Quantcast
Channel: The Daily Beatle
Viewing all 1308 articles
Browse latest View live

The US Albums

$
0
0
US Albums boxed set. Photo: 2013 Apple Corps Ltd.

"The US Albums", the boxed set of American Beatles albums is now available for preorder over at Amazon.com. At the time of writing, the price for the thirteen disc set is $163.61. The five albums previously not released are Yesterday and Today (as you can see from the picture, the butcher cover is also represented), Revolver, Hey Jude, The Beatles' Story and A Hard Day's Night. And it also looks like a CD-size booklet will accompany the box. Release date is January 21, 2014.

Link: The U.S. Albums


The Beatles: The U.S. Albums
Presented in mono and stereo, except where noted as stereo only
** CD debut
Meet The Beatles!
[Capitol Records: released January 10, 1964; 11 weeks at No. 1]
The Beatles’ Second Album
[Capitol Records: released April 10, 1964; five weeks at No. 1]
A Hard Day’s Night (Original Motion Picture Soundtrack) **
[United Artists: released June 26, 1964; 14 weeks at No. 1]
Something New
[Capitol Records: released July 20, 1964; nine weeks at No. 2]
The Beatles’ Story [stereo only] **
[Capitol Records: released November 23, 1964; peaked at No. 7]
Beatles ’65
[Capitol Records: released December 15, 1964; nine weeks at No. 1]
The Early Beatles
[Capitol Records: released March 22, 1965; peaked at No. 43]
Beatles VI
[Capitol Records: released June 14, 1965; six weeks at No. 1]
Help! (Original Motion Picture Soundtrack)
[Capitol Records: released August 13, 1965; nine weeks at No. 1]
Rubber Soul
[released December 6, 1965; six weeks at No. 1]
Yesterday And Today **
[Capitol Records: released June 20, 1966; five weeks at No. 1]
Revolver **
[Capitol Records: released August 8, 1966; six weeks at No. 1]
Hey Jude [stereo only] **
[Apple Records: released February 26, 1970; four weeks at No. 2]



PRESS RELEASE:

Celebrate 50 Years of Globe-Sweeping “Beatlemania” 

Hollywood, California – December 12, 2013
– On February 7, 1964, The Beatles arrived at New York’s John F. Kennedy Airport, greeted by scores of screaming, swooning fans who rushed the gate to catch a glimpse of John Lennon, Paul McCartney, George Harrison and Ringo Starr as they took their first steps on American soil. Two nights later, on Sunday, February 9, 74 million viewers in the U.S. and millions more in Canada tuned in to CBS to watch The Beatles make their American television debut on “The Ed Sullivan Show.”

In this cultural watershed moment in American history and one of the world’s top-viewed television events of all time, The Beatles performed five songs on the live broadcast. “Beatlemania,” already in full, feverish bloom in The Beatles’ native U.K., was unleashed with blissful fervor across America and around the world. The British Invasion had begun.

To commemorate the 50th anniversary of these history-making events, The U.S. Albums, a new 13CD Beatles collection spanning 1964’s Meet The Beatles! to 1970’s Hey Jude, will be released January 20 (January 21 in North America) by Apple Corps Ltd./Capitol.

The Beatles’ U.S. albums differed from the band’s U.K. albums in a variety of ways, including different track lists, song mixes, album titles, and art.

The albums are presented in mono and stereo, with the exception of The Beatles’ Story and Hey Jude, which are in stereo only.
Collected in a boxed set with faithfully replicated original LP artwork, including the albums’ inner sleeves, the 13 CDs are accompanied by a 64-page booklet with Beatles photos and promotional art from the time, as well as a new essay by American author and television executive Bill Flanagan.

For a limited time, all of the albums (with the exception of The Beatles’ Story, an audio documentary album) will also be available for individual CD purchase.

A Hard Day’s Night (Original Motion Picture Soundtrack), The Beatles’ Story, Yesterday And Today, Hey Jude, and the U.S. version of Revolver make their CD debuts with these releases.

By the end of 1963, before The Beatles’ American arrival, “Beatlemania” had already sprung forth across the Atlantic to take root in the U.S. In early December, The New York Times published a Sunday magazine feature and “CBS Evening News” aired an in-depth report about the unprecedented frenzy over the young band from Liverpool. Radio stations across the U.S. began to play The Beatles’ latest U.K. singles in almost non-stop rotation, trying to meet an insatiable listener demand. Capitol Records rushed out the American single for “I Want To Hold Your Hand” (with B-side “This Boy”) on December 26, three weeks ahead of schedule and one month after the single’s U.K. release.
More than one million copies of the U.S. single were sold within 10 days.

On January 3, 1964 Capitol released "Please Please Me" (with B-side "From Me To You"), and The Beatles’ first Capitol album, Meet The Beatles!, followed on January 20. After achieving the No. 1 chart position for five consecutive weeks in the U.K., “I Want To Hold Your Hand” reached the top of the U.S. singles chart on February 1, holding the No. 1 position for seven consecutive weeks, and within two months, more than 3.5 million copies of Meet The Beatles! were sold in the U.S.

The above paragraph had obvious errors and has now been replaced with this:

In early January 1964, Vee-Jay reissued "Please Please Me" (with B-side "From Me To You"), and Swan reissued “She Loves You.” The Beatles’ first Capitol album, Meet The Beatles!, followed on January 20. After achieving the No. 1 chart position for five consecutive weeks in the U.K., “I Want To Hold Your Hand” reached the top of the U.S. singles chart on February 1, holding the No. 1 position for seven consecutive weeks, and within two months, more than 3.5 million copies of Meet The Beatles! were sold in the U.S.

The excitement of The Beatles’ February 7 arrival in New York, where they were met by an estimated 3,000 ecstatic fans at the airport, was documented by the world’s leading media outlets, beamed around the world in a blitz of news bulletins and photos. Every move The Beatles made, and seemingly every word they uttered, was captured – melting hearts of young fans everywhere who simply could not get enough of these charming, witty and stylish British boys and their electrifying new songs. America’s biggest star of the day, Elvis Presley, sent The Beatles a telegram wishing them well for their national television debut. Ed Sullivan spoke of the unprecedented frenzy in his memorable first introduction of The Beatles, saying, "Now, yesterday and today our theater's been jammed with newspapermen and hundreds of photographers from all over the nation, and these veterans agreed with me that this city never has witnessed the excitement stirred by these youngsters from Liverpool who call themselves The Beatles." 

After captivating North America with their Ed Sullivan debut, The Beatles traveled to Washington, DC, performing their first Stateside concert on February 11 at the Washington Coliseum to 8,000 fans in the round.
The Beatles then returned to New York for two sold-out Carnegie Hall concerts on February 12.
On February 16, they made their second appearance on “The Ed Sullivan Show” in a live broadcast from The Deauville Hotel in Miami Beach, Florida. Viewership for the episode was nearly as strong as for their debut one week prior, with an estimated 70 million people -- 40% of the American population -- tuned in to watch their performances of six songs.

On February 22, The Beatles returned to England in triumph, welcomed home upon their 7am landing at London’s Heathrow Airport by an estimated 10,000 fans. The Beatles were now firmly in place as the world’s favorite and most famous band.

Their third “Ed Sullivan Show” appearance, a three-song performance taped prior to the band’s live debut on the program, was broadcast on February 23.

Billboard’s Hot 100 Singles chart for April 5, 1964 was graced by 12 Beatles songs, including the chart’s Top 5 positions, a sweep of the chart’s summit that has not been achieved by any other artist since. The band’s meteoric rise to unparalleled fame continued as “Beatlemania” swept the globe, a singular and boundless cultural marvel. The Beatles now belonged to the People, as they have ever since, with their universally-loved music and unflagging respect for humankind, advocating peace and love for all people around the world.
EXECUTIVE PRODUCER: Jeff Jones
AUDIO SUPERVISED AND COORDINATED BY: Steve Berkowitz
MASTERING BY: Paul Hicks, Sean Magee, Guy Massey, Sam Okell, Steve Rooke and Greg Calbi
THE BEATLES • THE U.S. ALBUMS ASSEMBLED BY Greg Calbi at Sterling Sound 2013
LINER NOTES: Bill Flanagan
RESEARCH: Bruce Spizer

A lot of fans who were interested in having CD's of the American albums will have bought the earlier collections, The Capitol Albums, vol 1 and 2, and will now finally have the chance to complete their collection. However, for those of them who will view it as incomplete without the "The Beatles' Story" album on CD, they have to shell out for the new box. That was rather an unnecessary business decision, we think.

The US mixes

$
0
0

The new american boxed set will be released on January 20th around the world and the 21st in USA. Photo: © 2013 Apple Corps Ltd.

Seems they kept the unique US mixes but substituted other tracks, including the duophonic stereo by the new stereo remasters. 

It appears that the new US Albums will contain a mishmash of mixes, most from the recently issued UK remasters (2009), but the unique US mixes found on some songs will also have been used.


Example: The US mono version of "I'm Only Sleeping" has the backwards guitar licks in other places than on the UK mix, thus it will be preserved on the new release.

However, where Capitol created their fake-stereo aka "duophonic", these will be replaced with their true stereo counterparts, taken from the 2009 UK remasters. This will also apply to their reverb-drenched versions "made for American listeners".


Example: The US stereo version of "I Feel Fine" was created from a mono master tape and fake "duophonic" stereo applied. On the new release, it is likely to be replaced with the true UK stereo remaster.

Looks like you can peel back the trunk cover on "Yesterday and Today" by yourself.

Perhaps they read my initial thoughts regarding the "butcher" cover when I first announced this new release back in November?

From the booklet. This is a still photo from the ad for the boxed set.

Of course, this revisionism has been subject to criticism from the American fans already. The albums will no longer sound like they used to. It all boils down to that you should probably keep your Capitol Albums boxed sets.

Further reading about anomalies and mixing variations:
Beatles Anomalies

Paul McCartney acoustic doodling 1973

$
0
0
Just uploaded to YouTube were these two videos of Paul McCartney (with kids). These are not really videos, it's still photos with an interesting soundtrack.


Paul and Linda McCartney (with kids in tow) sitting around at Dustin Hoffman's rented house in Jamaica, 1973 playing some music: Picasso's Last Words (Drink To Me) and Getting Closer.


More of the same: Baa Baa Black Sheep, Hands Of Love, Peggy Sue and more of Getting Closer.

On Air: Christmas at the Beeb

$
0
0
No Christmas is complete without some Beatles programmes on the BBC radio.
Radio alerts: Coming up this week are a couple of reprises on Radio 6 from last year, "The Casbah", hosted by Pete Best (two half hour episodes) and "A Year In The Life: Beatles '62", hosted by Roger McGough (another two half hour episodes).

Then on December 23, a brand new two hour programme from Ken Bruce on Radio 2.

The Casbah

Radio 6 Music: Tuesday 17.12.2013 at midnight: Episode 1 (30 minutes)
Radio 6 Music: Wednesday 18.12.2013 at midnight: Episode 2 (30 minutes)

The Casbah: Birthplace Of Merseybeat celebrates the somewhat neglected and hugely significant venue where The Beatles enjoyed a residency prior to their later and more often recognised success at the Cavern Club. The documentary is presented by original Beatles' drummer Pete Best whose mother Mona both owned and ran the club.

The Casbah, a private members club in the basement of the Best family home, was distinctive in a number of ways having opened as a strictly Rock'n'Roll venue. The majority of Liverpool clubs in the late 50's having had roots in Jazz, Folk & Country music. It was also notable in that it was run by a woman, Mona Best, in an era when music/club promoters were invariably male. The documentary will explore the history of the club (decorated by The Beatles and now awarded Blue Plaque status) while examining the broader context of the boom that came to be known as Merseybeat.

Including contributions from Merseybeat newspaper founder Bill Harry alongside merseybeat veterans Mike Pender of The Searchers, Georgie Spruce (AKA Earl Preston of Earl Preston & The TT's), Howie Casey (of Derry & the Seniors-the first Liverpool combo to play in Hamburg and secure a recording contract), and Geoff Nugent (of The Undertakers). The programme also features the recollections of Casbah Club members and a fleeting, though noteworthy, contribution from Paul McCartney.

A Year In The Life: Beatles '62

Radio 6 Music: Thursday 19.12.2013 at midnight: Episode 1 (30 minutes)
Radio 6 Music: Friday 20.12.2013 at midnight: Episode 2 (30 minutes)

A Year In The Life: Beatles '62 narrates the pivotal breakthrough year for the newly mop-topped Liverpool beat combo via the recollections of those who knew and worked alongside them in 1962. An oral history narrated by Liverpool contemporary Roger McGough, A Year In The Life recounts a familiar tale via the less-familiar recollections of those who were vital to The Beatles development in 1962. The programme will range from their unsuccessful January 1st audition for Decca records through to the recording and release of their breakthrough hit 'Love Me Do'.

A Year In the Life will also reflect upon their crowning in the Merseybeat newspaper as the leading Liverpool group, their first radio broadcasts at the BBC's Manchester studios, the death of original bassist Stu Sutcliffe, their return to Hamburg's Star Club, & the ousting of drummer Pete Best.
Contributors include Bill Harry(the editor of Merseybeat), Klaus Voorman (their close friend from Hamburg & the artist responsible for Revolver's striking sleeve) Pete Best (their original drummer) Joe Brown & Mike Berry (who shared bills with the group shortly before their national fame) Andy White (the studio session drummer who played on 'Love Me Do') & publicist Tony Calder (who promoted their first single).


The Beatles:Alone - at the BBC

BBC Radio 2: Monday 23.12.2013 from 12pm (2 hours)

Ken Bruce and a collection of BBC Beatle moments, with 60s archive sessions and interviews.
Among rarely heard delights are a 1963 edition of the programme "Public Ear" about the early days of the Beatles featuring an interview with Stuart Sutcliffe's mother, a fascinating profile of Beatle manager Brian Epstein from 1964, another of their producer George Martin from the same year and, of course, lots of the band themselves!

And as it's that time of year, the programme also offers a chance to hear extracts from the Beatles' Fan Club Christmas discs, sent to members every year from 1963 to 1969, some produced by the BBC's Kenny Everett.

The Bootleg is here

$
0
0
From the New Zealand iTunes Store 
The Beatles'"Bootleg Recordings 1963" is due out Tuesday on iTunes. Over in New Zealand it's already Tuesday, so the recordings are available there. From our readers over there we have so far got these comments: "Saturday Club Jan 26 Some Other Guy is an upgrade, Love me Do is complete and an upgrade. A Taste Of Honey, Misery and Do You Want To Know A Secret outtakes are in STEREO! Money is undubbed. Bad To Me sounds much cleaner!"

Of course, the comparisons have been made with the previous versions of this material on underground bootleg releases. So we may now confirm that they have indeed used their own master tapes as sources for the outtakes. On every underground release, these same studio recordings have been in mono.

Here's the iTunes page of this release for New Zealand.

Gone

$
0
0

The Beatles: "Bootleg Recordings 1963" is no longer available from iTunes. Eight hours after the collection was made available, it disappeared again from all the iTunes stores in all the countries. We don't think it was even made available in the UK. But by doing this stunt, The Beatles have secured their copyright on these recordings for 70 years. Chances are they'll want to do something with these tracks during those years.

Bootlegs Back again

$
0
0
Photo: Apple Corps Ltd.
Lo and behold, it's now up again at iTunes and for the first time also in the US. But rather more expensive than the initial New Zealand release, which translated to 12 US Dollars, the price in the US is three times that amount.

US iTunes link
UK iTunes Link

iTunes Editor's Notes:

With more than two hours of previously unreleased material, The Beatles Bootleg Recordings 1963 tells the story of the band during a period of remarkable transformation: a year that begins with the Liverpool quartet working out arrangements during the "Please Please Me" sessions and culminates in the BBC radio sessions. With subtly different lyrical phrasing and instrumental performances, the 15 aternative studio versions of tunes like "From Me To You", "Do You Want To Know A Secret", and "I Saw Her Standing There" are deeply rewarding, as is the richly harmonized pop standard "A Taste Of Honey".

But, the 42 live performances for BBC underscore the transition from local stars to the peak of Beatlemania in Britain. They respond to a call-in request with a crackling version of "Love Me Do", burn through a cover of Chuck Berry's "Got To Find My Baby", and offer a bright, uptempo reading of "All My Loving". This compilation is rounded out by two demos of songs the group never released: the midtempo "Bad To Me" and the lovely, piano-accompanied closer, "I'm In Love".

What do I do with my unreleased Beatles recording?

$
0
0
Bulldog Records in Italy had a jolly slogan "It was more than 20 years ago" back when Italian copyright law only protected foreign music for 20 years. 

WogBlog has been hit by a lot of traffic coming from the general media, since we've both been quoted from and linked to a lot lately. One of the people who found our little hideaway on the internet was the keeper of a unique Beatles recording, and he wrote us an email, asking what to do with it.
We've tried to reply as best we could, and in the cause of this we have been thinking about how this change in copyright law in Europe will affect these kinds of recordings.

To start with, a short recap of the current European law on copyright of recorded music:
A) If it has been released, it is protected for 70 years from the year of release.
B) If it is unreleased, it is protected for 50 years from year of recording.
A and B becomes public domain after that. Once there, they can not be copyrighted again.

Before the new law was passed in November 2013, the limit was 50 years in both instances.

So, as of now (December 2013), anything published in 1962 or earlier is in the public domain, whether it has been previously released or not.
However, recordings from 1962 or earlier which has been published some time later in the 50 years from 1962-2012 are protected from the year it was published.

To explain this, take the case of the Decca audition tape. Recorded in 1962, expires in 2012. Except that the Beatles published five of the tape's fifteen songs on Anthology 1 in 1995. So those songs are protected for 50 years, counting from 1995. In this example, anyone can make a CD of the remaining ten tracks and sell it for profit. The Beatles missed the boat on that one. If they had done like Bob Dylan and released unreleased stuff like the full Decca Tape in 2012, the Anthology Decca tracks would be protected by copyright until 2045 and the rest would have remained in copyright until 2062.

This is just an example, I haven't speculated if inclusion of snippets from the other Decca tracks found on the Anthology DVD series could have extended copyrights of these songs further.

So what do you do with the recording you inherited from your dad?

Let's say someone recorded a Beatles concert in 1964. The tape has survived all these years, it's okay in the sonic department, you can hear the screaming fans  - but also the songs, and John and Paul speaking between songs. The concert tape would be somewhat attractive to fans.

As I see it there are four options.

1. You could keep things as they are, and enjoy owning the tape for yourself.
2. You could offer your tape for sale.
3, You could release it on CD some time after 01.01.2015 yourself or via an established record label.
4. You could put up sound files of the concert on the internet after 01.01.2015 and share them freely with anyone.

Should you consider options 3 or 4, to release the taped concert some time in the future, free or otherwise, it needs to be transferred to digital files. Even if you chose option 1 or 2, having the concert in a digital format will be more convenient. You could make a CD or sound files for your own enjoyment in option 1, and in option 2 you could offer potential buyers the chance to listen to free samples.

Of course, you could also start manufacturing CD's yourself and start selling them on the internet or via mail order without the aid of a record label, but there are some snags. Since the contents of the tape will be in the public domain, there is no need to pay anyone anything for the performance itself, but there are other fees involved that will apply, like royalties on publishing rights etc . I don't have a complete overview of these, but partnering with a record company will take care of that part of the business. 

Since you are in possession of the sole copy of the tape, and as such it will not be released by anybody else, under current EU laws, after 01.01.1965 the performance captured on the tape will fall into the public domain. This is somewhat of a double-edged sword, because it means that you can release it yourself, but after that, so can anybody.  So if you reach an agreement with a record label and start to manufacture CD's, anybody can then buy the CD and start making his own CD copies and sell them... Still, for a limited time, it's possible to make a profit on initial sales, I suppose.
To maximize these initial profits, you will of course also have to shell out for a big advertising campaign - unless you are already directly in touch with the online communities who are the main potential customers.

So, if I had such a recording, I probably would tru to sell it (after having made a recording of it for myself). And I would think that I would get more from it via an international auction house, during one of their entertainment memorabilia auctions. They are attracting a different, more "high-brow" crowd than ebay auctions. The recording's uniqueness is likely to attract more than one bidder, and a bidding war will up the price.

Until The Beatles/Universal Music decide to release a few live Beatles concerts, there will be a demand for a complete Beatles concert to be available. Mainly because they haven't bothered to take their 1977 LP/cassette release "The Beatles At The Hollywood Bowl" into the digital domain as a CD or a download.

However, hot-on-the-heels of today's release "Bootleg Recordings 1963", we heard whispers of more to come - even before Christmas. Stay tuned....

More bootleg recordings 1963

$
0
0

What with the success of the Beatles' bootleg recordings 1963 (iTunes charts show it at #4 in the USA, #16 in the UK and #24 in Norway, without the release even having been mentioned on Beatles.com), Universal Music and Apple may be putting their heads together and plan more batches of 1963 recordings to release before the year is over. Here's a list of unreleased material currently circulating on underground bootlegs, courtesy of one of our readers:

STUDIO OUT-TAKES

There's a Place take 1
There's a Place take 2
There's a Place take 3-4 (includes false starts)
There's A Place track 2 take 11
I Saw Her Standing There take 1
I Saw Her Standing There takes 3-8 (various edit pieces & false starts)
I Saw Her Standing There track 2 take 11 (breakdown)
Misery takes 2-6 (includes false starts)
Misery take 8-9 (includes false start)
From Me To You take 3
From Me To You take 4
From Me To You take 6-7
Thank You Girl take 2-4 (false starts only)
Thank You Girl take 6
Thank You Girl take 7-13 (edit pieces)
From Me To You take 9-13 (edit pieces)
The One After 909 take 3 (breakdown)
Hold Me Tight take 22-24 (includes false starts)
Don't Bother Me take 10
Don't Bother Me take 11-13 (includes false starts)
I Want To Hold Your Hand (takes 1-7)
This Boy (takes 1-9)

BBC RADIO TRACKS

Please Please Me (Saturday Club 26 jan 1963)
Misery (Saturday Club 16 march 1963)
Please Please Me (Saturday Club 16 march 1963)
The Hippy Hippy Shake (Saturday Club 16 march 1963)
From Me To You (Easybeat 7 april 1963)
Thank You Girl (Side By Side 13 may 1963)
I Saw Her Standing There (Saturday Club 25 may 1963)
Boys (Saturday Club 25 may 1963)
Long Tall Sally (Saturday Club 25 may 1963)
Money (Saturday Club 25 may 1963)
Everybody's Trying To Be My Baby (Pop Go The Beatles 4 june 1963)
Do You Want To Know A Secret? (Pop Go The Beatles 4 june 1963)
Misery (Pop Go The Beatles 4 june 1963)
Too Much Monkey Business (Pop Go The Beatles 11 june 1963)
Love Me Do (Pop Go The Beatles 11 june 1963)
From Me To You (Easybeat 23 june 1963)
Too Much Monkey Business (Side By Side 24 june 1963)
Boys (Side By Side 24 june 1963)
Love Me Do (Side By Side 24 june 1963)
From Me To You (Side By Side 24 june 1963)
I Saw Her Standing There (Pop Go The Beatles 25 june 1963)
Twist And Shout (Pop Go The Beatles 25 june 1963)
Memphis Tennessee (Saturday Club 29 june 1963)
Money (Saturday Club 29 june 1963)
Till There Was You (Saturday Club 29 june 1963)
From Me To You (Saturday Club 29 june 1963)
She Loves You (Pop Go The Beatles 13 august 1963)
You Really Got A Hold On Me (Pop Go The Beatles 13 august 1963)
I'll Get You (Pop Go The Beatles 13 august 1963)
Long Tall Sally (Saturday Club 24 august 1963)
She Loves You (Saturday Club 24 august 1963)
Twist And Shout (Saturday Club 24 august 1963)
I'll Get You (Saturday Club 24 august 1963)
Twist And Shout (Pop Go The Beatles 27 august 1963)
She Loves You (Pop Go The Beatles 27 august 1963)
From Me To You (Pop Go The Beatles 3 september 1963)
I'll Get You (Pop Go The Beatles 3 september 1963)
Money (Pop Go The Beatles 3 september 1963)
Till There Was You (Pop Go The Beatles 10 september 1963)
Misery (Pop Go The Beatles 17 september 1963)
From Me To You (Pop Go The Beatles 17 september 1963)
Boys (From Us To You 26 december 1963)
I Saw Her Standing There (From Us To You 26 december 1963)
Tie Me Kangaroo Down, Sport (From Us To You 26 december 1963)

LIVE TRACKS

From Me To You (Sunday Night At The London Palladium 13 october 1963)
She Loves You (Sunday Night At The London Palladium 13 october 1963)
Twist And Shout (Sunday Night At The London Palladium 13 october 1963)
She Loves You (Stockholm Karlaplan 24 October 1963)
Twist And Shout (Stockholm Karlaplan 24 October 1963)
She Loves You (Drop In 30 october 1963)
Twist And Shout (Drop In 30 october 1963)
All My Loving (The Morecambe and Wise Show 2 December 1963)

Apple label for bootlegs

$
0
0




For those who downloaded The Beatles "Bootleg Recordings 1963" and are planning on burning your own CDs from the material, Jeff Levy (of AppleLog fame) created these labels.
The material should fit nicely on three discs. I would have put all the BBC songs on two discs and the rest on a third. I'll get back again with a back cover (you already have a front cover).

Evaluation of the studio tracks from this release:

01 There's A Place (Takes 5 & 6) 
Upgrade. Direct from original master. Live fade-out (same as Roger Scott tape). Line hum at 50Hz.
02 There's A Place (Take 8 ) 
Upgrade. Direct from original master. Line hum at 50Hz.
03 There's A Place (Take 9) 
Upgrade. Direct from original master. Line hum at 50Hz.
04 Do You Want to Know a Secret (Take 7) 
New material (take announcement). Upgrade. Now in stereo. Direct from original master. Final chord is faded up in volume then volume drops drastically. Line hum at 50Hz.
05 A Taste of Honey(Take 6) Missing part of take call.
Upgrade. Now in stereo. Direct from original master. End is longer. End is faded up. Line hum at 50Hz.
06 I Saw Her Standing There(Take 2) 
Upgrade. Direct from original master. Line hum at 50Hz.
07 Misery (Take 1) 
Upgrade. Now in stereo. Direct from original master. Added compression makes reverb much more apparent. Live fade-out (same as Scott tape). Line hum at 50Hz.
08 Misery (Take 7) 
Missing part of take call. Upgrade. Now in stereo. Direct from original master. Live fade-out (same as Scott tape). Line hum at 50Hz.
09 From Me to You (Takes 1 & 2) 
Copied directly from Studio 2 Sessions, speed corrected, click removed at end.
10 From Me to You (Take 5) 
11 Thank You Girl (Take 1) 
12 Thank You Girl (Take 5) 
13 One After 909 (Takes 1 & 2) 
14 Hold Me Tight (Take 21) 
Tracks 10-14: Copied directly from Studio 2 Sessions and speed corrected.
15 Money New mix, pretty similar to the left channel of the common version, but slightly longer at the end with no fade-out.

Thanks to gforce for analysing these tracks. We can add that both the demos, tracks 58 and 59 sound exactly like they used to on several earlier bootlegs. As for the BBC tracks, we'll have to leave them for later. But there are upgrades among them.

Backsides for bootleg CDs

$
0
0

Yesterday we brought you CD labels for your home burned CDs of your iTunes download of The Beatles Bootleg Recordings 1963. Today we have made some back sides. Of course, you may have sequenced the discs differently, and then these will not be usable to you. It would for instance make sense to have the BBC recordings in chronological order. We have just kept them "as is", because that's how the record company sequenced them. We have taken the trouble of correcting the mistaken dates.

We have chosen to burn three discs, even if it's possible to make them fit tightly on two discs. Our reason is that we wanted to treat the BBC recordings as a kind of sequel to the recently released "On Air - The Beatles Live at the BBC Volume 2". Hence the above cover suggestion for the front of these two discs. As front cover for disc 1, "Studio outtakes & demos", we will just direct you to the untampered with original cover.

Here's our three back sides.




You can burn CDs directly from iTunes or use external CD-burning software.
Edit: I was alerted to another back cover online, it's for a double CD which just splits the track list in the middle. It can be found here.

Bootlegs of the bootleg

$
0
0
Asian bootleg of the Beatles "Bootleg Recordings 1963"

You saw that one coming, didn't you? Here are the first Asian hard copies of the Beatles'"Bootleg Recordings 1963". Of course, not every Beatles fan everywhere in the world is able to download songs off the internet. In Asia, a lot of them don't even own computers. Heck, even in Europe and the USA, many collectors will not purchase records that are not available on physical discs.

Thanks to Dirk Bock, who first posted the photos of these underground releases. Of course, we shouldn't call these bootlegs, but I thought that was a good title for the story. Technically, these are not bootlegs but pirate records, bordering on counterfeits.


Dictionary:

Counterfeit: Mimics a real record, trying to pass it on as the real deal. Purchased by the general public or fans who can't afford the real record. The artists lose money.

Pirate record: Puts together official tracks on a disc and does not attempt to mimic an official record. Purchased by the general public and sells in large quantities. The artists lose money.

Bootleg: Contains only material that the artist has not given an official release. Purchased by only die-hard fans who needs to have every scrap of material from the artist. The artists do not lose any money, because they have chosen not to release it for money themselves.

Traditionally, the record industry doesn't distinguish between these different types of underground releases, typically branding all three categories as "pirate records".

Isn't it funny that this release, which the record company was originally just going to "sneak out", ended up doing so well on the iTunes charts worldwide, even at the inflated price tag they put on it? With a little help from this blog.

Liverpool International BeatleWeek 2014

$
0
0

Liverpool International BeatleWeek has just made the brochure for 2014 available. You may download it as a pdf by clicking or touching the image above. Chris Montez and Tommy Roe will be there! The festival runs from the 20th to the 26th of August.

US Album sampler

Top of the pops dancers

$
0
0
For the British Top Of the Pops music TV shows, often when there was no performance or video clip for a certain song, they would illustrate the songs with dance. So here are a couple of those. First up is the Top Of The Pops Dancers illustrating Wings'"Silly Love Songs", from 1976.



Of course, eventually a real music video for the song was made by Wings.
One video that never was made, was for George Harrison's "My Sweet Lord".  Here's Tony Blackburn from Top Of The Pops in 1971, introducing the dancing troupe "Pan's People"who illustrates that song.


Audiovideo content administered by Universal Music Group. There's a bit of dancing going on in the background of this one as well, John Lennon's "Instant Karma".



To round it off, here's one of Ringo's: "Back Off Boogaloo".


US Albums Boxed set - first look

$
0
0
1964: Meet The Beatles

The Superdeluxeedition blog kicks off the new year by publishing quite a few real photos of the new US Beatles CD boxed set. Individual shots of each album is to follow the next days. Take a look at the box here.


1964: Second Album

1964: A Hard Day's Night (first time on CD)

1964: Something New

1964: The Beatles' Story (first time on CD)

1964: Beatles '65

1964: The Early Beatles

1965: Beatles VI

1965: Help!

1965: Rubber Soul

1966: Yesterday And Today (first time on CD)
1966: Yesterday and Today (alternate cover sticker)

1966: Revolver (first time on CD)

1970: Hey Jude (aka The Beatles Again) (first time on CD)

1963: The public domain tracks

$
0
0
The Italian Great Dane BBC boxed set was legally released in the nineties,  due to an older copyright law in the country.
2013 ebbed out without a follow-up to the iTunes-only release Beatles Bootleg Recordings 1963. Thus, unless they sneaked out a vinyl boxed set somewhere unmonitored by us, around 50+ tracks from 1963 should now have entered the public domain in Europe. These are tracks that remain in The Beatles' vault, still unreleased. Of course, there's nothing very interesting there, these are tracks much like the afore mentioned iTunes release, a hodge podge of studio tracks, demos and BBC recordings. We provided a list of them in a previous blog post.

Since most of them have appeared on bootleg releases in the past, the tracks are circulating. More of them may be in high end private collections. Grey market compilations like last year's I Saw Her Standing There may now appear. Furthermore, the tracks can now be freely used as soundtracks to commercials or in upcoming movies. Of course, royalties will have to be paid, but that's a formality.

We promised to take you through the BBC tracks released on Bootleg Recordings 1963, so let us take a look:

An asterisk (*) denotes they didn't use a bootleg source, a hash sign (#) denotes having used Purple Chick BBC collection as a source..

*16 Some Other Guy "Saturday Club" 26.01.63 The end comment is not on a bootleg. The first two notes are from a bootleg, whereas the rest of the song is an upgrade from the previously booted source.
*17 Love Me Do "Saturday Club" 26.01.63 This song has been incomplete on bootlegs
18 Too Much Monkey Business is wrongly attributed to "Saturday Club", 26.01.63 according to iTunes, but is in fact from "Pop go the Beatles" 11.06.63. Poor quality.
#19. I Saw Her Standing There - Live At BBC For "Saturday Club" / 16th March, 1963
#20 Do You Want To Know A Secret from "Saturday Club", but not from 26.01.63 which is the date used by iTunes. The track is in fact from 25.05.1963.
#21 From Me To You "Saturday Club" but not 26.01.63. It's from 25.05.1963.
#22. I Got To Find My Baby - Live At BBC For "Saturday Club" wrongly labeled as 26.01.1963, is actually from 29.06.1963.
#23. Roll Over Beethoven - Live At BBC For "Saturday Club" / 29th June, 1963
#24. A Taste Of Honey - Live At BBC For "Easy Beat" / 23rd June, 1963
#25. Love Me Do - Live At BBC For "Easy Beat" / 20th October, 1963
#26. Please Please Me - Live At BBC For "Easy Beat" / 20th October, 1963
#27. She Loves You - Live At BBC For "Easy Beat" / 20th October, 1963
#28. I Want To Hold Your Hand - Live At BBC For "Saturday Club" / 21st December, 1963
#29. Till There Was You - Live At BBC For "Saturday Club" / 21st December, 1963
#30. Roll Over Beethoveen - Live At BBC For "Saturday Club" / 21st December, 1963
#31. You Really Got A Hold On Me - Live At BBC For "Pop Go The Beatles" / 4th June, 1963
#32. The Hippy Hippy Shake - Live At BBC For "Pop Go The Beatles" / 4th June, 1963
#33. Till There Was You - Live At BBC For "Pop Go The Beatles" /11th June, 1963
#34. A Shot Of Rhythm And Blues - Live At BBC For "Pop Go The Beatles" / 18th June, 1963
#35. A Taste Of Honey - Live At BBC For "Pop Go The Beatles" / 18th June, 1963
#36. Money (That's What I Want) - Live At BBC For "Pop Go The Beatles" / 18th June, 1963
*37. Anna - Live At BBC For "Pop Go The Beatles" / 25th June, 1963 From an upgraded source, but some tape damage patched with a booted source.
*38. Love Me Do - Live At BBC For "Pop Go The Beatles" / 10th September, 1963 An upgrade with less distortion than the booted version.
*39. She Loves You - Live At BBC For "Pop Go The Beatles" / 24th September, 1963 Upgrade
*40. I'll Get You - Live At BBC For "Pop Go The Beatles" / 10th September, 1963 Upgrade
*41. A Taste Of Honey - Live At BBC For "Pop Go The Beatles" / 10th September, 1963 From a new source, but a bit muffled
*42. Boys - Live At BBC For "Pop Go The Beatles" / 17th September, 1963 From a new source, but a bit muffled, plus suffering some tape damage.
*43. Chains - Live At BBC For "Pop Go The Beatles" / 17th September, 1963 Upgraded source.
*44. You Really Got A Hold On Me - Live At BBC For "Pop Go The Beatles" / 17th September, 1963 Upgraded source.
*45. I Saw Her Standing There - Live At BBC For "Pop Go The Beatles" / 24th September, 1963 Upgraded source, with less distortion than previously booted version.
*46. She Loves You - Live At BBC For "Pop Go The Beatles" / 10th September, 1963 This is actually the same performance as the one on track 39, but this recording is in slightly poorer quality.
*47. Twist And Shout - Live At BBC For "Pop Go The Beatles" / 24th September, 1963 From a new source, has less distortion than the previously booted source, but suffers from some tape damage.
#48. Do You Want To Know A Secret - Live At BBC For "Here We Go" / 12th March, 1963
49. Please Please Me - Live At BBC For "Here We Go" / 12th March, 1963
#50. Long Tall Sally - Live At BBC For "Side By Side" / 13th May, 1963 From the Great Dane BBC set!
#51. Chains - Live At BBC For "Side By Side" / 13th May, 1963
#52. Boys - Live At BBC For "Side By Side" / 13th May, 1963
#53. A Taste Of Honey - Live At BBC For "Side By Side" / 13th May, 1963
*54. Roll Over Beethoven - Live At BBC For "From Us To You" / 26th December, 1963 From an upgraded source, much clearer than previously booted.
#55. All My Loving - Live At BBC For "From Us To You" / 26th December, 1963
*56. She Loves You - Live At BBC For "From Us To You" / 26th December, 1963 From an upgraded source, much clearer than previously booted.
#57. Till There Was You - Live At BBC For "From Us To You" / 26th December, 1963

A CD-Rom which accompanied the Purple Chick BBC collection (2004)

The studio tracks were analyzed previously.

Let It Be release petition

$
0
0
Photo: Ethan Russell
There are many things to come from the Beatles in 2014. It starts off with the US Albums boxed set on January 20th, and we also anticipates a "1"-themed DVD of the promo clips in October. What we have been told, however, is that this is just the tip of the iceberg, and that a virtual avalanche of Beatles releases are headed our way this year.

LET IT BE

One of the most wanted releases, and a pet subject of this blog, is that elusive last Beatles film, Let It Be. It was available on video cassettes in several countries in the early eighties, and also on laser disc in USA, but was never on an official DVD. The last couple of years also saw the Beatles complete the releases of their films on Blu-ray, all except "Let It Be".

A HARD DAY'S NIGHT

From a tweet by Giles Martin in December, one could also make an educated guess that the Beatles finally have managed to get back the rights to release their first film, "A Hard Day's Night". Previously available on Blu-ray from Alliance Films, the release was marred by the fact that only the mono soundtrack was available to exploit, the copyright for the stereo versions of the songs was still held by the Beatles themselves. The picture itself was also badly framed. If the Beatles now hold the rights to the film itself, or if a collaboration has been set up, a new and better version, incorporating the full image along with selectable audio tracks including a stereo option is a possibility. And with Giles Martin involved, at least the audio portion would be in good hands.
That leaves us with Let It Be.

INDICATIONS

As previously reported, in October 2011, "Let It Be" director Michael Lindsay-Hogg, who was then making the rounds to promote his autobiography "Luck and Circumstance: A Coming of Age in Hollywood, New York, and Points Beyond" spoke about the film in an interview with radio station WNYC-FM: "We have been been working on it pretty much every year for the last couple of years. And the plan is, at the moment, to have it come out, I think, in 2013," Lindsay-Hogg said. He says that second disc will be filled with the film's outtakes. "When we first put 'Let It Be' out, I had to cut out a lot of stuff that I really like and wanted to stay in there. The stuff in the new DVD has a lot of the stuff that had to be cut out. So for me, it's like the egg is now complete."

Of course, we didn't see the project come to fruition in 2013, although the Beatles new record company liaison, Universal Music did release "Help!" on Blu-ray in June, 2013.

Also in 2013, the 2003-album "Let It Be...Naked" was made available on iTunes for the first time, and along with the album, two film clips were available for purchase, "Get Back" and "Don't Let Me Down". Also, a digital version of the Get Back book, originally part of the Let It Be boxed set in 1970, was part of the iTunes album download.

At the Paul McCartney concert at the Royal Albert Hall in March 2012, Richard Porter (London Beatles walk tour guide) learned from what he describes as a very reliable source that the film is now scheduled for release in 2014.

PETITION

An online petition has been set up for the re-release of Let It Be. You can find and sign it on ipetitions.com
There's also (as ever) a Facebook group for the petition. You will find that here.

More from Manchester

$
0
0


Another offering from that wizard of video/audio synchronisation, HIWAX. She Loves You/Twist and Shout/From Me To You outro. A.B.C. cinema, Ardwick, Manchester, Lancashire. Filmed for The Beatles Come To Town.

Powerpuff Ringo

$
0
0
From the "Meet the Beat-Alls" episode of the Powerpuff Girls.
“In 'Dance Pantsed,' why is Mojo Jojo kidnapping a mathematician, an opera singer and a badger? To steal Chemical X, of course, and to finally take over Townsville. But when the Powerpuff Girls thwart his plan, he invents an evil video game called ‘Dance Pants R-EVILution’ to control their minds and bodies to fulfill his evil plot! The Professor must visit his dark dancing past to save his girls so they can save all of Townsville!”

The new special will air on January 20 on Cartoon Network in USA. Here's the Ringoless trailer.



All of the original series' voice actors will be reprising their roles, with Ringo Starr joining the cast as Fibonacci Sequins, "Townsville’s most flamboyant mathematician." Starr will also lend his unique vocal gifts to the special's accompanying pop song, "I Wish I Was A Powerpuff Girl".

The Powerpuff Girls have made several references to the Beatles in the past, most famously in the "Meet The Beat-Alls" episode.
Viewing all 1308 articles
Browse latest View live