and Derek, complete with partners, families and friends..."

The Beatles left for Greece in July 1967. George Harrison, his wife Pattie, Ringo Starr (not accompanied by wife Maureen, as she was very pregnant at the time) and Neil Aspinall left on 22nd July, while John Lennon, his wife Cynthia, their son Julian, Paul McCartney and his girlfriend Jane Asher, Pattie's sister Paula, "Magic" Alex, Mal Evans and Beatles' assistant Alistair Taylor all left on 23rd July.
Arriving in Greece

The Beatles chartered a luxury yacht called MV Arvi. It had 24 berths and a crew of 8 including the captain, chef and 2 stewards. They spent the first few days island hopping, swimming and tripping their tits off, which turned out to be a bit too much for Paul: "We went on the boat and sat around and took acid. It was good fun being with everyone, with trippier moments. For me the pace was a bit wearing. I probably could have done with some straight windows occasionally, I’d have enjoyed it a bit more."
George had no such reservations: "It was a great trip. John and I were on acid all the time, sitting on the front of this ship playing ukeleles. Greece was on the left, a big island on the right. The sun was shining and we sang ‘Hare Krishna’ for hours and hours."

Ringo and his home movie camera
After a while, it has been reported that the Beatles found the perfect place - an 80 acre island called Leslo or Leso, reports vary. The island had a small fishing village, four beaches and a large olive grove. Four small neighbouring islands surrounded it and the grand plan was that each Beatle would have their own island, as Neil Aspinall (a bit dismissively) confirms: "There was talk of getting an island. I don’t know what it was all about - it was a bit silly really. The idea was that you’d have four houses with tunnels connecting them to a central dome”. John Lennon was very excited about the idea at the time: "We’re all going to live there, perhaps forever, just coming home for visits. Or it might just be six months a year. It’ll be fantastic, all on our own on this island. There’s some little huts which we’ll do up and knock together and live communally"
As far as Beatles research has been able to confirm, there is no island called Leso or Leslo in the greek waters.
Home movie footage, probably from Ringo's and Paul's movie cameras. From The Beatles Anthology.
The Beatles decided to buy the island there and then. They asked Alistair Taylor to tie up the deal. It cost them £90,000 and at the time it was difficult to get money out of Britain. The Beatles had to apply to the government for permission to spend £90,000 abroad and to buy this amount of money in US dollars, when permission was eventually given, they’d all forgotten about their Greek adventure.

"It came to nothing."said Ringo. "We didn’t buy the island, we came home. We were great at going on holiday with big ideas, but we never carried them out. We were also going to buy a village in England - one with rows of houses on four sides and a village green in the middle. We were going to have a side each."

Paul said that they all thought "We’ve done it now. That was it for a couple of weeks. Great, wasn’t it? Now we don’t need it." He reflected that "Having been out there, I don’t think we needed to go back. Probably the best way not to buy a Greek island is to go out there for a bit. Its a good job we didn’t do it, because anyone who tried those ideas realised eventually there would always be arguments, there would always be who has to do the washing-up and whose turn is it to clean out the latrines. I don’t think any of us were thinking of that."


Beatles "holiday in Greece" feature from Fab 208 magazine, 7 October 1967. 
The adventure became a profitable one, when £90,000-worth of dollars was sold back to the government the value of US dollars had risen, and The Beatles reaped a £11,400 profit on the unrealised deal.

Ringo Starr and Neil Aspinall decided to return to England from Greece on July 26th, the same day as the other Beatles went island hopping - and found the island they were going to buy. On the 29th, George Harrison, his wife Pattie and The Beatles’ assistant Mal Evans returned to England. John, Cynthia and Julian Lennon, Paul McCartney, Jane Asher, Alexis ‘Magic Alex’ Mardas and Pattie Harrison‘s sister Paula Boyd all returned to England on the 31st July.

So, which island was it? Most of Greece's islands are in private hands, and are valued between €3 million and €150 million. With Leso or Leslo not turning up in a search, some other islands do, and claim to have a Beatles connection: Currently up for sale, the 12 acres Trinity Island is said to have been host to the Beatles. The island's name in Greek is Agia Triada, or Holy Trinity. They seem to have passed on the guitar shaped Trinity Island and ended up deciding on another island, by some claimed to be either Tsougriaki or the larger Tsougria, close to Skiathos. Any Greeks here who can shed some light on which island the Beatles eventually went for?

Take a look at some amateur colour photos from the Greek visit on the Meet The Beatles For Real blog.

In their own voices (excerpt)

Ringo's radio: Is it them?

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Big debate going on, as the full length version of the song on Ringo's transistor radio during the train scene in A Hard Day's Night suddenly turned up for sale. Very good timing, by the way. Walter Shenson supposedly said it was recorded by the Beatles, themselves. Bill King wanted my comment, so I gave it to him - despite not having heard this version yet - I was on holiday in Greece with limited (and slow) internet access at the time.

It doesn't sound like them at all. What do you think? Anyone in the know here?

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